In a desperate attempt to prove his innocence, a skilled police negotiator accused of corruption and murder takes hostages in a government office to gain the time he needs to find the truth.
Director:
F. Gary Gray
Stars:
Samuel L. Jackson,
Kevin Spacey,
David Morse
A D.E.A. Agent investigates the disappearance of a legendary Army Ranger Drill Sergeant and several of his cadets during a training exercise gone severely awry.
Director:
John McTiernan
Stars:
John Travolta,
Samuel L. Jackson,
Connie Nielsen
A young boy who witnessed the suicide of a mafia lawyer hires an attorney to protect him when the District Attorney tries to use him to take down a mob family.
Director:
Joel Schumacher
Stars:
Susan Sarandon,
Tommy Lee Jones,
Brad Renfro
A woman framed for her husband's murder suspects he is still alive; as she has already been tried for the crime, she can't be re-prosecuted if she finds and kills him.
Director:
Bruce Beresford
Stars:
Ashley Judd,
Tommy Lee Jones,
Bruce Greenwood
When the daughter of a well-known and well-respected base commander is murdered, an undercover detective is summoned to look into the matter and finds a slew of cover-ups at West Point.
Director:
Simon West
Stars:
John Travolta,
Madeleine Stowe,
James Cromwell
The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.
Director:
Roger Michell
Stars:
Ben Affleck,
Samuel L. Jackson,
Kim Staunton
In Canton, Mississippi, a fearless young lawyer and his assistant defend a black man accused of murdering two white men who raped his ten-year-old daughter, inciting violent retribution and revenge from the Ku Klux Klan.
Director:
Joel Schumacher
Stars:
Matthew McConaughey,
Sandra Bullock,
Samuel L. Jackson
When a congressman's daughter under Secret Service protection is kidnapped from a private school, detective Alex Cross investigates the case even though he's recovering from the loss of his partner.
Director:
Lee Tamahori
Stars:
Morgan Freeman,
Michael Wincott,
Monica Potter
Hayes Hodges finds his career aspirations dashed when he's wounded in Vietnam. He returns to America and becomes a disillusioned lawyer who goes up against the Service to defend Colonel Terry Childers, who is accused of inciting an incident that leaves many demonstrators dead. Hodges is in no position to decline: Childers saved his life in Vietnam.Written by
Ronos
Some international prints, made for DVD/TV broadcast, have removed the Paramount logo and fade straight into the Seven Arts Pictures logo. The opening titles also now read "Seven Arts Pictures Present in association with Paramount Pictures". This is due to the fact that Seven Arts owned the international rights and wanted prime credit. See more »
Having just watched Rules Of Engagement, I have to say that although Samuel L. Jackson and Tommy Lee Jones are a joy to watch, I have to make some negative comments about this movie.
The movie is extremely manipulative, and comes from the equally manipulative director of The French Connection, William Friedkin. The movie's bad guys, oddly enough, are a crowd of irrational arabs, together with career politicians who won't just let military men do what they have to do.
The problem with the entire scenario is that the entire massacre could have been prevented with a couple of well aimed teargass grenades. Secondly, not a lot of time is spent on the character development of the 'bad guys', namely the Yemenis (in this case), who all seem to be very eager to die killing Americans, including their (the Yemeni's) toddlers. The later images of the little girl shooting a pistol is very manipulative indeed ("oh, see, she deserved to get her leg shot off after all!").
And thirdly, the incident most like it, namely the US Army Rangers debacle in Mogadishu, caused the death of 18 Rangers but 1000 Somali Mogadishuans, most of which were non-combatants. No-one seems to have been called to task for that event, let alone be thrown to the lions to appease public opinion, like Samuel Jackson's character is over a "mere" 83 deaths. (The same thing can be said for the invasion of Panama, where there was a similar death toll among civilians - the truth of the matter is that since WWII, conventional weapons have become infinitely more efficient, with the result that if conflict breaks out in built-up areas, _lots_ of civilians are killed.)
However, the one redeeming value (other than the acting) is that it shines a light on the changed nature of the political war that is required of the modern soldier in places like Somalia, Bosnia, etc., and that started in Vietnam.
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Having just watched Rules Of Engagement, I have to say that although Samuel L. Jackson and Tommy Lee Jones are a joy to watch, I have to make some negative comments about this movie.
The movie is extremely manipulative, and comes from the equally manipulative director of The French Connection, William Friedkin. The movie's bad guys, oddly enough, are a crowd of irrational arabs, together with career politicians who won't just let military men do what they have to do.
The problem with the entire scenario is that the entire massacre could have been prevented with a couple of well aimed teargass grenades. Secondly, not a lot of time is spent on the character development of the 'bad guys', namely the Yemenis (in this case), who all seem to be very eager to die killing Americans, including their (the Yemeni's) toddlers. The later images of the little girl shooting a pistol is very manipulative indeed ("oh, see, she deserved to get her leg shot off after all!").
And thirdly, the incident most like it, namely the US Army Rangers debacle in Mogadishu, caused the death of 18 Rangers but 1000 Somali Mogadishuans, most of which were non-combatants. No-one seems to have been called to task for that event, let alone be thrown to the lions to appease public opinion, like Samuel Jackson's character is over a "mere" 83 deaths. (The same thing can be said for the invasion of Panama, where there was a similar death toll among civilians - the truth of the matter is that since WWII, conventional weapons have become infinitely more efficient, with the result that if conflict breaks out in built-up areas, _lots_ of civilians are killed.)
However, the one redeeming value (other than the acting) is that it shines a light on the changed nature of the political war that is required of the modern soldier in places like Somalia, Bosnia, etc., and that started in Vietnam.