User ReviewsReview this title
There are a couple points in the movie where the dialogue seems to take longer than necessary, but overall it's action packed.
My kids are 3 and 6. They loved Nemo, they loved this.
In the picture there are mythology , humor , rip-roaring , adventures , swashbuckling and it's pretty bemusing . It's a combo of computer generator and hand-drawn animation by Patrick Gilmore and Tim Johnson with voices from Brad Pitt and Catherine Zeta Jones . The movie mingles spectacular cartoon with FX computer generator as when the heroes are taking on monsters because these are made by computer . The confrontation amongst the starring and the giant bird named Roc (also appears in ¨The seventh voyage of Simbad¨ directed by Nathan Juran) is mesmerizing and fascinating , it's the best part of the film . In the movie there is a homage to Ray Harryhausen because the monsters are similar , though here are made by computer and on Ray's films are by means of Dynamation and stop-motion . Film obtained much success likeness to previous motion picture ¨Treasure planet¨ , both of them achieved quite money at the box office.
Good production by Jerry Katzemberg , David Geffen who along with Steven Spielberg constituted Dreamworks . Harry Gregson Williams' musical score is atmospheric and enjoyable . The fable will appeal to fantasy fans and adventure cartoon buffs . Rating : Very nice , well catching .
So I hesitated a long time before watching this one. (above all with a "DISNEY" movie ! I feared to fall asleep.)
But I love this one ! The story is absolutely new, surprising and imaginative. The runtime's movie is short, so no time to bore. The charactere way of talking is really fun and modern, with hilarious quotes. My favourite one is when the Sinbad's ship arrives at the end of the sea, and someone says : "Well, at least, that proves earth is flat !" (LOL !)
Not a masterpiece, but a really good entertainment !
Sinbad (Brad Pitt) is a happy pirate bent on retiring to Fiji after stealing the legendary Book of Peace. The only problem is that his childhood friend Proteus (Joseph Fiennes) stands in his way. Sinbad finds himself in a conundrum when he fails to obtain the book and ends up following his friend back to his palace where he is introduced to Proteus's future wife Marina (Catherine Zeta-Jones).
When Sinbad is eventually framed by Eris (Michelle Pfeiffer), the Goddess of Chaos for stealing the Book of Peace, Proteus defends his friend for the crime. Proteus puts his life on the line so that Sinbad can sail into uncharted territory and retrieve the book. Unbeknownst to Sinbad, Marina tags along. Can Sinbad wrestle with a goddess and get through uncharted territory in time to save his friend?
Sinbad has always been an epic character and one of my favorites from classic literature and myth. He has inspired so many other multi-layered adventure characters over the years. I was first exposed to his adventures when I was a child and obsessed with seeing more movies from legendary creature creator, Ray Harryhausen. The Sinbad trilogy from Harryhausen still has a soft spot in my plethora of movie favorites. I loved the magic and vastness of worlds that inhabited Sinbad as a character.
It was that knowledge and foundation that made me so excited about seeing a new incarnation of a classic character. I had the same reaction when Disney re-invented `Tarzan' in their animated film. I was half-hoping that there would be a great musical score like that of Disney's `Tarzan' or `Aladdin' but what I did end up seeing wasn't your typical animated cartoon. That was a whole new blessing unto itself.
DreamWorks's Sinbad was definitely a whole re-envisioning of the character but also quite a bold project on its own. I loved how the film seamlessly melded standard animation and computer graphics. There hasn't been an animated film yet that has been able to make such a successful fusion. The backgrounds were utter eye-candy. I also really enjoyed how smart and delectable the dialogue was between these characters. The humor and drama were very involving and extremely enjoyable. As with every Sinbad movie, you always want to see more far off lands and more creatures. That allure and mystery is alive and well in this version.
What was probably the most interesting was that this was the first time an animated film had a character fall in love with his best friend's future wife or that an executioner is ready with a giant axe to slice off a character's head. Even some of the tongue-in-cheek humor was more aimed at adults than children. I liked that because it acknowledged that you don't have to be under 12 years old to enjoy animated films.
My only wish for Sinbad would be that it had a grander score or a memorable song. I wanted some epic music for such a grand character. A bolder score would have made the animated film feel big enough to encompass what Sinbad is. I liked how DreamWorks used music in both `Spirit' and `Road to El Dorado' but seemed to have dropped the ball for this one.
Sinbad is a charming animated film with the DreamWorks edge but it needed to be bolder and bigger to do justice to such a legendary character. I just wanted more. (4 out of 5) So Says the Soothsayer.
