When an up-and-coming singer's career is jeopardized by morphine addiction, her brother takes on the ruthless dope pushers who are intent on keeping her hooked.

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(as Ph. L. Mayring), (adaptation) | 1 more credit »
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Cast

Complete credited cast:
...
Henri Werner - le frère de Liliane
Danièle Parola ...
Liliane Werner - une grande actrice dépendante de la drogue
...
Louis Gordon
Jean Mercanton ...
Pierre
Jeanne Marie-Laurent ...
Madame Werner - la mère d'Henri et de Liliane
Monique Rolland ...
Dora Lind (as Monique Roland)
Raoul Aslan ...
Dr. Ourousseff
...
Le bossu
...
Le marquis d'Esquillon
Gaston Mauger ...
Le capitaine
Lucien Callamand ...
Le détective
Henry Bonvallet ...
Le commissaire (as Henry Bonvalet)
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Storyline

When an up-and-coming singer's career is jeopardized by morphine addiction, her brother takes on the ruthless dope pushers who are intent on keeping her hooked.

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Release Date:

16 December 1932 (France)  »

Also Known As:

O lefkos daimon  »

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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
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Alternate-language version of Dope (1932) See more »

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User Reviews

Cold turkey has got her on the run.
10 January 2006 | by See all my reviews

Peter Lorre had starred in his lifetime part (M) the precedent year and anything he would do afterward would be necessary a letdown.

It is of course,although he only supports here ,playing the part of a drug trafficker,who drops his stuff into the sea when the ship docks.

The story begins in a very strange way:the hero(Pierre Murat) saves a child's life -he was getting drowned- and his father is a millionaire.The story does not seem to have any connection which what follows and you have to wait till the last pictures to see the two stories hang together-in a far-fetched way- The courageous young man comes home to be confronted with the fact that his sister has become a junkie.We think that the movie will be his struggle to help her sibling fight against addiction.Not only the girl does not look like a junkie at all -she is always fresh as a daisy- but the plot gets itself lost in uninteresting gangsters stories in which even Peter Lorre does not play his game well.

Why restoring this French-German co production ?


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