An adaptation of William Makepeace Thackeray's classic story of parvenue Becky Sharp's rise from obscure & humble origins to her subsequent ignominious fall from Society; set amongst the ...
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S1.E1
Becky Sharp, an orphan, has been raised in Miss Pinkerton's school and leaves to become a governess for Sir Pitt Crawley's two young girls.
S1.E4
Panic spreads throughout the city because of the war. Both Amelia and Becky have a child, though Amelia is much more the loving mother than her old friend.
S1.E6
Dobbin confesses his love for Amelia, but she will not believe ill of George. Amelia and Becky reunite, and Becky finally tells Amelia of George's infidelity.
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Title: Vanity Fair (1998)
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5 wins & 9 nominations.
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An adaptation of William Makepeace Thackeray's classic story of parvenue Becky Sharp's rise from obscure & humble origins to her subsequent ignominious fall from Society; set amongst the backdrop of Regency England & in continental Europe during the Napoleonic War. Written by Jonnie Heldreich
Plot Keywords:
england | regency period | male female relationship | empire fashion | urban setting |Parents Guide:
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Language:
EnglishRelease Date:
24 October 1999 (USA) See more »Also Known As:
Vanity Fair See more »Company Credits
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Runtime:
(6 episodes)Sound Mix:
StereoColor:
Color
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Joss Sedley: Money is no object to me, ma'am.
Becky Sharp: That's good. Six hundred pounds.
[Jos is taken aback, but promptly reaches for his pocketbook.]
Becky Sharp: Each.
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Trivia
The tan and black print muslin day dress worn by Janet Dale (Miss Briggs) at Park Lane is the same costume worn by Gemma Jones (Mrs. Dashwood) at Barton Cottage in Sense and Sensibility (1995), Penny Downie (Lady Milbanke) at dinner in Byron (2003), an extra at the Meryton Assembly Ball in Pride & Prejudice (2005), and Alex Kingston (Mrs. Bennet) at Hunsford in Lost in Austen (2008). See more »Quotes
Becky Sharp: I'm afraid I will have to charge you rather a lot. My horses are all I own in the world, you know.Joss Sedley: Money is no object to me, ma'am.
Becky Sharp: That's good. Six hundred pounds.
[Jos is taken aback, but promptly reaches for his pocketbook.]
Becky Sharp: Each.
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There has been a ridiculous number of movies about psychopathic killers - Silence of the Lambs, Se7en, Copycat, The Cell, etc, etc - and yet for a realistic depiction of a psychopath, this mini-series leaves them all far behind. If you want to see what the average psychopath is like (or perhaps I should say above average, because there is nothing average about Becky Sharp), this is far more true to life than all the others. The reality is that for every Hannibal Lecter in the world, there are a thousand Becky Sharps, and together they do far more damage than all the serial killers. I can only think that Thackeray must have known someone like her, because you can't get this close to reality by sheer imagination, and I don't know of any literary examples he could have copied from.
Of course, the novel, and the series, are about far more than one character - they are in fact about Vanity Fair, the world that Thackerary knew and didn't particularly love, the society which was so warped and hypocritical (rather like ours today, in fact) that it allowed characters like Becky Sharp to prosper.
This is not nearly as pleasant as the usual BBC mini-series, but it is compulsively watchable; the depiction is almost flawless and Natasha Little does a brilliant job portraying the woman we love to hate. The rest of the cast is also excellent, including Nathaniel Parker as Rawdon, the principal victim of his wife's intrigues, Philip Glenister as the lovable but awfully clumsy Dobbin and David Bradley as the appalling baronet Sir Pitt Crawley.