Members of a cult, modeled on Aum Shinrikyo, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members of those affected by it meet at the lake to observe the anniversary of their loved ones' deaths.
Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.
Ryota is a successful workaholic businessman. When he learns that his biological son was switched with another boy after birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.
A small mid-20th century social-service-style office is a waystation for the souls of the recently deceased, where they are processed before entering their personal heaven - a single happy memory re-experienced for eternity. Every Monday, a new group of recently deceased people check in, and the "social workers" in the lodge explain their situation. Once the newly-dead have identified their happiest memories, workers design and replicate each person's chosen memory, which is staged and filmed. At the end of the week, the recently deceased watch the films of their recreated happiest memories in a screening room. As soon as each person sees his or her own memory, he or she vanishes to whatever state of existence lies beyond and takes only that single memory with them. The story pays most attention to two of the "counselors," Takashi (Arata) and Shiori (Oda). Takashi has been assigned to help an old man, Ichiro (played by Naito Taketoshi), select his memory. Reviewing videotape of ...Written by
Much of the action in After Life is shown as interviews conducted with the recently deceased regarding their lives. Some of these interviews were scripted, but many were done impromptu, with real people (not actors) reminiscing about their own lives. See more »
"When we come to the last moment of this lifetime and we look back across it, the only thing that's going to matter is 'What is the quality of our love?" - Richard Bach
One of the most commonly reported aspects of near-death experiences is the life review, the seeing and re-experiencing of major and trivial events of one's life, sometimes from the perspective of the other people involved. Most say that the single most important lesson they learned is that the actions we think are trivial and unimportant turn out to be the most important, especially ones that involve spontaneous acts of love. While not exactly a life review, in After Life by Hirokazu Koreeda, a group of recently deceased people are asked to look back at their life and choose only one memory from their life that they want to take with them to eternity. The process compels people to look at their life in its entirety and see what worked and what was missing.
Set in a dreary barracks-like way station, civil servants meet with those just crossed over to help them choose the experience they want to hold on to. For some, the choice is easy, for others it is difficult. Those that will not or cannot choose are consigned to work in the substation with the newly deceased until they are ready to move on. The counselors work one on one with each individual telling them that they have three days to make their choice. Once a memory is selected, a film crew recreates the memory-- sets are built and the little touches of sights and sounds are selected until the deceased are satisfied that they are witnessing a perfect recreation of their experience. It is that film that they take with them, not the original memory.
At first some choose things such as a trip to Disneyland, a sexual encounter, or a memorable bowl of rice but later gravitate toward experiences that are more meaningful. The center of the film revolves around those who are unable to choose. Ichiro Watanabe (Taketoshi Naito) is a 70-year old management consultant who has led an uneventful life and is challenged to find a memory he thinks is worth preserving for all time. To help him in this process, he is allowed to scan through piles of videotapes representing each year of his life. One young man wants to choose a dream instead of an actual event. Another wants to forget his past entirely, and an elderly woman is stuck in the mindset of a nine-year old girl.
After Life is the story of the caseworkers as well. Takashi Mochizuki (Arata) has been stuck in limbo because he cannot find any happiness in his twenty-two years until he realizes how his short life deeply affected someone else. His perfect realization also affects a co-worker Shiori (Erika Oda) who has fallen in love with him. After Life is a beautiful and touching film that allows us to reflect on the things that brought us joy in our own life, and to recognize that true happiness lies, not in outward symbols of success, but in giving ourselves to others.
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