Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
Max/W.Snipes has a one night stand with Karen/N.Kinski in NYC. He returns to his wife, 2 kids and career in LA but is affected. A year later, Max and Karen meet again by chance, but this time they're with their spouses.
Chris O'Brien, devoted Catholic and rookie cop with LAPD, is assigned to partner with the hard-edged, street-smart Nora Hugosian. A serial killer is loose, and all the victims are low-life ... See full summary »
The movie is a coming-of-age drama about a boy growing up in Astoria, New York during the 1980s. As his friends end up dead, on drugs, or in prison. He comes to believe he has been saved from their fates by various so-called saints.
Robert Downey Jr.,
2 girls wait outside a young actor's door and find out he's had them both as "only" girlfriend the last 10 months. They wait inside after breaking in. When Blake comes home he just can't stop lying but they stay.
Robert Downey Jr.,
Natasha Gregson Wagner
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Limited docuseries looks back on the group's career. It was music and shared lyrical genius that allowed them to form the most recognized musical movement in the world, all while walking the tightrope that links business with brotherhood.
Set in New York City, Black and White features several losely related stories centering on a pair of documentary filmmakers, Sam and her husband Terry, in following a group of caucasian teens, Raven, Charlie, Will, Marty, Wren and others who try to fit in with Harlem's black hip-hop crowd who include gangster rapper Rich Bower and his music partner Cigar in landing a recording gig, as well as college basketball player Dean who is conflicted on taking a fall on a game for shady gambler Mark Clear who has hidden agenda for Dean and Rich.Written by
When Robert Downey, Jr. was offered the part of playing the husband to Brooke Shields' character, he decided he wanted to play the character as a gay man, who hits on every guy he met in the film. He became a bit nervous when he found out one of those men would be Mike Tyson, but James Toback told him to stick to his original plan. See more »
Dean is described repeatedly as a "star point guard." Actually, like the actor (a star basketball player in real life), Dean is a shooting guard who sometimes also plays small forward. See more »
When you're an adult, you have to kind of know who you are.
See more »
U.S. version was cut from its original NC-17 rating to be re-rated R. See more »
It's the one Tobackonists have been waiting for since the thrill of his debut movie FINGERS--a movie with the soar and rush of obsession that also has the sanity and craft of a grown man. This movie about the uneasy millennium-era relationship of black and white people in America is not, as many people have said, a work of moony White Negroism. It resembles one of Godard's mid-sixties essay-movies like MASCULINE FEMININE or TWO OR THREE THINGS I KNOW ABOUT HER, but with race substituted for sexual politics, and with a heavy dose of pornography and melodramatic pulp. Toback keeps cranking up the heat as the cast--a conceptual-art demonstration of stunt casting--leaves the audience openmouthed.
Bijou Phillips is a wonder as the wigga-talkin' Upper East Side chiclet who proclaims, "I wanna be black--I'm a kid in America." Ben Stiller, as a tormented dirty cop, gives the performance of his life in a high-speed monologue of self-analysis that's like a speed freak's channeling the essence of Robert Downey, Jr. The great man himself appears here as well, as a gay artist who comes on to Mike Tyson (playing himself) at a party. The scene of violence that ensues should have James Toback clinking a glass in celebration in the mirror: he managed to top the Jim Brown/Tisa Farrow head-smashing sequence in FINGERS. Brooke Shields is an amazement as a fervent, sincere documentarian with dredlocks--she's like a deadpan version of the Geraldine Chaplin character in NASHVILLE, and Shields astonishes.
Toback wants to cram everything into this bird's eye view of race--sexual fantasies, money machinations, the class strata of New York City. That none of the scenes is a dud, that the movie is beautifully shot and edited, that nothing feels merely "excessive," is a testament to the passion behind the camera. BLACK AND WHITE is a miracle to this viewer: it renewed my excitement and faith in movies at a moment when I felt it falling down.
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