Originally a 30 minute portion for an anthology film, Impostor was retooled into a full length feature film. Based on the Philip K. Dick short story of the same name, it follows the lead character Spencer Olham's quest to regain his identity after being suspected as an alien android, in an future Earth at war with aliens that use the androids as bombs to destroy their enemies homeworlds.Written by
Spencer Olham is said to be "very good at integral and differential calculus." This is a tongue-in-cheek reference to Gilbert and Sullivan's musical "Pirates of Penzance" from the famously silly patter-song "Modern Major General." (The line from the song is, "I am very good at integral and differential calculus, I know the scientific names of being animalculus...") See more »
The bullet holes in Spencer's ESA jacket move around. See more »
There wasn't always a war with the Centauri, but in my lifetime it's all I've ever known. By the year 2050, six years after the first attack, we'd lost so many things. We'd lost the sky to electromagnetic domes, to shield the Earth from frequent air raids increasing in intensity. We'd lost the uncovered cities that the government forgot. We'd lost democracy to global leadership. We didn't expect peace anymore with the Centauri, because we came to see that peace wasn't their goal. ...
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The movie faced several release dates that were changed many times and one of those times resulting in editing and some reshoots. This was done to edit it down to PG-13 from a previous R rating. See more »
"Those who deny the existence of robots may themselves BE robots..."
The previously posted comment for this film would have successfully steered me away from it... If I weren't such a huge fan of "Criminal Intent" (Vincent D'Onofrio) and "Monk" (Tony Shalhoub) that I had to see it anyway.
I wondered throughout the movie, "Is this guy (Gary Sinise) a robot or NOT???" The sets and direction (not to mention the performances of Gary Sinise and Vincent D'Onofrio, which were intense) sucked me in. D'Onofrio makes a fabulous driven investigator. Shalhoub's role was small, but I was too busy grooving on the plot to care. My one regret in the performances is that Madeline Stowe didn't have much to do, except alternate between the roles of a stereotypical uber-doctor and a limpid, grieving wife. The one scene that hints at her acting talent occurs when she confronts her husband at the abandoned park.
Granted, the film does start out like it's going to be typical sci-fi schlock, but once it was past the first 15 minutes, I almost forgot it's science fiction.
The bottom line: This movie WORKED for me! 9 / 10 stars
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