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Liberty Heights (1999)

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Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »

Director:

Barry Levinson

Writer:

Barry Levinson
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Adrien Brody ... Van Kurtzman
Ben Foster ... Ben Kurtzman
Orlando Jones ... Little Melvin
Bebe Neuwirth ... Ada Kurtzman
Joe Mantegna ... Nate Kurtzman
Rebekah Johnson ... Sylvia
David Krumholtz ... Yussel
Richard Kline ... Charlie, Nate's Assistant
Vincent Guastaferro ... Pete, Nate's Assistant
Justin Chambers ... Trey Tobelseted
Carolyn Murphy ... Dubbie the Blonde
James Pickens Jr. ... Sylvia's Father
Frania Rubinek Frania Rubinek ... Grandma Rose
Anthony Anderson ... Scribbles
Kiersten Warren ... Annie the Stripper
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Storyline

Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and rock and roll is pushing the Four Lads off the Hit Parade. Ben, a high school senior, and his older brother Van are exploring "the other": in Ben's case, it's friendship with Sylvia, a Black student; with Van, it's a party in the WASP part of town and falling for a debutante, Dubbie. Sylvia gives Ben tickets to a James Brown concert; Dubbie invites Van to a motel: new worlds open. Meanwhile, their dad Nate, who runs a numbers game, loses big to a small-time pusher, Little Melvin; a partnership ensues. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

You're only young once, but you remember forever.

Genres:

Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for crude language and sex-related material | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Warner Bros

Country:

USA

Language:

English | German | Yiddish

Release Date:

31 December 1999 (USA) See more »

Also Known As:

Dometi slobode See more »

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Box Office

Opening Weekend USA:

$95,247, 21 November 1999

Gross USA:

$3,736,868

Cumulative Worldwide Gross:

$3,736,868
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Part of a series of films based Barry Levinson's family and friends from Baltimore. The other films are: Diner (1982), Tin Men (1987) and Avalon (1990). See more »

Goofs

When Nate goes to pick Ben up from Little Melvin the Key Bridge can be seen. The Key Bridge was not completed until 1977. See more »

Quotes

Dubbie the Blonde: Do you speak french?
Van Kurtzman: No. Do you?
Dubbie the Blonde: Yes. Not as well as my father's boyfriend. But then again, he is French.
See more »

Alternate Versions

DVD release has a "music-only" version of the film with no dialogue and only music and score. See more »

Connections

Features Your Show of Shows (1950) See more »

Soundtracks

When Love Walked In
Written by Brenda Russell & Doug Riley
Produced by Brenda Russell & Stephan Oberhoff
Performed by Brenda Russell
Courtesy of Hidden Beach Recordings
See more »

Frequently Asked Questions

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User Reviews

Unexpectedly Great!
14 September 2011 | by southwest3210-156-400970See all my reviews

I saw all 4 of the so-called "Baltimore Quadrilogy" in sequence, and, while the first three were fantastic, Diner still rose to the top for me. It was the most real, most heartfelt, and most memorable. I put on LH thinking it would be "okay", and was shocked to see it just about right up there with Diner for all the same reasons. If you've seen Scorsese's "The Bronx Tale" with DeNiro, you might notice a resemblance, down to the "forbidden" teen interracial love plot. In Bronx Tale, the "mob" has a part, but with nothing terribly eventful. In both, the family and everyday storyline take precedence, as if the mob aspects were afterthoughts.

I can't say that the Jewish Mob background did LH justice, as Montagna just seemed too wishy-washy to be a front-line mobster. Montagna is a great actor, but I think he should have brought a little harder edge to the mob-orientated moments. He did fine as a father, though he could have had any occupation and the movie would not have been any the less for it. I strongly feel that if the movie did not have the mob element in it, and Montagna had a conventional occupation, the movie would have been perfect, and even more realistic than it was. The burlesque scenes again were a drag on what otherwise would have been a perfect "coming of age" film.

This movie comes very close to "Diner" quality, if not for the somewhat flawed "mob" subplots....well worth seeing though!


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