In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: s... Read allIn April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mo... Read allIn April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned... Read all
- Awards
- 8 wins & 3 nominations total
- Hala Noueri - Tarek's mother
- (as Carmen Loubbos)
- Riad Noueri - Tarek' father
- (as Joseph Nassar)
- Neighbor
- (as Liliane Nemry)
- Oum Walid - the madame
- (as Leila Karam)
- Bakery Militiaman
- (as Fadi Abi Samra)
- School Principal
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
For his first effort the Director (Ziad Doueiri) does a marvelous job at displaying his handy camera work and his craftsmanship in bringing out a rather complex story in a simple and close-to-the-heart way. It is true that this first effort lacked the polish of experience and confused some a bit (I was asked a lot of questions after the movie by my American friends) but its shortcomings are far outweighed by its style and class. I still do recommend this movie to all audiences, after all, how many Lebanese movies do manage to make it to the American market? None before, and probably none in a long time to follow, unless Mr. Doueiri is working on another great film. Is he? (I will keep my fingers crossed and tied)
Writer-director Ziad Doueiri isn't interested in making a tract about the Lebanese Civil War(though he doesn't slight from its horrors, as in its opening scene of the bus massacre), but rather picking up the details of everyday life there. If there's a message, and Doueiri refreshingly doesn't hammer us over the head with one, it seems to be this; you do what you can. That's the attitude of the father of the main character Tarak; when both his wife and his son want to leave, he reminds them they really have no place else to go, these things have happened before, but they will stop, and life will go on. You can even find humor in your existence(as when Tarak escapes a battle by hiding in a car, which then takes him to what he thinks is a group of guerrillas but turns out to be something else entirely).
Doueiri, who was the second-unit cameraman on every film Quentin Tarantino directed, not only shows his visual flair, but also tells a compelling story, although with a few slow spots, and while the main characters are teens coming of age, we see the adult point of view as well; sometimes it's mocked(when Tarak's friend Omar complains his father thinks all Western culture is the devil's work, Tarak replies, puzzled, "How does Paul Anka come from Satan?"), but mostly it's taken seriously, and that, I think, helps make this a good film. Doueiri and his brother Rami(who plays Tarak) are ones to watch.
In many ways, it is a very personal work: the central character, the teenage Tarik, is played by the director's young brother Rami and Rami's educated parents are loosely based on his own. In other ways, it has more universal themes, since it is a rite of passage movie that portrays the loss of casual innocence, accentuated by the experience of conflict - much like the British "Hope And Glory" which was one inspiration.
"West Beirut" is both emotional and amusing and it full of wonderful characters, but it probably helps appreciation of the film to know something of Lebanon's factional and fratricidal politics and the ending is rather abrupt and down-beat.
The transition of the civil war through the eyes of these youngsters, as the movie goes on is moving. It starts off more or less as an adventure. It takes time to dawn on the characters that the civil war is tearing their lives apart.
The family debates about whether to stay or go are very moving. We know many people in the Lebanese community here in the UK, many of them (or their parents) must have gone through those heart-wrenching decisions back then.
The "romance" between the Muslim boy(s) and the Christian girl is also moving. It avoids the trap of descending into a Levantine Romeo & Juliet, however it seems a shame that the girl seems to just drift out of the story-line just at the point that we are all falling in love with her!
See it, it will be worth it.
Did you know
- Trivia'Mohammad Chamas' who played Omar in the movie was discovered by accident. At one time while the crew was preparing the set and not having found an actor to play Omar, Mohammed was passing by and he had a fight with one of the crew members. The director noticed him and immediately asked him to play the character. After having lived in an orphanage most of his life, becoming a lead in a motion picture was an important change of pace.
- GoofsOn 13 April 1975, while class is in session, Tarek watches the ambush of the bus from the balcony of his school in Christian-dominated East Beirut. 13 April 1975 was a Sunday. Schools in East Beirut are closed on Sundays.
- ConnectionsReferences Mushukunin-betsuchô (1963)
- SoundtracksChant Byzantin Alleluia
by Soeur Marie Keyrouz
- How long is West Beirut?Powered by Alexa
Details
- Release date
- Countries of origin
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- Also known as
- Batı Beyrut
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- See more company credits at IMDbPro
Box office
- Budget
- $800,000 (estimated)
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