Jump to: Spoilers (12)
The effects crew used two hundred fifty gallons of oatmeal to simulate Spinosaur droppings.
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A few of the action sequences are borrowed from left over ideas from the first two Jurassic Park movies, some of which were in the original scripts and made it as far as being storyboarded before they were scrapped due to time and budget constraints. These scenes include the pteranodon and river boat sequences.
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According to an interview with William H. Macy, he said this movie's animatronic Spinosaurus had a one thousand-horsepower motor and that creature could turn its head at twice the force of gravity with the tip of its nose moving at a speed of more than one hundred miles per hour.
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The Spinosaurus was the largest animatronic ever built. It was 25 feet high, it's length reaching around 40 feet long, weighing 24,000 Ibs, and was operated by hydraulics. This allowed it to operate while completely submerged in water. It ended just behind the hip, so any shot that shows more than this had to be computer generated.
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(at around 1h 23 mins) The closing scene, which depicts Dr. Grant watching a flock of Pteranodons, was the original closing scene for Jurassic Park (1993), but the footage was replaced with pelicans in a last-minute change.
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Sam Neill, as part of his contract, requested that the Australasian premiere of this movie take place in his hometown of Dunedin, New Zealand.
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(at around 13 mins) When the paleontologists enter the bar for dinner with the Kirbys, you can see a Jurassic Park (1993) pinball machine in the background.
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(at around 10 mins) The establishing wide shot of the dig site was actual footage filmed in early summer 2001 of Jack Horner's excavation, which contained several large Tyrannosaurs and some Hadrosaurs.
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The ringing of the phone in the Spinosaurus' stomach is an homage to the crocodile from Peter Pan, who had swallowed an alarm clock that went off every time it was near, thus alerting others to its presence.
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Michael Crichton worked with the screenwriters several days to brainstorm about a story, but left after several days when he could not come up with a satisfactory idea.
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Steven Spielberg initially devised a story idea which involved Dr. Alan Grant living on one of InGen's islands to study dinosaurs. Because he was not allowed in for research, he was living in a tree like Robinson Crusoe. However, Johnston rejected the idea because he couldn't imagine Dr. Grant returning to any island inhabited by dinosaurs after the events of the first movie.
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(at around 55 mins) The reveal of the Spinosaurus standing still near the fence is one of Stan Winston's favorite shots. Director Joe Johnston had to keep telling the effects team to dial back the animal's movement because he wanted it to be as still as possible before bursting into a run, which is how real predators hunt.
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(at around 30 mins) After the Spinosaurus' attack on the airplane, Grant asks Billy how he would classify the animal. Billy's first inclination is to say the dinosaur is a Suchomimus or Baryonyx, due to the large snout. This was an in-joke meant for many fans of the movie who, when the new movie's logo was first revealed, said the same thing Billy did. Many long pages on the message boards of fan pages and the official page were dedicated to this debate.
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The Raptors refusing to abandon their young is taken from Jack Horner's research.
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Jeff Goldblum confirmed in an interview that he was not invited back to reprise his role as Dr. Ian Malcolm.
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(at around 30 mins) The reason the Spinosaurus is absent from the list of the dinosaurs created by InGen and its overall existence on Isla Sorna is left unanswered. One theory is that InGen scientists mistook the juveniles that lacked their famous sail seen in the adults for its relatives Baryonyx or Suchomimus. This could hold true as the Suchomimus type specimen is a sub-adult and the holotype of Baryonyx is commonly believed to not have been fully grown. Furthermore, the movie Spinosaurus snout is similar in appearance to Suchomimus.
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(at around 4 mins) When Ellie is talking to Grant she mentions getting a quote from Jack Horner for her book. Jack Horner is a paleontologist who was Michael Crichton's inspiration for the character of Alan Grant; he was also a consultant on the first three Jurassic Park movies.
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Shooting began before the final script was completed.
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Original scripts and storyboards had a Baryonyx as the main dinosaur instead of the Spinosaurus. Baryonyx is a close relative of the Spinosaurus and they looked basically the same. Baryonyx was a little smaller and did not have the fin like the Spinosaurus did. Director Joe Johnston wanted a main dinosaur that would not be confused with the T-Rex. Though the Baryonyx would have been vastly different, the Spinosaurus had a bizarre look no other carnivore had.
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(at around 12 mins) The velociraptor resonating chamber that Billy shows Dr. Grant is actually a dog's resonating chamber increased in size to fit a raptor's head.
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In 2014, Dr. Nizar Ibrahim and Dr. Paul Sereno presented evidence that indicated that Spinosaurus was not a land animal. This was a creature adapted to life in the water, floating like a crocodile with paddle-like feet. On land, the Spinosaurus had walked on four legs. Therefore, if Spinosaurus would fight with other large predators, the battle look very different from the one in the movie. Paul Sereno said that when Spinosaurus emerged on land, it probably didn't brawl with other predators. "Big predators would likely have stayed away from fighting each other", Ibrahim says. "Whichever one got in the first big bite would have probably won a fight." In this movie, it is the Tyrannosaurus that got the first big bite and should have won the fight. Also, with a bite force of 3.5-23.5 metric tons, the T. Rex should have bitten the Spinosaur's head off. But, it's a fictional story, so anything is possible.
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When asked why he accepted the role of Paul Kirby, William H. Macy replied, "Because I'm fifty years old and I get to fight a dinosaur".
