6.6/10
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Agnes Browne (1999)

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1:50 | Trailer
The unexpected death of her husband sends a woman and her seven children, ages 2-14, into emotional turmoil and financial crisis in 1967 Dublin. She is forced to borrow money from a ... See full summary »

Director:

Anjelica Huston

Writers:

Brendan O'Carroll (novel), John Goldsmith (screenplay) | 1 more credit »
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anjelica Huston ... Agnes Browne
Marion O'Dwyer ... Marion Monks
Niall O'Shea Niall O'Shea ... Mark Browne
Ciaran Owens ... Frankie Browne
Roxanna Nic Liam Roxanna Nic Liam ... Cathy Browne (as Roxanna Williams)
Carl Power Carl Power ... Simon Browne
Mark Power Mark Power ... Dermot Browne
Gareth O'Connor Gareth O'Connor ... Rory Browne
James Lappin James Lappin ... Trevor Browne
Ray Winstone ... Mr. Billy
Arno Chevrier Arno Chevrier ... Pierre
Gerard McSorley ... Mr. Aherne
Tom Jones ... Himself
June Rodgers June Rodgers ... Fat Annie
Jennifer Gibney ... Winnie the Mackerel
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Storyline

The unexpected death of her husband sends a woman and her seven children, ages 2-14, into emotional turmoil and financial crisis in 1967 Dublin. She is forced to borrow money from a ruthless loan shark to make ends meet. She faces her dismal existence by selling fruits and vegetables at an open air market where she spends time with a best friend who gives her encouragement. Wishing to escape her existence, if only for a short time, she dreams of finding enough money to attend an upcoming Tom Jones concert. She realizes her dream by accepting her first date with a French baker. Her kids pool their money so she can buy a new dress. Of course, eventually the family has to face the loan shark, but this is a movie where obstacles are maybe too easily overcome. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Taglines:

When Agnes Browne's husband died, she discovered something amazing... Herself.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

Country:

USA | Ireland

Language:

English | French

Release Date:

3 March 2000 (USA) See more »

Also Known As:

The Mammy See more »

Filming Locations:

Bray, County Wicklow, Ireland See more »

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Box Office

Opening Weekend USA:

$6,322, 5 December 1999

Gross USA:

$148,853

Cumulative Worldwide Gross:

$148,853
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Anjelica Huston offered Rosie O'Donnell the lead role. O'Donnell seriously considered the offer, but ultimately decided that she'd rather spend the summer with her family. See more »

Goofs

When the group are are coming out of Clery's department store, the physical bus stops in the distance are still from 1990s. Bus stops were green and oval in shape, whereas in the 60s and 70s they were round and black/cream. See more »

Quotes

Marion Monks: We're here for a good time, not a long time. And having a friend like you is as good as it gets.
See more »


Soundtracks

Petite Fleur
Written by Sidney Bechet
Performed by Chris Barber's Jazz Band
See more »

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User Reviews

immensely likable little film
11 March 2001 | by Buddy-51See all my reviews

`Agnes Browne' is a genuine charmer, a simple, but heartwarming comedy/drama directed by and starring the magnificent Anjelica Huston. Set in a lower class Dublin neighborhood in 1967, the story centers around Agnes, an attractive woman whose husband has just died leaving her sole provider for her seven children, ranging in age from early adolescence to diaper-wetting toddler. With the love of her best friend, Marion, to support her (this almost seems to be more of a love story between them than between Agnes and Pierre, the local Frenchman who falls for her), Agnes learns to cope with financial set backs, the neighborhood extortionist, the growing pains of her children and, most tragically, the terminal illness of someone very dear to her heart.

`Agnes Browne' could have emerged as a heavy-handed wallow in tragedy and bathos, but those involved both in front of and behind the cameras have managed to maintain an air of breezy likeability even in the film's darkest moments. If there is a criticism to be leveled against the movie, it would probably be that the film is actually - at a mere 92-minute running time - a bit too short. We occasionally feel we are being rushed from one event to another without time for proper reflection. Moreover, a number of the characters – prime among them Pierre and several of the children – tend to get lost in the shuffle. As the silent, sensitive and understanding merchant who woos and wins Agnes, Pierre simply seems too much like the `ideal man' stereotype who always seems to be just waiting in the wings the moment one of these attractive but harried movie widows/divorcees is starting life anew out on her own.

A much more well rounded and three-dimensional character is that of Agnes' best friend, Marion, (beautifully portrayed by Marion O'Dwyer), a warmhearted, fun-loving woman who provides the kind of confidant and companion that all of us would love to have in our lives. But the real selling point of `Agnes Browne' is, undoubtedly, the luminous performance delivered by Anjelica Huston herself. This fine actress manages to flow seamlessly in and out of a wide variety of emotionally demanding moods and moments. Stern and demanding one moment, she can be forgiving and loving the next. Whether alternately strong or vulnerable, idealistic or pragmatic, heartbroken or joyful, Agnes is a character who demands and earns the complete attention and respect from the audience who can't help but be riveted by her every move. With her glowing portrayal, Huston literally lights up the center of this movie.

Yes, the fairy tale ending may seem a bit out of place perhaps. Yet, in a way, for all its moments of death, heartbreak and sorrow, `Agnes Browne' never really aspires to be anything BUT a charming fairy tale. Given the quality of so much of what we see up on the screen, we really couldn't ask for more.


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