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Bless the Child (2000)

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Cody, a little girl abandoned by her mother and raised by her aunt, a nurse, is kidnapped. The girl's guardian, aided by an F.B.I. agent, learn that Cody has supernatural abilities, and the abductees are a Satanic cult willing to do anything to gain them.

Director:

Chuck Russell

Writers:

Cathy Cash Spellman (novel), Thomas Rickman (screenplay) (as Tom Rickman) | 2 more credits »
1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kim Basinger ... Maggie O'Connor
Jimmy Smits ... John Travis
Holliston Coleman ... Cody
Rufus Sewell ... Eric Stark
Angela Bettis ... Jenna
Christina Ricci ... Cheri
Michael Gaston ... Det. Frank Bugatti
Lumi Cavazos ... Sister Rosa
Dimitra Arliss ... Dahnya (as Dimitra Arlys)
Eugene Lipinski ... Stuart
Anne Betancourt ... Maria
Ian Holm ... Reverend Grissom
Helen Stenborg Helen Stenborg ... Sister Joseph
Matthew Lemche ... New Dawn Kid at Van
Dan Warry-Smith ... New Dawn Kid
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Storyline

Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York City hospital, until one rainy night, her sister Jenna abandons her newborn, autistic daughter at her home. Maggie takes the baby in, and she becomes the daughter she never had. Six years later Jenna suddenly re-appears with a mysterious new husband, Eric, and abducts Cody. Despite the fact that Maggie has no legal rights to Cody, F.B.I. Agent John Travis, an expert in ritual homicide and occult-related crime, takes up her cause when he realizes that Cody shares the same birth date as several other recently missing children. The little girl, it soon becomes clear, is more than simply "special". She manifests extraordinary powers that the forces of evil have waited centuries to control, and her abduction sparks a clash between the soldiers of good and evil that can only be resolved, in the end, by the strength of one ...

Plot Summary | Add Synopsis

Taglines:

Fear the Darkness. Fight the Evil. Bless the Child. See more »


Motion Picture Rating (MPAA)

Rated R for violence, drug content and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany

Language:

English

Release Date:

11 August 2000 (USA) See more »

Also Known As:

Izabranica tame See more »

Filming Locations:

Burlington, Ontario, Canada See more »

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Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend USA:

$9,413,684, 13 August 2000, Wide Release

Gross USA:

$29,374,178, 5 November 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

(At around fifty minutes) The hospital shown (Metropolitan Hospital Centre) is a stock shot used in other movies and television shows such as "The Nanny (1993). See more »

Goofs

During the scene in Eric Stark's New York apartment, the Skydome (located in Toronto) can be seen in the window. See more »

Quotes

[first lines]
Woman on Bus: [Haitian accent] Did ya see it yet, darlin'?
Maggie O'Connor: Excuse me?
Woman on Bus: Star of Yakov. What they be callin' the Christmas star. Ain't been seen since Bethlehem. And now it's here.
Maggie O'Connor: That's nice.
Woman on Bus: Oh, yes. It's very nice. It's a good sign for all good people. Means someone special come from God. What do ya think 'bout that?
Maggie O'Connor: I don't know, I - I'm not sure I believe in that king of thing.
Woman on Bus: Oh, that don't matter. It's there if you believe or not believe. It don't care.
See more »

Connections

References Stigmata (1999) See more »

Soundtracks

Vultures
Composed by Philip A. Scheib (as Philip Scheib)
See more »

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User Reviews

Bless the producers of this mess - let them see the light and repent for their sins
2 November 2002 | by Aidan McGuinnessSee all my reviews

Oh yay: Good vs. Evil. Light vs. Dark. God vs. Lucifer. Do we need another one of those? Not if it's of this weak calibre.

Look there's a child. Isn't she cute? She's `special'. She is a force for good but - oh no! - an evil man, Eric Stark, wants to take her to the dark side. By having this crucial girl on his side, he hopes to shift the power balance to the side of evil. Can the girl's aunt (who is change of her sister's daughter when the sister, a drug addict, left her at the doorstep) save the child? Will evil win? And will I care?

Script? Let's see those clichés - pack 'em in. Evil rats? Check! Old wicked nanny figure? Check! Soft-spoken-devil-figure-prone-to-angry-bouts? Check! Black garbed followers? Elite but mysterious group dedicated to God? It's a go! Flat dimensionless characters? We're going. It's all quite dull, and has been done better in many other such movies involving similar themes (`The Devil's Advocate' for one). There's a lack of tension - you know the outcome from the outset and I, quite correctly, picked out those marked for death and those for life. No surprises and lots of `oh whatever'.

Acting? I'm not sure why Bassinger selected this script (for the reasons above). Certainly she's the best thing here but she still seems tired and worn throughout the movie (never mind the fact her character often displays the common sense of a congenital idiot). Rufus Sewell - the force of evil - is the usual smiling, collected, sort that was far better portrayed by Pacino in `The Devil's Advocate' (and even by Gabriel Byrne in the weak `End of Days'). Christina Ricci puts in a nice small role here, but alas she's not on screen long enough for us to enjoy. As to the girl at the centre of the fight, the would-be-pawn of God. she's actually not that great (or at least wasn't created well). She smiles, gives an odd look, is quiet and so forth in an attempt to appear mysterious. I was not buying it, and found the whole act mundane. And Jimmy Smits, the detective helping Bassinger find her kid, looks like he walked straight off the set of 'NYPD Blue' so judge him from his work there.

`Bless the Child' is contrived and weak, adding nothing new to its genre in any shape or from. It's not quite dull but you do not care less about the characters (try as the cast might). It was not worth my time and it won't be worth yours. Don't bother. 2.5/10.


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