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(at around 13 mins) When Dr. Grant and Billy enter the bar to meet with the Kirbys, the song "Big Hat, No Cattle" by Randy Newman is playing. This is not a mere coincidence. The song is about lying and making yourself out to be someone who you are not; exactly what the Kirbys do in order to fool Dr. Grant into being their guide. This is further evidenced when Paul takes out his checkbook and claims to be capable of writing whatever amount he wants on it. In the background, you can hear the song saying: "And I lie, lie, lie..." right as the scene ends.
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Mirroring the latest palaeontologic finds that were made at the time, feathers were added onto various parts of the Velociraptor males, most noticeably on the top of their head. More recent finds suggest that raptors were covered in feathers, a fact most members of the general public still find hard to digest. However, the type of feather they used in the movie is incorrect: real raptors had the same kind of feathers as modern birds, and these covered their entire body, save for the tip of their snout.
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The vocalizations of the Spinosaurus were created by mixing together the low guttural sounds of a lion and an alligator, a bear cub crying, and a lengthened cry of a large bird that gave the roars a raspy quality.
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The second script involved a Pteranodon escaping from Isla Sorna and causing a string of mysterious killings on the mainland, which was to be investigated by Dr. Alan Grant and other characters. The project was green-lit, but five weeks before shooting began, the entire script was rejected by Steven Spielberg and Joe Johnston. Johnston felt that the story was too complicated. By that time, $18 million was already spent on the project.
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In addition to the use of CGI and the Spinosaurus animatronic, a full-scale physical foot prop, whose construction was overseen by John Rosengrant, was also used during the plane attack scene. It was suspended by two poles that were operated by two Stan Winston Studio puppeteers, and was used to step on a prop of the plane's fuselage designed by Michael Lantieri that was full-scale as well.
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First time in the franchise that a T-Rex is killed and a Raptor is not.
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(at around 12 mins) The computer-controlled "rapid prototyper" portrayed in this movie is real technology, known as a 3-D printer, able to mechanically sculpt parts and objects in three dimensions using computerized drawings and scanned information. The machine in the movie uses Laminated Object Manufacturing (LOM). Using one thin layer of bond paper and resin at a time, it carves away the unwanted material as each layer is added, until all the cross-sections have been built up into a solid replica of the original. The carving action of each layer creates a great deal of shavings and dust during the process, which you can see when Billy lifts the lid up to remove the finished model.
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(at around 1h 23 mins) In the end scene of Jurassic Park (1993), Dr. Alan Grant looks out the helicopter's window and sees a flock of pelicans flying beside the helicopter. At the end of this movie, he looks out of the plane's window and sees a group of Pterodons flying beside the plane.
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For the vocalizations of the Pteranodons, large bird sounds (including giant petrels and albatrosses) and the tree hyrax were used, the sounds of the juvenile pteranodons were of mongeese fighting, that Christopher Boyes found and recorded while on a vacation in Hawaii with his family.
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First Jurassic Park movie without a book counterpart.
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(at around 1h 2 mins) Trevor Morgan (Eric Kirby) considered the scene where he gets snatched by the Pteranodon as his favorite scene in the whole movie.
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Originally, the fight was supposed to be longer between the T. Rex and the Spinosaurus. Extended parts of the fight can be seen in the special features of the Jurassic Park III DVD.
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(at around 16 mins) When Billy and Dr. Grant are on the plane, Dr. Grant sleeps like Indiana Jones, by putting his hat over his face when he sleeps.
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This is the shortest of the Jurassic Park film franchise. Jurassic Park (1993) runs at two hours and seven minutes, The Lost World: Jurassic Park (1997) runs at two hours and nine minutes, this movie runs at one hour and thirty-two minutes, Jurassic World (2015) runs at two hours and four minutes, and Jurassic World: Fallen Kingdom (2018) runs at two hours and eight minutes.
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(at around 11 mins) Dr. Grant's brown truck with the Museum of the Rockies and Montana State University logos on it was based on the vehicle that belonged to Dr. Jack Horner, paleontologist consultant on the Jurassic Park movies, as well as the man on whom the character of Grant is based. It was a difficult and time consuming process to find an exact match of Dr. Horner's truck to be used in the movie.
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(at around 1h 3 mins) When the baby Pteranodons are attacking Eric in the aviary, the animatronic models really did bite Trevor Morgan, and it hurt.
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John Williams was contacted to write the music, but he was busy writing the music for Steven Spielberg's A.I. Artificial Intelligence (2001). Don Davis was chosen as composer at Williams' recommendation.
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According to the Masrani Global website, John Hammond was dead by the time of the events of this movie.
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(at around 26 mins) Director Joe Johnston created the famous Spinosaurus versus Tyrannosaurus fight as an homage to Ray Harryhausen's Go-motion dinosaurs, and wanted to re-create a modern version of those fights.
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In Ricardo F. Delgado's concept art for the plane attack scene after the plane's body falls to the ground, the pilot (or co-pilot) in the body of the destroyed plane makes a dash toward the plane's nose that is nearby to evade the advancing Spinosaurus, but the dinosaur notices the movement of the pilot and approaches the removed nose. In retaliation, the unlucky human desperately hides inside the plane part he or she has reached as the Spino begins rolling the plane's nose before using its head to push the plane part onto its tip. The sail-backed dinosaur then sticks its head inside the front of the plane where it finds the pilot and flings him or her up in the air where the human falls into the Spino's mouth. Furthermore, instead of the Spino losing the protagonists via getting its head stuck in-between two trees, Delgado's concept art shows that the Spino was to be trapped in a group of fallen trees apparently caused by a mudslide. During the filming of this scene, the Spino animatronic malfunctioned. When it was sticking its head inside the body of the plane, it instead began slamming into the plane "like a jackhammer" as Director Joe Johnston described the malfuction.
