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42 Up

  • TV Movie
  • 1998
  • 2h 19m
IMDb RATING
8.1/10
2.9K
YOUR RATING
Jacqueline Bassett, Lynn Johnson, and Susan Sullivan in 42 Up (1998)
BiographyDocumentary

Director Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the las... Read allDirector Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.Director Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

  • Director
    • Michael Apted
  • Stars
    • Bruce Balden
    • Jacqueline Bassett
    • Symon Basterfield
  • See production info at IMDbPro
  • IMDb RATING
    8.1/10
    2.9K
    YOUR RATING
    • Director
      • Michael Apted
    • Stars
      • Bruce Balden
      • Jacqueline Bassett
      • Symon Basterfield
    • 21User reviews
    • 26Critic reviews
    • 86Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Won 1 BAFTA Award
      • 1 win & 9 nominations total

    Photos4

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    Top cast15

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    Bruce Balden
    Bruce Balden
    • Self
    • (as Bruce)
    Jacqueline Bassett
    Jacqueline Bassett
    • Self
    • (as Jackie)
    Symon Basterfield
    Symon Basterfield
    • Self
    • (as Symon)
    Andrew Brackfield
    Andrew Brackfield
    • Self
    • (as Andrew)
    John Brisby
    John Brisby
    • Self
    • (archive footage)
    • (as John)
    Suzanne Dewey
    Suzanne Dewey
    • Self
    • (as Suzy)
    Charles Furneaux
    Charles Furneaux
    • Self
    • (archive footage)
    • (as Charles)
    Nicholas Hitchon
    Nicholas Hitchon
    • Self
    • (as Nick)
    Neil Hughes
    Neil Hughes
    • Self
    • (as Neil)
    Lynn Johnson
    Lynn Johnson
    • Self
    • (as Lynn)
    Paul Kligerman
    Paul Kligerman
    • Self
    • (as Paul)
    Susan Sullivan
    Susan Sullivan
    • Self
    • (as Sue)
    Tony Walker
    Tony Walker
    • Self
    • (as Tony)
    Michael Apted
    Michael Apted
    • Narrator
    • (voice)
    • (uncredited)
    • …
    Peter Davies
    Peter Davies
    • Self (age 7)
    • (archive footage)
    • (uncredited)
    • Director
      • Michael Apted
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews21

    8.12.8K
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    10

    Featured reviews

    9Spod-3

    The 7-up phenomenon gets better each time...

    This film and its predecessors are the most fascinating documentaries released cinematically, not because of their breathtaking cinematography, whiz-bang special effects or even revelation of secret or unknown information. What it does offer is a look straight into the personal lives of a group of people with nothing much in common except this series of extraordinary films which every 7 years throw their experiences open to the world. For the most part they are ordinary lives but they are engrossing as only reality can be. There is no gloss applied, no smoothing over of rough edges. Apted has become a friend to many of his 'subjects' and the warmth of their relationship with him comes into the film. In this program, even the effect of the film series on the people in it is examined, so in some ways it is a film about itself. Like a classic serial cliffhanger, at the end one is impatient to see the next instalment, but it will be seven years in production...
    9SnoopyStyle

    Continues to be Compelling

    The original idea was to see these kids of England in the year 2000. Director Michael Apted returns to see these kids, and I wonder what he sees of his charges. I think the social studies aspect is now mostly gone. They're not simply a rich child, or a poor child. These are individual characters each deserving of our attention.

    We are now finding these people have surprising drama. The biggest stories are Tony had an affair, Simon returns to the series, and Bruce helps out Neil. Simon missed 35 Up and got divorced. He's remarried now and happier and more willing to do the series. On the other hand, John was never happy with the series and skip this one. Charles continues to skip the series and Peter is gone now also. The kids of the kids are growing up now, and the world keeps moving on.
    Sinnerman

    Bring on 49!

    I loved the Up series, despite having seen only 35up & 42up.

    For the uninitiated, this series was a pet "anthropological" cinematic project undertaken by director Michael Apted. In this series, he would revisit a group of British men and women and make a documentary film about their lives, every 7 years, starting from the age of 7. Of interesting note is the participant's differing social/ class divide; from the upper-middle class suburban homemakers to working class cabbies. (Note: 7up was originally only conceived as a television initiative if I'm not mistaken. But its underlying premise proved so intriguing, guess Apted just had to keep it going and see where it might end up. We are up to "42" now, nice....)

    My thoughts...

    These films might have shown mere glimpses of those ordinary lives, but I was still in awe of its premise no less. Like the flipping through of a moving photo album, we revisited the lives of these people.

    Within a two hour period, we saw these people grow up right before our eyes. We saw their physical and psychological transformation over the years. We saw how they charted their lives and lived it. We shared in their joys and tribulations. Of course, there were harmony, or discordance over those many long years. But this series was contented in just showing us simple truths. It captured vignettes of youth's idealistic beauty and inevitable follies. It revealed life's vaunted fulfillment and crushing regrets. Most importantly, it attempted to shed light on one's happiness barometer; how our pursuit of happiness and attaining contentment is directly corresponded with our expectations in the past, present, and probably beyond.

