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Cast overview, first billed only: | |||
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Leidy María 'Lady' Tabares | ... | Mónica (as Lady Tabares) |
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Marta Correa | ... | Judy |
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Mileider Gil | ... | Andrea |
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Diana Murillo | ... | Cachetona |
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Liliana Giraldo | ... | Claudia |
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Yuli García | ||
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Álex Bedoya | ... | Milton |
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Elkin Vargas | ... | Anderson |
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John Fredy Ríos | ... | Choco |
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Robinson García | ||
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Giovanni Quiroz | ... | El Zarco |
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Elkin Rodríguez | ... | Don Hector |
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William Blandón | ||
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Wilder Arango | ||
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Duván Vásquez |
13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother beats her. Written by Anonymous
La Vendedora de Rosas is a companion piece to Victor Gaviria's 1990 Rodrigo D:no futuro, about the lives of street boys from Medellin,Colombia. Vendedora focuses on girls equally affected by poverty, ignorance, abuse and neglect. It earns a place next to Mira Nair's Salaam Bombay and Hector Babenco's Pixote, excellent urban youth films in the tradition of Bunuel's Los Olvidados. Vendedora does not shy away from depicting the effects of drugs, violence, and family dysfunction while allowing for brief moments of tenderness and solidarity, even joy. Gaviria has enlisted street kids in enacting events from their daily lives, during 48 hours preceding Christmas. The film refuses to cheapen their plight with plot contrivances or stylistic flourishes. The spanish spoken is specific to the youth of Medellin, a welcome challenge to most native speakers. The fate of the characters evolves naturally from earlier scenes, without being predictable. I recommend La Vendedora de Rosas to anybody who considers film a window to the world of folks we wouldn't otherwise be able to access and an opportunity to understand it.