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Billy has a lucky backpack. The character Sarah Harding in The Lost World: Jurassic Park (1997) also had a lucky backpack.
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The first of the Jurassic movies not scored by John Williams.
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Several designs for the Jurassic Park III logo did not feature Spinosaurus, instead featuring Velociraptor (represented as Deinonychus), Pteranodon, a Lourinhanosaurus embryo, a human embryo (usually depicted as a skeleton), and finally the Tyrannosaurus Rex.
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Early pioneer of the dinosaur-bird connection, Robert T. Bakker has quipped that the feathery quills added to the Velociraptor for this movie "looked like a roadrunner's toupée." However, he conceded that feathers are difficult subjects for computer animation and speculated that Jurassic Park IV's raptors would have more realistic through plumage.
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A full-size Pteranodon suit was made, but was never used in the movie.
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In the script, Carnotaurus was originally supposed to be the dinosaur that the group encountered at the Spinosaur dung site. This could be why the Ceratosaurus in this movie has a color scheme similar to the Carnotaurus in Disney's Dinosaur (2000). Its color scheme is also similar to Ceratosaurus in the toy line Die-Cast: Jurassic Park. According to the commentary of this movie, the model of the Ceratosaurus was a modified T. Rex model by model supervisor Ken Bryan. Eventually, in Jurassic World: Fallen Kingdom (2018), the Carnotaurus made its first appearance in the franchise.
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Much like Spinosaurus, Pteranodon was to be an animal that was not listed on InGen's list in one of the early scripts, this would have been contradictory to what was shown in The Lost World: Jurassic Park (1997) when Pteranodon (Geosterbergia) was seen on the factsheets given to the InGen hunters, and as one of the screensavers in the Gatherers RV.
The river location in the film was shot on the Universal back lot, and it's the same location used for Creature from the Black Lagoon (1954).
Stan Winston stated his proudest moment in the picture was when the Spinosaurus attacks the boat in the lake. Normally, water can be a nightmare for hydraulic rigs, and he was stressed out by Steven Spielberg staging the T-Rex attack in the rain in Jurassic Park (1993) and then attack through a waterfall in The Lost World: Jurassic Park (1997). He figured Johnston wouldn't do that because he has a background in effects, but Johnston wanted the sequence in the river. Fortunately, the full-sized animatronic spinosaurus handled it fine.
(at around 13 mins) Grant orders an ice pick. Here's the recipe: Combine two ounces of vodka, brewed tea and lemon or lime juice in an ice filled glass. Garnish with lemon or lime.
(at around 26 mins) Spinosaurus is the only dinosaur in the movies that is able to survive, or at least win in a fight with a Tyrannosaurus Rex. Though the Indominus Rex from Jurassic World (2015) could be deadly enough to kill a Tyrannosaurus, as it was able to overpower Rexy before the Velociraptor Blue intervened.
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Spinosaurus and Tyrannosaurus lived on different continents and different eras. So, the fossil record can not give a definitive answer on which species would win in a battle. It is unknown if Spinosaurus was a better fighter than Tyrannosaurus. Jack Horner explained: "We don't know how ferocious any dinosaur really was, all we have are their skeletons. If you scale the ferocious factor on the length of the animal, there was nothing that ever lived on this planet that could match (Spinosaurus). My hypothesis is that T. Rex was actually a scavenger rather than a killer. Spinosaurus was really the predatory animal."
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Out of all of the children, Eric is the only one who actually had to live and adapt to the island Isla Sorna, another thing that makes Eric stand out as a survivalist, is that he survived on the island alone. Characters like Lex Murphy, Tim Murphy, and Kelly Malcolm all stayed on the islands only for about two days, and they had adult protection. Gray and Zach Mitchell were only on the island for a few hours in Jurassic World (2015). Eric, however, survived on Isla Sorna for eight weeks by himself and without anyone's assistance.
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(at around 22 mins) A fan theory is that the Spinosaurus that kept hunting the humans wanted revenge for getting hit by the plane. Even though it goes by very fast you see the plane clipping the Spinosaurus sail; another theory is that the Spinosaurus was actually killed by getting hit by the plane and the one pursuing them is actually its mate wanting revenge.
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Jack Horner was the dinosaur consultant on all the films, and he was on hand to make sure the performances of the dinosaurs were real. However, the effects team was able to push the performances to make them slightly less real for dramatic effect.
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The opening shot of the film was a composite between the mountains of the Hawaiian island of Molokai and Palos Verdes in southern California. For the parasailing sequence, the actors were shot against a bluescreen with a digital parachute that featured the then-new cloth simulation.
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Concept art of the Spinosaurus was created by Mark 'Crash' McCreery, who had previously done conceptual artwork for the previous two movies. These include the front snout resembling Suchomimus, rather than the actual Spinosaurus, as well as a smaller and seemingly singular crest and seems to have a taller sail, even though conceptual art is known to exist of a Spinosaurus with the upper front of the snout that resembles its real-life counterpart. Years after this movie was released, McCreery considered the crocodile headed dinosaur to be one of his favorite dinosaurs to design for the first three movies, due to its unique appearance, and being larger than the Tyrannosaurus, as well as how it was a challenge to make the animal look real, rather than like a monster.
