Bringing Out the Dead (1999)

Haunted by the patients he failed to save, an extremely burned-out Manhattan ambulance paramedic fights to maintain his sanity over three fraught and turbulent nights.

Director:

Martin Scorsese

Writers:

Joe Connelly (novel), Paul Schrader (screenplay)

Stars:

Nicolas Cage, Patricia Arquette, John Goodman

2 wins & 4 nominations.

Cast

Cast overview, first billed only:
Nicolas Cage	...	Frank Pierce
Patricia Arquette	...	Mary Burke
John Goodman	...	Larry
Ving Rhames	...	Marcus
Tom Sizemore	...	Tom Wolls
Marc Anthony	...	Noel
Mary Beth Hurt	...	Nurse Constance
Cliff Curtis	...	Cy Coates
Nestor Serrano	...	Dr. Hazmat
Aida Turturro	...	Nurse Crupp
Sonja Sohn	...	Kanita
Cynthia Roman	...	Rose
Afemo Omilami	...	Griss
Cullen O. Johnson	...	Mr. Burke (as Cullen Oliver Johnson)
Arthur J. Nascarella	...	Captain Barney (as Arthur Nascarella)

Storyline

An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out, exhausted, seeing ghosts, especially a young woman he failed to save six months' before, and no longer able to save people: he brings in the dead. We follow him for three nights, each with a different partner: Larry, who thinks about dinner, Marcus, who looks to Jesus, and Tom, who wallops people when work is slow. Frank befriends the daughter of a heart victim he brings in; she's Mary, an ex-junkie, angry at her father but now hoping he'll live. Frank tries to get fired, tries to quit, and keeps coming back, to work and to Mary, in need of his own rebirth.

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Plot Keywords:

ghost | paramedic | ambulance | rescue | hell | 

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Taglines:

Saving a Life is the ultimate rush

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Genres:

Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for gritty violent content, drug use and language

Details

Country:

USA

Language:

English

Release Date:

22 October 1999 (USA)

Also Known As:

Vidas al límite

Filming Locations:

Manhattan, New York City, New York, USA

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend USA:

$6,193,052, 24 October 1999, Wide Release

Gross USA:

$16,640,210, 9 January 2000

Company Credits

Production Co:

De Fina-Cappa,Paramount Pictures,Touchstone Pictures

Technical Specs

Runtime:

121 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

Director Martin Scorsese provides the voice of the male dispatcher.

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Goofs

While hospitals that provide ambulance service in New York City have their own supervisors and administration, they would not be "captains" as in the character of Captain Barney; E.M.S. officers would be N.Y.C.*E.M.S. (1990s as in the movie) or F.D.N.Y. (today).

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Quotes

Marcus: Rule Number One: Don't get involved with patients. Rule Number Two: don't get involved with patients' daughters, now do you understand that?
Frank Pierce: What about Rule Number Three: Don't get involved with dispatchers named Love?
Marcus: Boy, you don't know nothin' bout Rule Number Three! Can't even begin to understand the complexities of that rule!

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Connections

References Fargo (1996)

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Soundtracks

T.B. Sheets
Written and Performed by Van Morrison
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing

User Reviews

Powerful and engrossing cinema from a truly great team.

Frank Pierce is a member of the Nork York paramedics, serving the Hell's Kitchen district he is witness to some terrible incidents. As he starts to crack under the pressure of the job, and getting no help from a succession of zany partners, Frank may just find solace with an ex-junkie girl who's father he brought in dying of a heart attack.

Martin Scorsese can never be accused of not being adventurous, after dabbling in Eastern spiritualism with 1997s Kundun, he returns to New York and tackles a wing of America's tortured heroes. Based on the novel by Joe Connelly, Bringing Out The Dead is at times a difficult watch in many ways, but it's haunting poignancy is told with brilliantly adroit ease from one of America's famed directors, whilst it has to be said that the humour that is in there is darkly genius in its execution. We are along for the ride with haunted Frank for three days (and nights) as he and his borderline bonkers partners deal with overdoses, heart attacks, drunks and a notably cynical virgin birth! As Frank starts to see ghosts of people he couldn't save in the past, Scorsese and his team treat us to an adrenalin fuelled nightmare, the editing (Thelma Schoonmaker) is swift and explosive like, Robert Richardson's cinematography framing certain aspects of this journey with impacting deftness, and then we have the soundtrack.

Scorsese is always a man who takes great care in sound tracking his movies, in fact few modern day directors can touch his knack for a perfect soundtrack. Fusing Motown with 70s Punk Rock would seem an odd combination, but all of it works as the paramedics start to feel the strain and (in some cases) as the mania takes hold. It's rare to hear a New York Dolls track in a movie, to hear a Johnny Thunders solo track is as rare as a dog that speaks Norwegian, and here the use of Thunders' You Can't Put Your Arms Around A Memory is pitch perfect, impacting so. Such is the use of early Clash standards as our protagonists feed off each others precarious mental conditions, it's a soundtrack to savour basically.

Nicholas Cage plays Frank Pierce, and it's a great performance full of restraint and honesty, it's the sort of performance that his detractors tend to forget about such is its emotive simplicity. Tom Sizemore (wonderfully manic), Ving Rhames, John Goodman and Patricia Arquette fill out the cast and all do fine work, but I'm sure they would be the first to acknowledge the excellence of Paul Schrader's screenplay. This piece is far from being a masterpiece, but with it's intensity sitting side by side with a paramedics need for coping, it's clear that Scorsese and his talented team have made one of the most astute and undervalued pieces of the 90s. 9/10