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Hanging Up (2000)

PG-13 | | Comedy, Drama | 18 February 2000 (USA)
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A trio of sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.

Director:

Diane Keaton

Writers:

Delia Ephron (book), Delia Ephron (screenplay) | 1 more credit »
2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Meg Ryan ... Eve Mozell Marks
Diane Keaton ... Georgia Mozell
Lisa Kudrow ... Maddy Mozell
Walter Matthau ... Lou Mozell
Adam Arkin ... Joe Marks
Shaun Duke ... Dr. Omar Kunundar (as Duke Moosekian)
Ann Bortolotti Ann Bortolotti ... Ogmed Kunundar
Cloris Leachman ... Pat Mozell
Maree Cheatham ... Angie
Myndy Crist ... Dr. Kelly
Libby Hudson Lydecker ... Libby (as Libby Hudson)
Jesse James ... Jesse Marks
Edie McClurg ... Esther
Tracee Ellis Ross ... Kim
Celia Weston ... Madge Turner
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Storyline

Georgia Mozell, Eve Marks and Maddy Mozell are adult sisters. Georgia is the editor of her own wildly successful self-titled women's magazine. She strives for publicity at any cost. Party planner Eve is the mother hen of the group, not only of her own family, but also of her siblings and father as their mother, Pat, not only emotionally left their father when they divorced, but her daughters as well. And Maddy is a vacuous soap opera actress who has always struggled for her own identity. Despite being as busy with her own life as the others, Eve is the only one of the three who deals with the long term hospitalization of their cantankerous seventy-nine year old father, Lou Mozell, when he enters the early stages of dementia, and the associated outcomes of that hospitalization. Eve's caring for Lou is despite an especially hurtful incident with him seven years earlier. As the emotional aspect of looking after Lou becomes more and more stressful, Eve has to figure out how to maintain ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Every family has a few hang-ups.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for language and some sex-related material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany | USA

Language:

English

Release Date:

18 February 2000 (USA) See more »

Also Known As:

No nos dejes colgadas See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$13,567,978, 18 February 2000

Gross USA:

$36,050,230

Cumulative Worldwide Gross:

$15,829,814
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Walter Matthau's final role. In very poor health throughout filming, he was diagnosed with colon cancer for the second time in his life in November 1999. He died over seven months later, four months after the film's release. See more »

Goofs

During the Halloween/Jesse's birthday party flash back, after the father has burst into the home, Evey is wearing her bunny mask in one shot, the next she's not, then in the next she's pulling it off her head. See more »

Quotes

Eve Mozell Marks: [Eve has just been informed that her father is missing; to nurse on the phone] Look through the beds of *every, single female patient*!
See more »

Connections

Referenced in The Cinema Snob: Marci X (2018) See more »

Soundtracks

Junk
Written and Performed by Paul McCartney
Courtesy of MPL Communications, Inc.
Under license to Capital Records, Inc./EMI Records Ltd.
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Frequently Asked Questions

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User Reviews

wildly uneven comedy/drama
3 February 2001 | by Buddy-51See all my reviews

The late Walter Matthau ended his long and illustrious career as a film actor in `Hanging Up,' playing, appropriately, the dying father of three adult daughters. I wish I could say that the vehicle he chose as his eventual swan song were one truly worthy of his enormous skill and talent. Unfortunately – or rather fortunately – however, this will not be the film for which he is most remembered.

Like so many films, `Hanging Up' starts off with the most noble of intentions. Writer Delia Ephron and director Diane Keaton have attempted to come to terms with the most complex issue facing the aging baby boomer generation: how does one cope with ailing, aging and dying parents while trying to keep a grip on one's own hectic life and personal commitments? And, to make matters more complicated, how does one expend the physical and emotional energy needed for such a task when the parent himself is often irascible, crusty and even downright unlikable in his behavior and nature? And, finally, how does a wounded child ultimately find it in his or her heart to forgive the parent and arrive at that moment of reconciliation so crucial when death finally comes?

When `Hanging Up' focuses on this theme, it achieves moments of point and relevance. All of us can identify with the main character, Eve (Meg Ryan), a sweet, warmhearted young woman who, alone of the three daughters, has unflaggingly dedicated herself to the care of a father who, more often than not, strikes out at her in unappreciative scorn and anger. Wearied and harassed by the enormous burdens of her hectic life and her own inability to say `no' to the people who demand so much from her, Eve emerges as a truly winning and believable character. Unfortunately, her two sisters, Georgia (Diane Keaton), a magazine magnate, and Maddy (Lisa Kudrow), a soap opera actress, come across as shallow, two-dimensional characters whose self-absorption and seeming indifference are (ho hum) really masks for the insecurity and hurt hidden deep beneath their composed surfaces.

Somehow, however, for all its attempts to deal with a truly universal theme, `Hanging Up' never seems quite real in its look and demeanor – it always feels like a movie. Maybe it is the overall slickness of the approach that undermines the seriousness of the drama. The actresses, good though they are, seem somehow too glamorous, their careers too unrepresentative of most of the people in the audience. Another problem is that the film can never seem to settle on an appropriate tone. One moment we find ourselves steeped in searing drama followed the next by a scene of trivial slapstick. Time and again, Ryan is forced to trip over a discarded toy, tangle with an overgrown mutt or bang away at an uncooperative coffee dispenser. Such incidents end up reducing the level of the drama to little more than sitcom status.

`Hanging Up' has, however, been blessed with a wonderful cast. Ryan, Keaton, Kudrow and Matthau pore on the charm and play off each other nicely. (And the film has some devilish fun playing up the physical similarities between Matthau and Richard Nixon). These fine performers obviously had a terrific time making the film together. That is why one regrets the fact, that for all their hard work, the film they left behind is so lacking in credibility and grit. At the end of his career and life, Matthau deserved better.


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