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Keeps with Steven Spielberg's theme of broken families.
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(at around 1h 9 mins) In the "Valley of the Dinosaurs" scene, you will notice small white birds resting on the dinosaurs' backs and flying above their heads. They likely accompany the herbivorous dinosaurs on the island, and perhaps eat harmful parasites from their skin while perched on their backs, in a similar fashion to the relationships between Oxpeckers and Rhinos and African Buffalo of the African plains.
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During production, exterior shots of the compound, and interior shots of the Embryonics Administration lobby, were filmed on the same backlot, which stood for the Site B Village in The Lost World: Jurassic Park (1997). In fact, the Operations Building set was merely re-dressed, to create the façade and lobby, of the Embryonics Administration building. As of 2016, the set still exists on the Universal Studios Hollywood backlot, adjacent to the War of the Worlds (2005), and Whoville sets, although the entire structure has collapsed in upon itself.
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(at around 17 mins) The velociraptor that appears in Grant's dream sequence on the plane was intentionally designed and lit to look like the raptors from the first film, considering that's what the character would remember. Stan Winston called the moment, "A great Muppet shot."
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Two scenes of Ankylosaurus were removed from this movie. This included a battle between an individual and a pack of Velociraptor, and a more peaceful scene of a herd of three crossing the river on which were Dr. Alan Grant and the Kirby family. However, the scene where an Ankylosaurus fights a Velociraptor pack was later included in the Lego Jurassic World (2015) level "Eric Kirby".
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(at around 1h 13 mins) Probably as a joke, Barney & Friends (1992) is shown on television and then cutting away to the Spinosaurus growling.
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In an interview related to Jurassic Park, Trevor Morgan joked once that his friends bought an Eric Kirby action figure then fed it to their dogs.
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According to the Dino Protection Group website, InGen scientists travelled back to Isla Sorna in 1999 and illegally cloned 4 new species. These species are Ankylosaurus, Corythosaurus, Ceratosaurus and Spinosaurus, whom all made their debut in this film. This explains why these 4 dinosaur species were absent from The Lost World: Jurassic Park (1997) (which takes place on the same island), and why Spinosaurus wasn't on InGen's list.
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The first draft of the script involved a group of teenagers marooned on Isla Sorna.
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The bushes the dinosaurs brush by when they run or walk were often computer generated, which was different from the previous films which required physical bushes for the animatronic animals to brush past.
Stan Winston calls the creatures in the film the most "paleontologically correct dinosaurs" that anyone has ever created, saying, "Artistically, we have created with scientific research what now science bases what the science is. Science pushed the art, and now art pushes the science."
The technology utilized in this film stems from technology used in previous movies some of the special effects team worked on in the past. These include the blending of live-action and CG elements in Terminator 2: Judgment Day (1991), the large hydraulic model of the alien queen in Aliens (1986), the integration of real-life actors with rendered characters in Who Framed Roger Rabbit (1988), the digital animation used in Casper (1995), and of course the previous Jurassic Park films.
Stan Winston explains why the integration of live-action and CG helps actor performances. An animatronic dinosaur gives the actors something to react to rather than just a tennis ball on a stick. Then any CG effects that are added enhances the level of reality of the scene itself.
In addition to the use of CG and animatronics, the special effects team also brought back the traditional man-in-a-suit effect. The most notable instances of this include a few shots of a Pteranodon in the aviary and the raptor attacking the characters in the cages at the InGen base. John Rosengrant wore the raptor suit in this sequence.
Among Robert Ramsdell's tasks for the Spinosaur build was painting and arranging teeth in the creature's palate. "I had to paint hundreds of teeth for this thing," Ramsdell recalled. "The original palate had something like seventy-six teeth; but we had to make six or seven copies of them all, because the Spino was going to take a lot of abuse, and they would break." It was around this time that Ramsdell's first child was born. "John Rosengrant knew I had a new baby; and so he suggested that I take all of these dinosaur teeth home for a few days, and paint them there. That was such a nice thing for him to do; I really appreciated getting to spend some time with my new daughter."
The Einhorn 20mm, the large weapon used by the mercenaries, was actually a Barrett M82A2 Bullpup sniper rifle, developed for the U.S. military, but never adopted.
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The September 25, 2000 draft of the screenplay credits revisions to John August. He is not credited in the final movie.
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As of April 30, 2020, a new discovery concerning the Spinosaurus labels the animal as an aquatic African reptile like monster of a dinosaur. Sources stated that the animal likely spent more time in the water than on land. With this in mind, that means the Spinosaurus seen in the third Jurassic Park movie is for sure a hybrid, with the second specie obviously being tyrannosaurus, making a clear distinction that the real animal was down on all fours instead of having just two legs. This film more than likely popularized the idea that the animal could stand on its hind legs.
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(at around 1h 11 mins) The scene where Alan, Paul, and Amanda are digging through Spinosaurus dung to find the ringing satellite phone is a call-back to Jurassic Park (1993) where Ellie is digging through Triceratops droppings to discover why the animal has fallen ill.
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It is unknown how Billy survived, but it can be assumed he was washed downriver and found by the rescue party.