More fun than Disney's own seafaring adventure of 2001 ATLANTIS: THE LOST EMPIRE (an under-appreciated film which I loved), Dreamworks' SINBAD: LEGEND OF THE SEVEN SEAS has everything an exciting adventure should have: Action, romance, and a whole lot of laughs. Action-packed and sharply funny, SINBAD is a marvelous little film that keeps the joys and appeal of the rip-snorting old-fashioned Sinbad films of the 50's/60's.
The fast-paced storyline sets you off to the high seas and doesn't lose track. Brad Pitt is delight as the voice of the wisecracking Sinbad, a seafaring pirate who is framed by the evil Goddess of Chaos (savory Michelle Pfieffer) on stealing the legendary Book of Peace, which unites nations in harmony. While his trusted childhood friend Proteus (voiced by Joseph Fiennes) courageously allows to take Sinbad's place in execution, Sinbad sets of to find the book in order to save his trusted friend... or does he? Proteus' fiancée Marina (voiced with glee by Catherine Zeta-Jones) accompanies Sinbad on his voyage to make sure he fulfills his due. Also accompanying Sinbad on this lovely and perilous voyage is the audience, young or old, who will definitely have a rollicking good time with this film's successful melding of action and comedy... something for both the children and the adults will enjoy.
Once again, Disney has found great competition for an animated entertainment in this terrifically enjoyable adventure. Adults will have much to be surprised themselves (even if they had that final kiss scene coming). Lots of fun.
Rating: **** out of 5.
First off, this is a gorgeous film to look at. The CG work may not be quite seamless, but this seems to be an intentional decision on the part of the directors, and it wasn't jarring in any way. The colour palette is well chosen, and the characters are well-drawn and stylised.
Second, the voice performances are great. Brad Pitt has always been an underrated actor in my opinion, so his performance here was, no surprise, excellent, as were those of Joseph Fiennes, Catherine Zeta-Jones, and Michelle Pfeiffer.
Third, the pacing is great. This is a film that breezes by with plenty of action and a welcome lack of potty humour. There are scenes where vomit and bare bottoms are used, but not nearly to the same tasteless effect as most children's films these days.
Finally, my kids loved it. They had a lot of fun, and so did my wife. This is not a crowd easily pleased by movies, so this is really saying something.
All of the voice work was very good - and in spite of what others here have said about Pitt, I thought he was perfect for the part. He had plenty of emotion - not overdone, but restrained - caged in a subtle manner, just like you would expect from a sailor and pirate. Jones was fantastic as Marina, as one would expect, but the true stand-out was Pfifer. I had forgotten she was the voice of Eris, the Goddess of Chaos. I kept asking myself "WHO is that - she must be very sexy in real life..." - uh, duh. I think the older Michelle gets, the sexier she gets - and her voice work is no different. It (her voice) was so silky and seductively smooth - to match the on-screen presence of the brilliantly-animated Eris. A little of Eris went a long way - you always felt her omnipotent presence, due in most part to Pfifer. There were a few men in the audience laughing at some of her comments on screen. The laugh was the kind of defensive laugh that we men use when we are are turned on. No doubt - what a voice.
Many on here have criticized the dialog as being too modern, not traditional enough. The simpler dialog, to me, made it more believable. I have never understood the reasoning of using complex word usage by such simple people as pirates and sailors. I am sure that if way back when, their dialog were perfectly translated into modern English, one would not see much difference than today's banter. Thees's, Thou's and Whitherest's are stereotypical usage of Medieval times. Just because those words were used in print does not necessarily mean they spoke that way in everyday informal conversation.
Unlike other recent animated films, there was no lagging preachy portion, sermonette or message. Good. It is about time that someone makes a film just for its entertainment value - like this year's Oscar-winning Chicago, for instance. Entertaining it was, too. Sinbad had me hooked all the way, wanting a sequel at the end. To me, 2-D animation is still my favorite. Although I like some 3-D animation, I tend to look for its flaws all throughout the movies. With 2-D, I just want entertainment and vivid color, not pseudo-reality. Sinbad's color was some of the best in years - many subtle shades, blended in dramatic fashion.
I thought the action sequences were carefully handled and put you incredibly on the edge of your seat. Unlike Disney's recent Tarzan, whose real claim to fame was the tree sequences, this film has real nail-biting action and a good, non-sappy story. The mythological setting seemed as if it actually was part of written history. To me, most fantasy films are just too surreal for believability, but this one, albeit 2-D, was unlike many of its animated and non-animated predecessors. The sirens sequence was an outright masterpiece. The Gates of Tartarus sequence was top-notch and almost believable. I won't spoil it for you as to why I say... almost.
