In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: ...
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In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
The House of the Angel focuses on the ruling class in 1920s Argentina, a deeply repressive society where political arguments were often settled by duels, and young women were expected to be totally ignorant of sex.
Fifteen years after a traumatic explosion in his native Beirut, Kamal Maf'ouss returns from France, where he was nationalized and become a composer-choreographer. He reassembles youth ... See full summary »
Rodney El Haddad,
Nada Abou Farhat
A young 15 year old girl, Lamia, lives in a southern Lebanese village on the border with Israel. She is given in marriage to her cousin on the other side of the border. As Lamia crosses the... See full summary »
In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.Written by
Official submission of Lebanon the 'Best Foreign Language Film' category of the 71st Academy Awards in 1999. See more »
On 13 April 1975, while class is in session, Tarek watches the ambush of the bus from the balcony of his school in Christian-dominated East Beirut. 13 April 1975 was a Sunday. Schools in East Beirut are closed on Sundays. See more »
It will not be the last film on the Lebanese war that you'll ever see, because the industry is just getting on its feet, but it is most certainly the most selfcentered of all.
It depicts the somehow distorted facts of the life of one Ziad El-Doueiri(the director) in an attempt to show you all fine people what is the Lebanese war. It is far more complicated than this simplified version of it. Even we cannot figure it yet.
Let talk about the film itself. The script is pathetic, there is no story, it seems to me like a student film with a little more of a budget (gee man, I wanna a bus and a lot of machine guns and I want them to go boom, so please can we do that?) with no real ending.
The dialogs are simple, no real one anyways, just a little bit of statements and a lot of shouting from a character. But in this nightmare, some scenes are worth it, like the bicycle scene and the underwear scene. Better yet, and in defense of this film, I must say that it is an overall "chemin initiatique" for the boys, and this we understand very clearly. But if you noticed my use of the term "film" and not "movie" to indicate the subject, it's because in no way good or bad, this film can be rated a movie, for its lack of entertaining and logic.
All in all, it's an over-rated, distorted events piece of film. And what bother me most, is that some of the Lebanese viewers found it very bad, but very good for Lebanese industry. Though it's tragically true, it also very pathetic.
Well, let's hope for the best, in the best of worlds possible.
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