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For the coloration of the Spinosaurus, Stan Winston Studio aimed for a "venomous flavor" that was seen in animals like the coral snake. Several designs of various color schemes of Spinosaurus were created by Ricardo F. Delgado, but the final color scheme of the Spinosaurus came from sketches by Mark 'Crash' McCreery that Joey Orosco drew over using colored pencils. Orosco was also responsible for devising the red in its color scheme that the Spinosaurus bears with the aim of giving it a bold look that was shared with the other dinosaurs designed for the movie. With a design chosen, Orosco, John Rosengrant, Trevor Hensley, Robert Ramsdell and Paul Mejias created a 1/5 scale maquette that was later scanned in a computer where it was then used to create the mold of the Spinosaurus animatronic via rapid prototyping. Orosco also supervised the construction of the life-sized sculpture, for a reference for video games, advertising and other merchandise for this movie, a 1/16 scale maquette was also sculpted by Joey Orosco and Scott Stoddard with Mark Maitre painting the miniature.
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In the script, Corythosaurus was to be among the dinosaurs seen on the riverbank after the protagonists escape from the aviary. Originally, the stampede seen in the movie was only going to contain Parasaurolophuses, but director Joe Johnston and visual effects supervisor Jim Mitchell felt there needed to be more variety, so Corythosaurus was created for this movie. The Corythosaurus depicted in the movie was created from the Parasaurolophus model.
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Despite being the main dinosaur of the film, the Spinosaurus has 3 minutes of screentime.
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Stephen Sommers and Jan de Bont were both in the running to direct when Steven Spielberg declined to return to the director's chair.
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Despite his name, Billy Brennan is not the same Billy from Jurassic Park (1993) or the video game. However, he could be one of the paleontologists who were also part of the dig site from Jurassic Park (1993).
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It is the last Jurassic Park movie to be produced in a 1.85:1 aspect ratio.
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The concept design of the Corythosaurus for this movie was based on features seen in illustrations by John Sibbick.
(at around 3 mins) When the boat crashes into the rocks during the parasailing sequence, digital damage had to be added to the hull. Additionally, the parasail moves in front of a mountain, but the shot was digitally altered so the parasail appears to fall behind it.
(at around 10 mins) The fossil that Billy is excavating in his first scene, was a sculpture that was delivered from the art department to the studio within two days because weather issues forced this scene to be shot much earlier than it was scheduled.
The design team was initially disappointed they would be building raptors again because they had been used in the previous two films. To change things up, they made them evolve a little, adding pre-feather quills on their heads. This allowed the raptors to emote more than a relatively static lizard-like face allowed in previous films. Stan Winston said this made the raptors his favorite new dinosaur for the movie, even though the use of raptors wasn't new.
(at around 22 mins) When Cooper gets eaten on the landing strip, it was the first effects shot that was completed for the film.
A special rig of the spinosaurus' sail was built to show it rise out of the water like a shark's fin. This did not hold up as well as the full-sized animatronic rig, and the sail fell apart. Consequently, this shot was computer generated.
The T. rex animatronic was actually the same animatronic for the Buck in The Lost World: Jurassic Park (1997). Stan Winston Studio repainted the animatronic lighter colors, however, they can both still be recognized as the same robot by the facial scarring on the right side of the muzzle. During the production of the fight with the Spinosaurus, the animatronic's neck was broke clean off the robot, because the Spinosaurus animatronic was so big and powerful it destroyed the robot with one hit.
(at around 1h 12 mins) The juxtaposition scene has the Spinosaurus attacking Grant and company during nighttime, and Ellie's son being distracted by Barney during the afternoon. Costa Rica is in the same time zone as Central Standard Time, so there's no place in America where such a huge time difference would happen. However, Isla Sorna is many miles away from Costa Rica in this fictional story, so anything is possible.
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Jurassic Park (1993) came about while Steven Spielberg and Michael Crichton were developing ER (1994). William H. Macy was on that show.
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(at around 6 mins) As he leaves Dr. Sattler's house, Dr. Grant says that he is "The last of my breed." Ironically, he is driving a 1998 Oldsmobile Intrigue, which was one of the last Oldsmobiles made. General Motors closed the Oldsmobile division less than three years after this movie's release.
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(at around 1h 21 mins) When the army storms the beach, the practical elements were relatively small. Helicopters, boat extensions and computer generated soldiers were added in post production.
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Stan Winston likes to say, "We don't do special effects; we create characters for film," to describe his work.
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Several Triceratops can be seen with zebra-like stripes on them much like the Tyrannosaurus and male Parasaurolophus. However, this is the same texture that was used for the buck in The Lost World: Jurassic Park (1997), as you can see the buck Triceratops had white stripes and dark brown coloration. It was used again in this movie,, but an unused texture can be seen in the "Making-of", and the turntables though.
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This wasn't the first time that Trevor Morgan had to deal with dinosaurs, let alone a purple and green Tyrannosaurus Rex with the diet of an omnivore that could talk, sing, and dance while encouraging younger children to use their imaginations. Under the lead role of Cody Newton in Barney's Great Adventure (1998), he had to tolerate (and warm up to) the whimsical escapades of the eponymous protagonist.
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Trevor Morgan (Eric Kirby) played Scott Anspaugh on ER (1994). Scott Anspaugh was the son of Dr. Donald Anspaugh (John Aylward), who was Chief of Staff. In this movie, he played William H. Macy's son. William H. Macy played Dr. David Morganstern on ER (1994), who was the Chief of Surgery. ER (1994) was also created by Michael Crichton, the creator of the Jurassic Park franchise.
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(at around 15 mins) During the flight to Isla Sorna, Billy tells Dr. Grant a story about hang-gliding off cliffs in New Zealand. Sam Neill, who plays Dr. Grant, was born in Ireland, but grew up in New Zealand.