Maybe I'm naive, but I do not know how this film achieved a PG rating. Nothing from what I saw warranted that - it was good, clean family entertainment that was, for the most part, an adult-oriented film. The usual kiddie-aimed characters, like talking animals did not exist. Spike the (non-talking) dog was the only real child-oriented comic relief character - and it was not over the top, either. Rat (a nicknamed sailor) was also comical, but was again, not aimed at the kids, although my kids laughed at him. The arguments between Marina and Sinbad were also comical. Some said this film lacks humor - not true - it lacks silliness.
The music score was reminiscent of past adventure films - a real symphonic score! There were no modern power ballads, synthesizers or overdubbed vocals - just great symphonic music. It truly followed the story on screen and complimented the action quite well. For those of you who like animated features that have songs sung by Michael Bolton, Bryan Adams and Phil Collins, etc. - you will be disappointed in Sinbad's soundtrack. I am getting the CD, for sure.
Last, but not least, this film concludes in fine emotional form. Even though you know how it will end, you still feel an emotional pull in one of the final scenes. There were little kids (and some adults) in the audience crying at that point which, unlike previous reviewers, I will not spoil. When I review a film, I review its merits and/or flaws. I don't, however, retell the ENTIRE story and plot - that is NOT a review - that is a retelling, summation or synopsis.
"Sinbad: Legend of the Seven Seas" is a rare find - good adult and AND family fare entertainment. It is not a "feel-good" movie, although it achieves that result. It is not a modern, priceless 2-D animated masterpiece like "Beauty and the Beast" or "The Little Mermaid," but it it comes pretty darned close. I highly recommend seeing this film.
9/10 or ***1/2 out of ****
Ted in Gilbert, AZ
Infamous pirate Sinbad (voice of Brad Pitt) and his crew attack another ship in the Mediterranean Sea. They are trying to steal enough riches to retire to a life of luxury in Fiji, but their plans are interrupted when Sinbad discovers that the boat he's just boarded belongs to an old childhood friend, Prince Proteus (voice of Joseph Fiennes). Proteus is delivering a valuable, magical book The Book Of Peace to Syracuse, and is determined to protect his priceless cargo whatever the cost. After being knocked overboard Sinbad is saved from drowning by Eris, the Goddess of Discord (voice of Michelle Pfeiffer). She persuades him to steal the Book Of Peace for her, promising him wealth and power beyond his wildest dreams. But later Eris herself steals the Book, framing Sinbad for the crime and leaving him to face execution in the city of Syracuse. Proteus is the only person who believes that Sinbad is innocent of the crime so he does a deal. Proteus offers himself for execution and lets Sinbad go free the arrangement being that Sinbad must return within ten days with the Book. If he returns in time, he will be pardoned. If he returns late or not at all, Proteus will die. Initially, Sinbad plans to sail away as soon as his ship is over the horizon, but when Proteus's fiancée Marina (voice of Catherine Zeta-Jones) turns up as a stowaway on his ship he has to change his plans. Sinbad and his crew endure an action-packed adventure as they head towards Eris's kingdom of Tartarus a land from which no-one has ever returned alive. Along the way, Sinbad learns a few important life-lessons, such as commitment, honesty, friendship and loyalty. But he also finds himself falling in love with Marina, even though she is betrothed to his friend. Worse still, he learns that getting the book back from Eris will require sacrifices and a change of character that might just be beyond his ability ..
"Sinbad: Legend Of The Seven Seas" consists of good and not-so-good elements. As mentioned, the animation is consistently excellent throughout. Harry Gregson-Williams gives the film a memorable and exciting score, and John Logan's screenplay provides a sufficient variety of adventures in adventurous realms. The vocal acting is OK too, with some of the stars enjoying better roles than others. Pfeiffer and Zeta-Jones in particular get fully into the spirit of the film. Indeed, one of the most refreshing things about the entire movie is the strong female presence in it both Eris and Marina are powerful characters whose involvement in the story is central to everything going on. The not-so-good elements include a rather bland, by-the-numbers plot (anyone who's ever seen a Ray Harryhausen film will knows what's coming well before it happens). Similarly, the film has an annoying habit of either Americanising or modernising everything most notably the dialogue and the banter. Then there's the fact that Sinbad dreams of retiring to Fiji a good millennium or two before Fiji had even been discovered another lack of attention to detail that grates on the viewer. On the whole, however, I found "Sinbad: Legend Of The Seven Seas" to be an enjoyable and somewhat overlooked animated fantasy. Aside from its periodic flaws it's definitely fun for the family.
