As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, ... See full summary »
A hitman who lives by the code of the samurai, works for the mafia and finds himself in their crosshairs when his recent job doesn't go according to plan. Now he must find a way to defend himself and his honor while retaining the code he lives by.Written by
Ghost Dog shoots Handsome Frank first in the stomach, then in the chest, then in the head. These shots follow the same pattern as seppuku, Japanese ritual suicide, in which the first cut with a sword or knife is made across the belly, the second cut up toward the sternum, and finally the suicide dips his head and is decapitated by his assistant. See more »
The final shoot out is said to take place at "High Noon" and the clock in the background rings 12 times, but the shadows are far too long, indicating early morning or late evening. See more »
The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's ...
See more »
The second to last person thanked at the credits' close is Akira Kurosawa--the Japanese filmmaker who filmed one of the Ghost Dog's central texts, Rashomon. See more »
Men clinging to noble, outdated ideals in a world that no longer cares about such things: that's the concept here. Whitaker shows amazing strength and control in an antihero role that is necessarily secretive and subdued. Silva and Tormey turn in solid performances -- Tormey is especially poignant as the second-fiddle mafioso, torn between his admiration of Ghost Dog and his devotion to his own sempai (Silva).
The excellent soundtrack, courtesy of RZA, adds its own somber-yet-hip mood to the work. Jarmusch frames his characters on rooftops, on 'hood byways, in mansions, in the back rooms of Chinese restaurants, and everywhere there is a feeling of the walls closing in, of things coming to an end, of finality. See it. It's a good movie.
83 of 113 people found this review helpful.
Was this review helpful to you?
| Report this