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The twin engine airplane that takes them to the island is a Hawker-Beechcraft King Air 200.
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If you listen closely, the Spinosaurus uses some of the sounds of the Suchomimus from the video game Warpath: Jurassic Park (1999) and the Carnotaurus from Dinosaur (2000). This is highly likely since sound designer Christopher Boyes previously worked on the Disney movie.
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Paul Kirby's satellite phone is based on a Globalstar SAT 550.
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Téa Leoni's husband at the time (div. 2014), David Duchovny, has impersonated Jeff Goldblum, star of the previous movies, on Saturday Night Live (1975).
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One soundtrack in the score was named "Nash Calling".
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The flare gun had reversed colors; the handle was orange and the gun itself was black.
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Most fans believe that the raptors in this film are a separate sub-species from the raptors in the previous films. This is due to the difference in their appearance, and how the raptors in III seem to be more intelligent and cooperative than in previous films. A similar theory is also used for the Pteranodons in order to explain how a small group were seen flying freely at the end of The Lost World: Jurassic Park (1997), with notably different appearances to the later Pteranodons.
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The Spinosaurus is regarded as the largest predator / carnivore in history. Reaching at a height of 25 feet (7.62 meters) tall, having a full body length of 59 feet (17.98 meters) long, and weighing around 10 - 12 metric tons. It's sail fin stands at 7 feet (2.13 meters) tall and is used for regulating body temperature or mating.
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The raptors in the first Jurassic Park (1993) were controlled by cables and radio signals. The raptors from The Lost World: Jurassic Park (1997) used radio-controlled components and hydraulics. In this film, the effects team were able to fit an entire hydraulic package inside the raptors themselves to achieve a self-contained hydraulic character.
Many of the shots with multiple dinosaurs, especially in wide-angle shots and scenes with large herds, employed custom animation rather than using automated computer programming. This was done so the interactions and movements of the animals looked real and imprecise, like nature.
(at around 42 mins) Although the previous films talked about how fast velociraptors could run in the open, it had never been shown until the herd chase scene outside the InGen base. The shot of this features the raptors running at approximately 40 miles per hour.
(at around 1h 11 mins) The Ceratosaurus that approaches the characters as they search for the satellite phone in dino dung, was a revised computer model of the T-rex from the previous films.
Joe Johnston had originally lobbied to direct The Lost World: Jurassic Park (1997), but was turned down when Steven Spielberg decided to return for that film. To make up for this, Spielberg passed the director's job to Johnston for this film when he decided to direct A.I. Artificial Intelligence (2001) instead.
(at around 53 mins) Shortly before Eric reunites with the Kirbys by the fence, as he and Alan are walking through the forest, ripples can briefly be seen in a puddle of water they walk past, foreshadowing the later arrival of the Spinosaurus.
The massive Spinosaur, which was sculpted by key artist Joey Orosco in one-sixteenth-scale, from sketches by SWS concept designer Mark 'Crash' McCreery. Real-life scientific discovery informed the movie's fictional world. "Scientists had found a Spinosaur skull just as Jurassic Park III was going into preproduction," said Orosco, "and that's why the filmmakers had wanted a Spinosaur in the movie.
(at around 23 mins) In the Spinosaur's first scene, the creature's jaws snap at people inside an airplane fuselage that has crash-landed into a treetop. Robert Ramsdell puppeteered the Spinosaur jaws in the shot. "They wanted it to be snapping just as it broke through the fuselage," Ramsdell said. "There was quite a bit of pressure in puppeteering that, because the timing had to be just right. They had built only four breakaway fuselages; and so that's how many chances we had to get the shot." On take one, Ramsdell missed his mark. On take two, he missed the mark again. "By this time, the pressure was insane. It was a do-or-die thing, because we only had two more shots at it. Just before we did the next take, I looked across to where Stan and the director were standing. Stan just looked at me, nodded, and gave me a look of approval that said, 'You can do this.' And we got the shot on that take." "It is a great help to have Stan there to pat us on the back," SWS/Legacy Effects key artist Trevor Hensley commented, "especially when we are dealing with something dangerous, like the Spinosaur. You know that one wrong move with your controller, and you could knock somebody twenty feet in the air. It's no joke - this thing could kill somebody; and, as one of the operators, that makes you very nervous. It always means a lot to have Stan's reassurance that every thing is going to be okay."
Dr. Grant (unsuccessfully) coaxes Ellie's parrot to say his name, because of his interest in raptor vocalization and his belief that dinosaurs evolved into birds. This ties into the infamous "talking" raptor scene, where the raptor DOES say his name.
Sam Neill appeared in The Hunt for Red October (1990). During the climax of that movie, his character says that he would have liked to have seen Montana. Dr. Grant (Neill) appeared at Montana dig sites in Jurassic Park (1993) and this movie.
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In the original shooting script, the character Udesky (Michael Jeter) was called Ordesky.
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The helicopter that Grant, Billy, and the Kirbys leave Isla Sorna in is a Sikorsky SH-60B Seahawk Aircraft.
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It was not uncommon on this film to shoot a clean plate of the animatronic shots just in case they had to use computer generated effects to redo or complete a shot.
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(at around 27 mins) The Tyrannosaur's death originally lasted much longer the Spinosaurus would've bitten its neck and literally would have choke the life out of it and tearing a chunk of its neck out. It was deemed too gory and instead it was changed to it getting its neck snapped by the Spino.
