Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.
Director:
Spike Lee
Stars:
Alfre Woodard,
Delroy Lindo,
David Patrick Kelly
Cornered by the DEA, convicted New York drug dealer Montgomery Brogan reevaluates his life in the 24 remaining hours before facing a seven-year jail term.
Director:
Spike Lee
Stars:
Edward Norton,
Barry Pepper,
Philip Seymour Hoffman
On the hottest day of the year on a street in the Bedford-Stuyvesant section of Brooklyn, everyone's hate and bigotry smolders and builds until it explodes into violence.
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
During shooting of the film, unhappy community members left racist and anti-Spike Lee messages near or around the production equipment. See more »
Goofs
In the film the British rock band, The Who are repeatedly referred to as a punk rock band. This is wildly incorrect.
The Who was founded in 1964 and were part of the trailing edge of the British Invasion. The only thing that related to the violent attitude of hard-core punk bands was the fact that on a couple of occasions the drummer and guitarist (Keith Moon and Pete Townsend) smashed their instruments (which began at the Monterrey Pop Festival in 1967, in response to Jimi Hendrix' burning his guitar).
By the time of the Son of Sam murders, the Who had already been hard rockers for nearly a decade and had been using synthesizers for over half that time - something that no punk band would ever do, up until the Clash released Bankrobber in 1980. See more »
Quotes
Ritchie:
Since when does your hairstyle determine whether or not you're a fuckin' killer?
See more »
Crazy Credits
The credits are in the form of newspaper headlines. See more »
Alternate Versions
After they are refused entry into Studio 54, the sex scene between Dionna (Mira Sorvino) and Vinny (John Leguizamo) included more explicit shots in the original cut. This scene was edited a bit after the MPAA threatened the film with an "NC-17" rating. See more »
Got to Give It Up
(1974)
Written by Marvin Gaye
Performed by Marvin Gaye
Courtesy of Motown Record Company, L.P.
Under license from Universal Music Special Markets See more »
I really enjoyed this movie. The Son of Sam killings are just a backdrop to a slice-of-life story in New York City in the summer of 1977. I believe that Spike Lee wanted to tell a story about the seventies - the excesses of sex, drugs and the desperation of the times. He chose a summer that stood out in the minds of the people who lived through it because of the record heat, the murders and the blackout. The Son of Sam killer was in one sense a strongly contrasting back drop and in another sense an extreme sign of the times. David Berkowitz was out of control and driven by invisible demons, but that could be said of the main character Vinnie. The difference between the two could almost be reduced to a matter of degree. I was struck by the part of the story where a group of friends thought the killer was one of their own because he was into punk rock and same-sex sex for money. Their misunderstanding of the killer seemed startling in light of what we know about serial killers today, but was dead on for the time. Spike Lee reminds us with this movie how much damage is done when we allow ourselves to be driven by our ignorance and fear. He makes us uncomfortable, of course, but the lesson rings so true. As far as the direction went, I thought that it was classic Spike Lee with a little taken from some other popular young directors, but if someone imitates something good and does it well, I don't complain. My favorite scene is where the punk rocker character Richie does a porno dance to The Who. The soundtrack is also pretty good, by the way. I gave the movie a 9 out of 10.
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I really enjoyed this movie. The Son of Sam killings are just a backdrop to a slice-of-life story in New York City in the summer of 1977. I believe that Spike Lee wanted to tell a story about the seventies - the excesses of sex, drugs and the desperation of the times. He chose a summer that stood out in the minds of the people who lived through it because of the record heat, the murders and the blackout. The Son of Sam killer was in one sense a strongly contrasting back drop and in another sense an extreme sign of the times. David Berkowitz was out of control and driven by invisible demons, but that could be said of the main character Vinnie. The difference between the two could almost be reduced to a matter of degree. I was struck by the part of the story where a group of friends thought the killer was one of their own because he was into punk rock and same-sex sex for money. Their misunderstanding of the killer seemed startling in light of what we know about serial killers today, but was dead on for the time. Spike Lee reminds us with this movie how much damage is done when we allow ourselves to be driven by our ignorance and fear. He makes us uncomfortable, of course, but the lesson rings so true. As far as the direction went, I thought that it was classic Spike Lee with a little taken from some other popular young directors, but if someone imitates something good and does it well, I don't complain. My favorite scene is where the punk rocker character Richie does a porno dance to The Who. The soundtrack is also pretty good, by the way. I gave the movie a 9 out of 10.