Cody, a little girl abandoned by her mother and raised by her aunt, a nurse, is kidnapped. The girl's guardian, aided by an F.B.I. agent, learn that Cody has supernatural abilities, and the abductees are a Satanic cult willing to do anything to gain them.
Kuki, a divorced Italian socialite, changes her life after a serious car crash. She accepts a marriage proposal from Paolo Gallmann, a man she doesn't know well, and she moves to Kenya with... See full summary »
Successful businesswoman Maria has achieved everything except what she wants the most - a baby of her own. She decides to deal with the matter by herself and embarks on a desperate and dangerous journey in order to make her dream come true.
Amnesiac Cassie Grant has a premonition that someone or something wants the family that's helping her recover dead. She investigates the secrets of the town they live in and uncovers darkness, both human and supernatural.
Lillian is a 21-year-old drifter engaged to a philandering loser and locked in her room with a strange man. She lives next to a failed violinist who won't stop playing his instrument. He ... See full summary »
Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York City hospital, until one rainy night, her sister Jenna abandons her newborn, autistic daughter at her home. Maggie takes the baby in, and she becomes the daughter she never had. Six years later Jenna suddenly re-appears with a mysterious new husband, Eric, and abducts Cody. Despite the fact that Maggie has no legal rights to Cody, F.B.I. Agent John Travis, an expert in ritual homicide and occult-related crime, takes up her cause when he realizes that Cody shares the same birth date as several other recently missing children. The little girl, it soon becomes clear, is more than simply "special". She manifests extraordinary powers that the forces of evil have waited centuries to control, and her abduction sparks a clash between the soldiers of good and evil that can only be resolved, in the end, by the strength of one ...
In the original script, a character is deliberately pushed off a subway platform. This had to be changed to an accidental fall before the Toronto Transit Commission would allow filming on its property. See more »
When Maggie O'Connor returns to Cody's room after the rat dream, she has no scratches until after she puts Cody down. See more »
Woman on Bus:
Did ya see it yet, darlin'?
Woman on Bus:
Star of Yakov. What they be callin' the Christmas star. Ain't been seen since Bethlehem. And now it's here.
Woman on Bus:
Oh, yes. It's very nice. It's a good sign for all good people. Means someone special come from God. What do ya think 'bout that?
I don't know, I - I'm not sure I believe in that king of thing.
Woman on Bus:
Oh, that don't matter. It's there if you believe or not believe. It don't care.
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A most underrated movie, unfairly condemned by others
I have been going to the movies for 55 years now. And I have been writing novels for nearly 30 years, with 38 published thus far. One of my favorite genres as a moviegoer is the horror thriller, which is one in which I have written also, usually within a Christian context.
BLESS THE CHILD is unquestionably one of the finest genre movies I have ever seen, the kind that combine Christian themes and thriller techniques. I like it because it is relatively subdued, with sincere underplayed acting, and a minimum of Hollywood hocus-pocus.
The themes are:
1) The triumph of God over the devil, instead of the reverse. 2) The power of prayer. 3) The depiction of angels of light. 4) Brief but effective moments when demonic creatures, normally in an unseen supernatural existence, are revealed starkly. 5) No attempt to make evil seem other than loathsome, destructive. 6) Child-like faith enables us to resist Satan.
The direction by Chuck Russell was excellent, involving; no wonder he came close to directing the screen version of THIS PRESENT DARKNESS. There was almost no foul language, and the brutal episodes were less in number than usual.
I notice the Christian moments were referred to as "propaganda". Why is it propaganda when biblical references are used but not propaganda when humanism, nihilism, abortion, homosexuality, adultery and such are similarly promoted?
I showed BLESS THE CHILD to a neighbor couple, folks who are not especially religious. They were enthralled by it, reacting nervously when the suspense is intensified, rejoicing at the more inspiring moments.
BLESS THE CHILD is not a toweringly great movie but, rather, an intensely reverent one, directed with intelligence, acted with conviction, without nude scenes, and thankfully lacking a tidal wave of vulgarity,
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