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One way to explain the existence of the raptors seen in this movie in correlation to the raptors seen in The Lost World: Jurassic Park (1997) is that these raptors could've been bred separately, and at the same time, there are sections of Isla Sorna where the dinosaurs are extremely territorial.
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In theory, the construction of the bird cage could've been the place on Isla Sorna where the Spinosaurus was kept until they realized they couldn't contain the animal any longer, due to the fact that it's constructed around the river.
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"We had achieved quite a lot on those earlier films," 25-year SWS supervisor & co-founder of Legacy Effects, John Rosengrant said, "so there was a lot to live up to. We wanted to make the animatronics faster and better. At the same time, we wanted to come up with new designs and pump some energy into the old ones." By the time it was completed, the studio's full-size Spinosaur measured nearly forty-five feet long and weighed 25,000 pounds. Revisiting an approach that had worked well with the T-Rex rigs for The Lost World: Jurassic Park (1997), the crew built the Spinosaur from the tip of its nose to the base of its tail, from the 'knees' up, and mounted it to a motorized cart that ran on tracks. The Spinosaur was not only the biggest and heaviest animatronic ever built by the studio, it was the fastest, featuring state-of-the-art, 'hot-rod' hydraulics - designed by Tim Nordella and Lloyd Ball - controlled by an eighteen-inch-tall telemetry device. "The Spino had to be faster, splashier and better than the T-Rex," stated Nordella. "The producers wanted something that was going to actually kill the T-Rex, in fact; so it had to be a more formidable character than the T-Rex was." Whereas the T-Rex had boasted 200 horsepower, 1000 horsepower drove the Spinosaur. Its solid-state construction also made it far sturdier than the T-Rex, which had been quite delicate, despite its appearance. The Spinosaur, in contrast, could take a beating. In one of the last scenes to be shot though not its last scene in the film the Spinosaur does battle with a T-Rex. The crew took one of the T-Rexes from The Lost World out of storage and refurbished it for the fight scene, which was as violent on stage as it appeared in the film. "That was a true fight," Robert Ramsdell said. "They were just going to scrap the dinosaurs after the show anyway, so they had us really ram those two robots together to get as much great footage as we could. We had two puppeteering teams with their little telemetry devices, swinging them around; meanwhile, these huge robots were slamming into each other across the way. Everybody on our crew was a little bit on edge about it, because we'd put a lot of time and work into these things. But the producers and studio execs were having a great time watching this, rooting for either the T-Rex or the Spinosaur to win. We ended up knocking the head off of the T-Rex - so I guess the Spinosaur won!"
Paleontologist Jack Horner authenticated the studio's final Spinosaur design - although Winston's artists freely extrapolated from scientific reference, particularly in regard to the creature's coloring. "Paleontologists have a lot of disagreements about the coloration of dinosaurs," noted Joey Orosco. "Some of them think that they might have been brightly colored. Birds can be brightly colored, and some paleontologists believe that birds evolved from dinosaurs. In our world, very large animals are usually dull in color; and yet, there are also large animals that have crazy color schemes. Look at giraffes! So, who's to say what color they were?"
Drawing over Mark 'Crash' McCreery's sketches with colored pencils, Joey Orosco devised the Spinosaur's bright red coloring, going for a bold look that would be exhibited in the movie's other dinosaurs, as well. "Everybody went a little wild on Jurassic Park III's dinosaurs. We wound up putting quills on the Raptors - all kinds of things. We knew it was probably going to be the last Jurassic Park movie, so we just went for it." Once design issues had been settled, Orosco, John Rosengrant, Trevor Hensley, Robert Ramsdell and Paul Mejias produced an eight-foot-long, one-fifth-scale Spinosaur maquette. As before, full-scale computer-milled foam pieces, created from a cyberscan of the maquette, formed the basis for the full-size animatronic.
During an interview with TVGuide.com during a break in production in mid December 2000, William H Macy was quoted as saying, "There have been all the problems that one thinks of. The script has been evolving and being rewritten as we go, and what you want to say is, 'Who launched a $100 million ship without a rudder, and who's getting fired for this?' But that's the way it goes. That's the way they make these movies... big deal. I think someone should be shot, but I'm not in charge." Later, in March of 2001, during as MSN chat to promote the film, he was quoted as saying, "I think there will be [a further sequel] and I took great pains to drop my wallet on one of those islands, so I have an excuse to go back."
It seems quite likely, with the events of Jurassic World, that the Spinosaurus being an off-the-books creation of InGen is an early attempt by some figures in the company to weaponise dinosaurs. Its seemingly enhanced ability hints at the I.Rex as well.
During the Q & A session following Dr. Grant's lecture, he has to specifically clarify that he neither saw nor was involved in the San Diego incident. The public's confusion about the events surrounding Jurassic Park and Site B is later exhibited by Mr. Kirby's mistaken assumption that Grant is familiar with the geography of Isla Sorna.
In this, Billy has a "lucky" backpack that he had with him in an accident that should've killed hi. In the previous movie, Sarah, also had a damaged backpack that she had in a situation that nearly killed her that she considered "lucky".
Tea Leoni & the late Julio Oscar Mechoso, who played the ill-fatted captain of the boat in the into of the film, would have a Jurassic Park 3 reunion 16 years later. Julio Oscar would guest star on Tea Leoni's "Madam Secretary" TV show on season 3 episode 14, "Labor of Love". This was unfortunately one of his last screen credits as. Julio Oscar passed away of a heart attack.
