Bringing Out the Dead (1999)

Haunted by the patients he failed to save, an extremely burned-out Manhattan ambulance paramedic fights to maintain his sanity over three fraught and turbulent nights.

Director:

Martin Scorsese

Writers:

Joe Connelly (novel), Paul Schrader (screenplay)

Stars:

Nicolas Cage, Patricia Arquette, John Goodman

2 wins & 4 nominations.

Cast

Cast overview, first billed only:
Nicolas Cage	...	Frank Pierce
Patricia Arquette	...	Mary Burke
John Goodman	...	Larry
Ving Rhames	...	Marcus
Tom Sizemore	...	Tom Wolls
Marc Anthony	...	Noel
Mary Beth Hurt	...	Nurse Constance
Cliff Curtis	...	Cy Coates
Nestor Serrano	...	Dr. Hazmat
Aida Turturro	...	Nurse Crupp
Sonja Sohn	...	Kanita
Cynthia Roman	...	Rose
Afemo Omilami	...	Griss
Cullen O. Johnson	...	Mr. Burke (as Cullen Oliver Johnson)
Arthur J. Nascarella	...	Captain Barney (as Arthur Nascarella)

Storyline

An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out, exhausted, seeing ghosts, especially a young woman he failed to save six months' before, and no longer able to save people: he brings in the dead. We follow him for three nights, each with a different partner: Larry, who thinks about dinner, Marcus, who looks to Jesus, and Tom, who wallops people when work is slow. Frank befriends the daughter of a heart victim he brings in; she's Mary, an ex-junkie, angry at her father but now hoping he'll live. Frank tries to get fired, tries to quit, and keeps coming back, to work and to Mary, in need of his own rebirth.

---

Plot Keywords:

ghost | paramedic | ambulance | rescue | hell | 

---

Taglines:

Saving a Life is the ultimate rush

---

Genres:

Drama | Thriller

---

Motion Picture Rating (MPAA)

Rated R for gritty violent content, drug use and language

Details

Country:

USA

Language:

English

Release Date:

22 October 1999 (USA)

Also Known As:

Vidas al límite

Filming Locations:

Manhattan, New York City, New York, USA

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend USA:

$6,193,052, 24 October 1999, Wide Release

Gross USA:

$16,640,210, 9 January 2000

Company Credits

Production Co:

De Fina-Cappa, Paramount Pictures, Touchstone Pictures

Technical Specs

Runtime:

121 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Martin Scorsese said the reason he wanted Paul Schrader to write the script is because he felt Schrader was best at writing about "New York in the middle of the night".

---

Goofs

When Frank and Larry are trying to resuscitate Mr. Burke, the E.K.G. shows asystole (flat line), but Larry then shocks him with a defibrillator, which would do nothing if the patient were really in asystole. In mitigation, however, what looks like asystole could really be fine ventricular fibrillation, and while the Advanced Cardiac Life Support protocols do not call for defibrillation on an asystolic patient, it is sometimes used just in case.

---

Quotes

Tom Wall: You okay?
Frank Pierce: Never felt better in my life, how are you?

---

Connections

Featured in The Directors: The Films of Martin Scorsese (2000)

---

Soundtracks

Don't You Worry 'Bout a Thing
Written by Stevie Wonder

User Reviews

A brilliant film

Bringing out the Dead, unfortunately, has fewer fans than it deserves. Why? Because this isn't simply a "New York" movie, or a movie about a paramedic, or about euthenasia, despite the ostensible setting and plot points.

Instead, Scorsese has created a cinematic myth about how haunted modern existence can be, and what it takes to be "saved" and find grace in a seemingly godless world. His vision of New York is all literate existential comedy, not a window into the rotten Big Apple. Mere satiric commentary on the tragedy of life in New York is for journeyman directors; Scorsese is doing something else entirely here.

In other words, this is that really rare beast--a literate film that is, first and foremost, still a great movie. In the plot and its implications, there's more here of Flannery O Conner or Virginia Woolf than there is here of, say, Tom Wolf. More pariticularly, Bringing out the Dead does with masterful filmmaking what Joyce's The Dead did in prose. This film is a truly eye-opening investigation into how the living exist in the shadow of the dead and dying.

The film accomplishes this incredibly difficult task on many levels--the cinematography alone should give you a clue that this is definitely not Taxi Driver or Goodfellas--there's something more sublime here (the beauty that American Beauty explains wonderfully is shown everywhere in this film, but Bringing out the Dead is less mundane, simple and "character" oriented). Every shot is right, and the numerous computer effects here--on display almost for their own sake in The Matrix--are here poetically put together by a master director.

So, just for it's approach to a subject that few movies or directors would even attempt, this film will be a classic. Oddly enough, one of the few movies it can be compared with is Hitchcock's Vertigo, which confronts the same issues in a different way. Scotty's (Jimmy Stewart) desire to "raise" the dead is as strong as Frank's, and audiences didn't much like Vertigo when it was released either.

The acting, the music, the incredible photography--they're all great, if you realize you are watching a literate, funny, well-plotted (as opposed to simply plotted) meditation on the ghosts that increasingly inhabit our technocratic dwellings.

Too good for a grade: see it on the biggest, best screen you can while you can. BTW--it's better the second time.