Though there are some famous voices behind the characters of this film, they don't really stand out much. Brad Pitt, who took over the role after Russell Crowe dropped out, voices the great thief Sinbad. From what was seen in the film, there was probably a pretty good reason why Crowe decided to drop out. The character is more of an anti-hero in the legend but the script tries too hard just to make him a straight forward hero. Pitt doesn't help the character as his voice work is too dull and flat to give much excitement to Sinbad. How about some emotion in the voice work Brad? Is that too much to ask? Not much to complain about the character of Marina, voiced by Chicago star Catherine-Zeta Jones. The script tries too hard to try and start a romantic spark between her character and Sinbad but other then that, Jones does a very good job. Michelle Pfeiffer is amazingly creepy as the voice of Eric the goddess of Chaos. The only problem is that as central as her character is in the film, she isn't seen much, which is a shame since much of the animation done on her is very good. Joseph Fiennes is good as the voice of Proteus but the problem is that his character so rarely seen or talked about throughout the film. There is so little known about the character that you don't feel emotion for him when he is about to die.
Overall, Sinbad: Legend of the Seven Seas, as good as it tries to be, signals another nail in the coffin of traditional animation. It would have been much better if Dreamworks would have stuck with the legendary stories about the famous thief instead of making up their own story that tries too hard to make Sinbad a straight forward hero. The greatness about the character is that he isn't supposed to be a hero. He does great things but he does them for himself and himself only. His character was about the freedom of living on the high seas and not listening to anybody. The animated film just ruins that effect. Speaking of effects, the computer animation used to create the waves of the ocean as well as the many monsters Sinbad faces does not blend well at all with the traditional animation. Some of the effects, like the monster at the beginning of the film, just looked totally ridiculous. There were many things that just didn't seem to make sense like The Book of Peace. What is the point of the Book of Peace? What does it do? From what was seen in the film, all it does is make everything turn dark and nothing more. The ending was just absolutely absurd. Sinbad returns the book and Marina, who at the beginning was engaged to Proteus, has fallen in love with Sinbad. But Proteus, who is nearly killed not once but twice during the film thanks to this guy, is absolutely fine with this. Are they nuts? Speaking of which, what does Marina see in Sinbad anyway? What ever it is can not be seen within the course of the film. Sadly this film may make more business then Treasure Planet, which is an absolute shame.
My Rating: ** ½ out of 5 (Grade: D+)
Yet that's not to say Sinbad can't effectively be enjoyed on its own terms. The story is a slender one, concerning the title character (voiced fittingly by Brad Pitt), who is on an expedition to recover the Book of Peace from Eris (Michelle Pfeiffer). Her plan was to frame Sinbad for stealing the book (which has united the twelve different lands for years) and get him sentenced to death. The fork in the plan was Prince Proteus (Joseph Fiennes) stepped in to spare the death of Sinbad so he can embark on the rough seas with his crew and the gorgeous Marina (Catherine Zeta-Jones) to recover the book. Now, the fate of Sinbad's village Syracuse rests in his hands.
The film reminds me of the swashbuckling adventure films Disney used to release in the sixties and seventies to much acclaim. As a matter of fact, in some cases, the film mirrors Disney's animated films, most notably Atlantis: The Lost Empire and Treasure Planet for taking place on the rigorous seas and exploring new territory. While the film doesn't have the clunky animation Treasure Planet had, it doesn't the memorable, majestic beauty Atlantis boasted. That film was an incredible, underrated visual achievement for Disney, as it showed its slicker, more mature side than the happy-go-lucky, song-and-dance persona the company predicated itself on for many years.
Sinbad, however, does further my view that Dreamworks is the most talented animated company when it comes to fluent movement. In the last few Dreamworks films I've watched (The Road to El Dorado and Spirit: Stallion of the Cimarron), I've seen incredibly breezy and extremely slick movement. Being that the film takes place almost entirely on the unpredictable seas, movement of the ship and the characters on board is almost required and the guys behind the animation have a lot of fun with the possibilities. Sinbad was the reason animation was invented to begin with. Seeing these kinds of things done in live action, likely assisted by an embarrassing amount of computers, would be ordinary and rather predictable. Because it takes place in a divine, animated wonderland, the characters do not have to subject themselves to plausibility, the laws of physics, or even the gravitational force. Animation was meant to break all kinds of laws and that's what this film does and does well.