Mostly in regards to comparing it to The Lost World: Jurassic Park (1997). Where Lost World is more hotly contested and polarizing, Jurassic Park III tends to more often be dismissed as So Okay, It's Average. While the former has bigger set pieces and more polish in the production values, it does suffer from too many subplots and a rather Anvilicious tone. JP III, meanwhile, is a little more to-the-point. Conversely, it's also the film that gets the most flak for not contributing enough to the rest of the series, while Lost World gets praise for at least trying to expand on the scale and storyline from the first film.
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Some don't like or even hate that the Spinosaurus replaced the T. rex while some are totally fine and even love the Spinosaurus due to it being bigger than the King of all Dinosaurs. (Or for having a more elegant body shape, functional arms, a more eerie roar and evil eyes, cool sail, being smarter and able to swim under water.) Ellie marrying someone else and having kids with him. Granted, in the books she didn't have a romance with Alan (and indeed, she was engaged to someone else as well). She is mentioned in Lost World as formerly being involved with Grant, though now married to a Berkeley professor.
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ILM created approximately 400 effects shots for the film.
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The other reason the Tyrannosaurus is not featured in this movie is because the animatronic puppet was damaged at the neck and the Spinosaurus animatronic was so big and powerful it destroyed the robot with one hit. This left many of the crew stunned, shocked and even some mourning for the animatronic with John Rosengrant saying: "That was a really sad ending to a long night of shooting. The Spino threw one final blow and broke the T. rex's neck. The head collapsed, the neck tore open in the back, and hydraulic fluid shot out of it, almost like blood spurting." Because of this mishap, this would eventually be the scene where the Spinosaurus towers over the T. rex after killing it.
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Near the end of the movie, when the Spinosaurus attacks Amanda Kirby (Téa Leoni) in the water and tries to grab her, Leoni admits that she was injured by accident during those scenes when its claws would scratch her. When Leoni returned home from work one night and her husband David Duchovny saw the various slashes on her back she received during filming, he asked "At what point in this movie do they whip you?"
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The original script had Billy Brennan killed, but Alessandro Nivola protested, and director Joe Johnston had him brought back for the end.
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Pterosaurs were included in the original "Jurassic Park" novel, and had been considered for both of the previous movies, but these ideas were abandoned except for a brief scene at the end of The Lost World: Jurassic Park (1997). They are finally featured in this movie, in a sequence that is largely based on the aviary subplot in the first novel.
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It is subtly implied that Billy was in on the expedition to search for Paul and Amanda Kirby's son from the beginning, with his own agenda in mind. There are four distinct moments: 1. Billy gives a look that implies he was aware that Paul Kirby would be arriving after showing Dr. Grant the velociraptor resonating chamber. 2. Paul Kirby, after introducing himself to Grant, says "how ya doin', Billy?" implying that the two already knew each other. 3. In the same scene, Billy hastily responds "We'd love to" to Paul Kirby's request. 4. On the plane ride to the island, Billy turns around, with a clearly facetious look on his face, asks Cooper "How do you know the Kirby's?" with which Cooper responds "through our church" with an equally sarcastic look. The fact that Billy steals raptor eggs in an effort to fund the dig site, along with his initial excitement of travelling to Isla Sorna, is further evidence of this fact.
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Originally, Udesky was going to be killed in the initial Spinosaurus attack leaving Nash to be killed by the Velociraptors. Then, their roles were swapped.
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Cooper may have been inspired by a character in the video game Dino Crisis (1999) named Cooper who gets eaten by a Tyrannosaurus all the way at the start of the game, just like being eaten by the Spinosaurus at the beginning of the movie.
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(at around 26 mins) There is a fan theory that the sub-adult T. Rex killed by the Spinosaurus in this is the infant T. Rex from The Lost World: Jurassic Park (1997). However, it could be a rogue T. Rex, as the Infant had a skin color like his parents, while the T. Rex in this was more green in color. When asked if the infant T-Rex was the Tyrannosaur killed by the Spinosaurus during Stan Winston Schools "Jurassic Party" Matt Winston jokingly said "Yes! We're just making stuff up."
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Body count: six.
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Supplementary material released for the Jurassic World movies has revealed that the Spinosaurus on Isla Sorna was an early example of prototype hybrid by InGen and therefore a precursor to the Indominus and Indoraptor. This may retroactively explain its overtly aggressive behavior and the way it persistently chases the protagonists through the island, as well as the ease with which it defeats the Tyrannosaurus Rex.
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(at around 31 mins) Mr. Kirby admits that his business is in Westgate shopping mall in Enid, Oklahoma. There is a Westgate Plaza mall in Enid, Oklahoma.
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This is the second Jurassic Park movie in which actors from Miami Vice (1984) get eaten by a dinosaur. In Jurassic Park (1993), it was Martin Ferrero, who played a recurring character named Izzy Moreno on Miami Vice (1984), as the lawyer who gets eaten by T. Rex. In this movie, Miami Vice (1984) regular John Diehl plays Cooper, the mercenary who gets devoured by Spinosaurus as the plane is trying to take off, and Julio Oscar Mechoso, who plays the Dino-Soar boat Captain eaten in the beginning, played first season Miami Vice (1984) character Lester Kosko, the Vice squad's surveillance tech expert. Cooper was also often used as an alias by Ricardo Tubbs, played by Philip Michael Thomas on Miami Vice (1984).
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