The descendant of the servant of a cruel and vicious samurai returns to the town where she was born, only to find that a cat who is possessed by the spirits of those murdered by the samurai is trying to kill her.
A rebellious Korean artist tests the limits of his sadistic patron, an omnipotent feudal Japanese lord. Yoshihide demands a commission to paint screens of the Hell which he sees the ... See full summary »
The seduction of death itself (in the form of an alluring ghost) is familiar enough territory in Japanese ghost stories (Ghost Story Of Yotsuya, Kuroneko, etc), the twist here being Communist director Yamamoto's playful depiction of the villagers' efforts to thwart the ghost's advances towards their middle class school teacher, Shinzaburou.
As with most Yamamoto films, the emphasis here is on the ensemble playing of the cast rather than any leads. That said, the roles of Banzou and his wife do seem rather overplayed, probably betraying their origin as kabuki grotesques.
Handsomely shot (Chishi Makiura) and scored (Sei Ikeno) to evoke a vivid sense of the dark, sticky nights of Obon, this is a curious and thoughtful horror film that somehow manages to give Bhuddism, capitalism and family a good kicking within the restrictions of the genre and the source material.
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