Sinbad: Legend of the Seven Seas works as a competent story and would've probably been praised had it been released in the eighties or the nineties. But, to come full circle, what was efficient and passable fare back then isn't what passes as entertainment today. It serves more as a footnote for Dreamworks than a significant, indelible watermark.
Voiced by: Brad Pitt, Catherine Zeta-Jones, Michele Pfieffer, and Joseph Fiennes. Directed by: Tim Johnson and Patrick Gilmore.
A good storyline and the only weakness is the thin pirate script. However the emphasis of friendship is strong as a counter.
Voices are dubbed well and the whole is a good result for all ages in a slow summer of school holidays!
9 out of 10
"Who's bad? Sinbad."
A hugely entertaining film. GO SEE IT! You wont be dissapointed.
Oh, and by the way Nomad-7 this is NOT a Disney movie! It's Dreamworks! Did you even watch it?
The Goddess of Discord steals the magic book that protects the Twelve Cities and frames Sinbad for the theft. Sinbad's childhood friend offers himself in Sinbad's place while Sinbad goes off to recover the book from the goddess. If the book is not recovered in time, the friend will forfiet his life. Will Sinbad the professional thief recover the book and save his friend's life or let him die to save his own skin?
The message is that women should be attracted to rakes like Sinbad in the ever-faithful quest to find their "heart of gold" beneath the lies. The main female character, a strong and independent woman, has the ditzy failing that she believes that Sinbad (whom she barely knows) MUST have goodness in him, despite that he has shown none. She chooses him from the beginning over the honorable prince. This sends a message that women should tolerate liars believing that eventually their future actions will redeem them.
Give me the honest man over the liar anyday, and tell your girls that, too. Life ain't a romance novel, and don't we know it. :)
The basic plot has Sinbad trying to steal The Book of Peace from a ship on the ocean. When he finally runs down the ship he finds its commanded by a boyhood friend. Not one to stand on ceremony he attempts to steal the book only to be interrupted by a kraken like being sent by the goddess Eris. Together the pair defeat the beast, in one of the great set pieces of the film, but in the process Sinbad is swept overboard only to be rescued by Eris who tells him to steal the book for her and she'll make him rich. Sinbad agrees, but for reasons left for the viewing , he backs out only to be blamed for the theft anyway. His friend knows he's innocent and takes his place so Sinbad can attempt to get the book back with in the ten days before his execution.
Thats the first fifteen minutes.
Its not as exciting as all of that, these fifteen minutes I mean, since its badly handled exposition done to get the plot really moving.
I have a suspicion that the voyage was designed before the framing sequences and that the inclusion of Eris was done simply because it was a way to get the wheels in motion and have a magical air to it all.
The voice cast is uniformly excellent. It is quite possibly the best voice cast of this stature that I've seen in a long time. (That should be heard). The joys of the listening to Pitt, Pfeiffer, and Zeta-Jones is that they really are acting and really are selling the film. I can imagine everyone being on set and acting together even though the fact is far from the truth.
The writing is excellent and you can see that the film really was written as if it were a live action film in the way that the characters hang together is a more real way than in many animated films where characters are of a type and nothing more.Here the characters are people which is nice.
Because the writing is so good the reasons for things are clearer than in most animated films these are people reasons not cartoon reasons, for example the reason why Sinbad was gone for ten years could only have been come upon by someone who wrote a real script instead of fumbled around with a storyboard. This small moment is, for me one of the high points of the film. The dialog is fantastic, witty and snide and dead nuts on.
The film is best viewed as a film that exists only for the voyage since thats the best part and what a voyage it is. Here the film becomes a series of wonderful set pieces that are joy to behold, but are at times regrettably undercut by the bad directed linking material. Beyond saying ignore the links I want to say little about the actual film other than that the kraken sequence, the dragons teeth sequence, the island hopping, the snow bird and several others are fantastic adventure sequences that rouse you up and get you into the mood to go adventuring. This is great stuff.
And while this is a grand adventure it should be stated that this is a grand ROMANCE. Oh my word its wonderful, pull those little heart strings why don't you. This is the romance of Nick and Nora or Spencer and Susan, but with action added in.
And even as I wax poetic about the movie I must remind you that even as the voyage builds to a conclusion the movie wobbles a bit at the end, not the very end, but a couple of minutes before when I was going to myself, "thats it? You mean all of that and thats it?" Its bad direction I'm telling you (that or studio interference). there shouldn't be that bump towards the end...
But lest you worry it picks up and ends with a bang