Dariya the maid getting a boy to touch her large breast is just one incident that occurs when Yohan and Victor infiltrate two families, forcing young Liza and blind Ekaterina to appear in porn, but they are not so innocent themselves.
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Title: Pro urodov i lyudey (1998)
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10 wins & 8 nominations.
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Cast
| Cast overview, first billed only: | |||
| Sergey Makovetskiy | ... | Yohan | |
| Dinara Drukarova | ... | Liza | |
 |
Anzhelika Nevolina | ... | Ekaterina Kirillovna (as Lika Nevolina) |
| Viktor Sukhorukov | ... | Victor Ivanovich | |
|
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Alyosha Dyo | ... | Kolia (as Dyo Alyosha) |
|
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Chingiz Tsydendambayev | ... | Tolia |
|
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Vadim Prokhorov | ... | Putilov |
| Aleksandr Mezentsev | ... | Doctor Stasov | |
|
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Igor Shibanov | ... | Engineer Radlov |
| Darya Yugrens | ... | Grunia (as Darya Lesnikova) | |
|
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Tatyana Polonskaya | ... | Dariya |
|
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Olga Straumit | ... | Nurse |
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Richard Bogutskii | ... | Notary |
| Valeri Krishtapenko | ... | Owner of photographic studio | |
|
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Evgeniy Erokhin | ... | Priest |
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Plot Summary
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Storyline
Dariya the maid getting a boy to touch her large breast is just one incident that occurs when Yohan and Victor infiltrate two families, forcing young Liza and blind Ekaterina to appear in porn, but they are not so innocent themselves.
Plot Keywords:
russia | eavesdropping | obsession | female frontal nudity | female rear nudity |Certificate:
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See full technical specs »
Details
Country:
RussiaLanguage:
RussianRelease Date:
1998 (Russia) See more »Also Known As:
Of Freaks and Men See more »Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
|Color:
ColorAspect Ratio:
1.66 : 1
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Composed by Edvard Grieg
Arranged by Vladimir Radcenkov
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Soundtracks
Leaf from an Album (Lyric Pieces, Opus 12)Composed by Edvard Grieg
Arranged by Vladimir Radcenkov
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A friend lent me the DVD of this strangely compelling film. I was vaguely aware of its "arthouse" cinema release here in England a couple of years ago and thought that I had remembered it as having been well-reviewed. I don't know about you, but I love it when a film takes me by surprise, confounds my expectations and gives me the impression that I am being treated to a film-makers unique vision. "Of Freaks and Men" is a remarkable vision of exploitation amongst the middle classes of (what I presume to be) turn of the century Russia. Photographed in black and white and exquisite sepia tones it playfully uses Freudian imagery - trains, funnels, tunnels, stairways and doors - to create a dreamlike evocation of an apparently cultured and respectable society whose parlours may be used for the creation of titillating sado-masochistic pornography. The repression of sexual fantasies is mirrored by the subdued emotions that all the characters display when confronted by their trials. If you bring your own emotions to your viewing of this film you may, like me, find it occasionally heart-rending. The image of the beautiful siamese twins naked and cowering in terror from Viktor the leering, abusing pornographer is an image which I think will haunt me for a long time. All in all a richly poetic nightmare. To be viewed with an open mind and compassion.