New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Based on the movies of the same name, John Shaft is a two-fisted black private eye along the lines of Mike Hammer and Phillip Marlowe. Each week presents a different case and a different ... See full summary »
New York Police Detective John Shaft is the lead detective on a sensitive case, a young black man is severely beaten. The man's companions tell Shaft that their friend humiliated the one who was spouting racial slurs at him. Shaft confronts him and he says he's Walter Wade Jr. , the son of a wealthy man. Shaft finds that he has the ID of a woman who's a waitress at the bar where Wade and the guy who was attacked were. When Wade continues to hurl racist comments, Shaft smacks him. Shaft later learns because of his actions Wade was granted bail and fled. Two years later, Wade returns and Shaft arrests him. At his hearing when the judge grants him bail, that's when Shaft throws his badge at the judge. He then sets out to get Wade by finding the waitress. Wade in the meantime asks a drug dealer named Peoples Hernandez to find the waitress and make sure she doesn't talk.Written by
In the final chase with Peoples as the two cars race by the warehouse you can see a large 10k light on a rolling stand, a smaller light resting on the curb and a crew member sitting next to the rolling stand. This group is visible on the side street the two cars drive by. See more »
Hey! Hey goddammit! Hey! Don't make me chase you, you gonna piss me off!
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"a low down dirty shame" - that's the name of the movie this movie was based on, originally directed & starring Keenan Wayans (1994). But that film is as much comedy as action film. This is... well, obviously, Samuel Jackson wanted to show that he could play "black"; but I don't know who ever doubted that.
The original Shaft suffered from a lack of proper pacing, due largely to the editor's uncertainty as to where that film was going.
This film suffers from the fact that - being a borrowed story all around - the story itself isn't sure where it's going.
Well, it's nice to see Richard roundtree on the big screen again - a wholly underrated and type-cast actor, he deserves more and better roles.
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