    We may not always tick like clockwork in this tragi-comedic mortal coil. But a rewind is often all it takes to get us back on track. This continuing Up series is thus IMO, a very worthy meditation on the meaning of our very own lives. I so wanna see what happens when those 7 year olds turn 49.
    10GregRG

    A fascninating and enormously perceptive series

    In the most sociologically fascinating and perceptive documentary series ever produced, Michael Apted has made this enormously thought provoking series a labour of love. He has taken eleven seven year olds in 1964, and has filmed them every seven years since then. The results have been breathtaking. In seeing footage from when these now grown adults were little, we see how the boy becomes a man and the girl becomes a woman. We see as each attempt to reach their hopes and dreams. There are successes and failures (including one heartbreaking one), but we get more than that. We get an overwhelming sense of the connection and delicate fabric of human life.
    Philby-3

    Every seven years a slice of life

    Fourteen English children from various parts of society, all born about 1957, have their lives looked at every seven years by Michael Apted and his TV camera. This episode brings us up to 1999 and 42 years old. All are still alive and eleven out of the original fourteen are still participating. (Ironically, one of the drop-outs is a prominent BBC TV producer.)

    The two continuing themes are 1) the Jesuit saying `give me the child before he is seven and I will give you the man' and 2) the power of the British class system to determine outcomes. Although the Jesuits suggest that by the age of seven it's too late, some of the kids from lower class backgrounds have done surprisingly well. Nicholas, a Yorkshire dales farmer's son has become a Professor of Physics. Tony, a cockney kid who wanted to be a jockey has finished up owning several cabs. Three working class girls have all finished up with better jobs than their parents though their marital relationships have been rocky. Even the shy son of a single mother has finished up happily married and employed. None of the better-off kids has failed either, though one or two went through rough patches in their early 20s. The three seven year old `upper class twits' (only one of whom still participates in the program) are all professionals and have all succeeded professionally - a QC, a solicitor and the aforesaid shy TV producer. Bruce, a kid with a flair for mathematics, after a varied career, has settled down as a fine teacher in a city high school. They only real stray has been Neil, the dreamy little kid from Liverpool, who after a lengthy period as a down-and-out has popped up as an elected official no less, a Liberal Democrat councillor in the London Borough of Hackney.

    All the subjects tell their stories fairly fluently to the camera, even Paul, a very shy kid who migrated to Australia as a teenager. Several have now lost one or both parents and there have been several failed marriages. Apted is a gentle interviewer but there has obviously been a lot of pain with the gain.

    This is a unique series and the group is not really a random sample (too many toffs and working class kids) but it can be said it shows the persistence of the class system: only one kid has really beaten it, the physicist, and he's left the country. There are no cockney accents in the courtroom except from the witness box. The standard of living in general has increased markedly since the 1960s and `trickle down' economics has ensured that the working class (what's left of them) is better off. Women have done better too, in terms of independence and money, but at a considerable emotional cost in some cases. For them the changes in the social landscape have made it harder than for the boys; the role of women in society has completely changed whereas men plod on much as before.

    The one good indicator of future employment success is education, which is notoriously class-based in England (Scotland is a little different). If the (shy) QC had gone to the local council school instead of Charterhouse it is not likely he would he exercising his tonsils today in the High Court. Tony, our successful cabbie might have become a solicitor if he had come from a different social class. Some of the subjects say that class isn't what it was, but it, and the educational system it operates through, are still pre-ordaining outcomes. Perhaps it's the same in most countries (Paul has noticed a class system in Australia); it's just that the British class system stands out a bit more.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Symon Basterfield returns to the series having sat the last instalment out. (His first wife wasn't keen on the project; his new wife had no such objections.)
    • Quotes

      Neil Hughes: Well, I'm not married. I value all experience. I feel that part of my life hasn't happened. I'm not homosexual therefore I do hanker after a stable relationship with a woman. I've never been able to achieve that and I think I'm somehow deficient in... my ability to react to the needs of others through not having had that relationship.

    • Connections
      Edited from World in Action: Seven Up! (1964)
    • Soundtracks
      What Would I Do
      Written by Stanley Alexander

      Performed by The Monotones

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    FAQ1

    • Is there going to be a 49 Up?

    Details

    Edit
    • Release date
      • July 21, 1998 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Languages
      • English
      • Latin
    • Also known as
      • 42: Forty Two Up
    • Production companies
      • British Broadcasting Corporation (BBC)
      • Granada Television
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $300,880
    • Opening weekend US & Canada
      • $11,599
      • Nov 21, 1999
    • Gross worldwide
      • $300,880
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 19 minutes
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.33 : 1

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