In the series finale, Angel reveals that his questionable moral behavior has been part of a bigger plan: to destroy The Circle of the Black Thorn and show the Senior Partners that the power of good ...
When an ancient sarcophagus arrives in the laboratory at Wolfram & Hart, Fred opens a small compartment and is infected by an ancient disease that slowly begins to kill her. As Angel and Spike travel...
Xena, a mighty Warrior Princess with a dark past, sets out to redeem herself. She is joined by small town bard, Gabrielle. Together they journey the ancient world and fight for the greater good against ruthless Warlords and Gods.
A newlywed with the ability to communicate with the earthbound spirits of the recently deceased overcomes skepticism and doubt to help send their important messages to the living and allow the dead to pass on to the other side.
Jennifer Love Hewitt,
The vampire Angelus, now known as Angel, has a human soul, but committed terrible crimes in the past. Seeking forgiveness and trying to redeem himself, he moves from Sunnydale (and a relationship with Buffy Summers, of "Buffy the Vampire Slayer") to Los Angeles, where he helps the downtrodden by thwarting the supernatural creatures that prey on them.Written by
Vincent Kartheiser has said in interviews, that the character of Connor lost its thrill for him very early on, arguing that his conflicts were not well explored, and that after a while, most of his scenes felt repetitive. See more »
For a large portion of season 5 Spike is incorporeal. He is not meant to be able to interact with physical objects, and is seen passing through people and walls. However as is the case in most scenarios of this nature, he is inexplicably able to sit in chairs or occasionally interact with larger set pieces. See more »
You can always tell when he's happy. His scowl? A little less scowly.
See more »
During the first seconds of the opening credits, the red rim of a chalice in the background forms the shape of a halo over the name ANGEL. See more »
The R1 and R2-UK DVDs of season 2 are presented in widescreen (16:9), whereas the television broadcasts were not. They show an open matte image, which shows more on the left and the right side but sometimes even show crewmembers or other things that were not meant to be seen. They 4:3 framing is the one intended to be seen. See more »
not always great, but is amazing as a 'detective' show
Angel is a surprise to watch after getting through the Buffy the Vampire series. They're not really alike, except that both shows have weekly monsters (or sometimes do, other times focusing on mishaps with the central characters) and the 'Big Bad' (in this case, for a while, law-firm Wolfram & Hart). While Buffy chronicles what it's like for a young woman becoming a hero, the saga of being a kind of superhero with super strength but still being a regular human being, Angel is about its own hero of sorts, a vampire who has been "cursed" to help others and has a soul. So, he goes to Los Angeles, teams up with a few people- Cordelia, from Buffy, and Doyle (who didn't last long), Wesley (who did last long), and Gunn, a street hood who is his own kind of slayer- and opens up a kind of detective agency "to help the hopeless".
Usually when I look at Joss Whedon's TV shows, a lot of them rely best on a central arc carrying over the series episode to episode (one saw how this worked so well on Buffy and with a little more trouble on Dollhouse). This isn't to say that episodes don't flow together or have strong story lines (they often do, and the sub-plots with Wesley, Cordy and eventually Gun are always involving). But here though it's episodic first, arc second, and this actually works out really well. While the "Big Bad" of the season isn't always out of reach, what we look forward to on Angel is seeing what case he has to solve next, what monster he'll have to fight or what person/non-person he'll have to save. And meanwhile the constant is him trying to be a little more compassionate and caring while also being a dark brooding vampire who on occasion, if he achieves true happiness, becomes the evil 'Angelus' vampire. This isn't as confusing as it sounds (a vampire who becomes... an evil vampire?)
What also helps is that Whedon and co-creator David Greenwalt always put in a sense of humor about things, be it the nightclub run by green-skinned Fred where the demons sing (and Angel gets to belt out "Mandy"), or in some of the wisecracks from the characters. There's also some fantastic action and fights- or, sometimes not- and there's the usual lot of crappy CGI that one saw on Buffy too. But what makes it constantly enjoyable is the film-noir aesthetic: Angel is a little like a Raymond Chandler leftover doused in a touch of Batman and left out to do his thing in seedy LA. The characters are fun and convincing, and even when they're not (take season four for example, a lot of it), a good juicy villain or memorable moment is around the corner.
Angel was a successful spin off, running for five seasons, and when one gets into just the first two seasons it's easy to see why. It's more Whedon-esquire goodness on display, with an oddly charismatic David Boreanaz in the lead (improving/building much upon his character on Buffy).
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