Five years after Yippie founder Abbie Hoffman goes underground to avoid a drug-related prison sentence, he contacts a reporter to get out the story of the FBI's covert spying, harassment ...
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A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...
Five years after Yippie founder Abbie Hoffman goes underground to avoid a drug-related prison sentence, he contacts a reporter to get out the story of the FBI's covert spying, harassment and inciting of violence they then blame on the Left. The skeptical reporter interviews Anita, Hoffman's wife, a single mom on welfare in New York City; Hoffman's attorney, Gerry Lefcourt; and others. As they talk, we see Hoffman's career in flashbacks, from early civil rights organizing through the trial of the Chicago Eight. While underground, as mental illness takes its toll, he meets Johanna Lawrenson, and an odd family develops: Abbie, Anita, their son, and Johanna. Will vindication ever arrive?Written by
Second most stolen film in America, the first being Clerks (1994). See more »
Hoffman asks a young soldier what he thought about Jimi Hendrix at Woodstock. Hoffman talks about Jimi playing before half a million people. In fact, Hendrix was one of the last acts to play - on Monday morning of the weekend concert. About 40,000 - 50,000 people were left to see his performance. See more »
I Never Loved a Man (The Way I Love You)
Written by Ronnie Shannon
Published by Fourteen Hour Music, Inc. (BMI) & Mijac Music (BMI)
Administered by Pronto Music (BMI)
Performed by Aretha Franklin
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products See more »
This was an overall good release but there were numerous flaws. The worst of which was the dumbing down of the characters, especially Abbie Hoffman. It made for good cinema and fit the mainstream's mental picture of Abbie, but was quite misleading. Abbie's last wife, Johanna Lawrenson, was grossly misrepresented as apolitical and little more than a bubble-headed groupie. Both were excellent organizers and people. Talking to both was inspiring. It's sad that a film from a better source misrepresented them. However, that said, the film has value for providing a visual picture of the times and occurrences of Abbie's life. Abbie was one of the most significant of the 60s cast of characters and this film contributes to keeping his legacy alive.
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