In Gus Van Sant's remake of Alfred Hitchcock's classic, young female bank employee Marion Crane steals money from her boss in Phoenix, flees town, and arrives at Fairvale, California's rundown Bates Motel, which has secrets of its own.
Director:
Writers:
Stars:
Awards:
- 4 wins & 6 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
Vince Vaughn | ... |
Norman Bates
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Anne Heche | ... |
Marion Crane
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Julianne Moore | ... |
Lila Crane
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Viggo Mortensen | ... |
Sam Loomis
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William H. Macy | ... |
Milton Arbogast
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Robert Forster | ... |
Dr. Simon
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Philip Baker Hall | ... |
Sheriff Chambers
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Anne Haney | ... |
Mrs. Chambers
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Chad Everett | ... |
Tom Cassidy
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Rance Howard | ... |
Mr. Lowery
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Rita Wilson | ... |
Caroline
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James Remar | ... |
Patrolman
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James Le Gros | ... |
Car Dealer
(as James LeGros)
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Steven Clark Pachosa | ... |
Police Guard
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O.B. Babbs | ... |
Mechanic
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Flea | ... |
Bob Summerfield
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Marjorie Lovett | ... |
Woman Customer
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Ryan Cutrona | ... |
Chief of Police
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Ken Jenkins | ... |
District Attorney
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Rest of cast listed alphabetically: | |||
Roy Brocksmith | ... |
Man in Cowboy Hat outside Realty Office (uncredited)
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Rose Marie | ... |
Norma Bates (uncredited) (voice)
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Gus Van Sant | ... |
Man Talking to Man in Cowboy Hat (uncredited)
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Directed by
Gus Van Sant |
Written by
Robert Bloch | ... | (novel) |
Joseph Stefano | ... | (screenplay) |
Produced by
Brian Grazer | ... | producer |
John Marshall | ... | consulting producer |
Gus Van Sant | ... | producer |
Jim Whitaker | ... | associate producer (as James Whitaker) |
Dany Wolf | ... | executive producer |
Music by
Bernard Herrmann |
Cinematography by
Christopher Doyle |
Editing by
Amy E. Duddleston |
Editorial Department
Phillip J. Bartell | ... | assistant editor |
Gary Burritt | ... | negative cutter |
Helen Hand | ... | assistant editor |
Bill Lilje III | ... | apprentice editor |
Bob McMillian | ... | color timer |
Casting By
Howard Feuer |
Production Design by
Tom Foden |
Art Direction by
Carlos Barbosa |
Set Decoration by
Rosemary Brandenburg |
Costume Design by
Beatrix Aruna Pasztor |
Makeup Department
Rick Baker | ... | special makeup effects artist |
Lana Heying | ... | hair stylist |
Clayton Martinez | ... | makeup effects lab technician |
Gina Monaci | ... | makeup artist |
Matthew W. Mungle | ... | special makeup effects artist (as Matthew Mungle) |
Sylvia Nava | ... | hair depatment supervisor: Rick Baker/Cinovation |
Elaine L. Offers | ... | makeup department head |
Matt Rose | ... | special makeup effects artist |
Nadege Schoenfeld | ... | body makeup artist |
Edward St. George | ... | hair stylist: Ms. Moore |
Candy L. Walken | ... | hair department head |
Chad Waters | ... | special makeup effects artist |
Clinton Wayne | ... | prosthetic technician (uncredited) |
Production Management
Buddy Enright | ... | unit production manager |
Robert Hackl | ... | post-production supervisor |
Dany Wolf | ... | unit production manager |
Second Unit Director or Assistant Director
Hans Berggren | ... | second second assistant director |
Bruce Franklin | ... | first assistant director |
Conte Mark Matal | ... | second assistant director (as Conte Matal) |
Art Department
Richard J. Bayard | ... | construction coordinator |
Tim Beach | ... | set designer |
Cliff Bergman | ... | construction foreman |
Kelly Berry | ... | set dresser |
Mauro Borrelli | ... | illustrator |
Jo Brown | ... | scenic |
Bill Cancienne | ... | prop assistant |
Gary Clause | ... | propmaker foreman |
Kristen Davis | ... | set designer |
Steven E. Fegley | ... | propmaker foreman |
Jim Feldman | ... | production illustrator |
Adeline Flores-Bayard | ... | labor foreman |
Kris Fuller | ... | set dresser |
Claudia Gilligan Ivanjack | ... | paint foreman |
Tom Ivanjack | ... | lead paint foreman |
Patrick Kim | ... | art department production assistant |
Nicole Koenigsberger | ... | set designer |
David Ladish | ... | set dresser |
Steven Ladish | ... | set dresser |
Holiday Landa | ... | art department production assistant |
Willard Livingston | ... | propmaker foreman |
John Loughlin | ... | set production assistant |
Alma McLay | ... | Scenic Painter |
Terry Nagel | ... | propmaker foreman |
Angi Neff | ... | lead man |
Errol C. Nofziger | ... | stand-by painter |
Rhonda Paynter | ... | on-set dresser |
Edward J. Protiva | ... | set dresser |
Glenn H. Roberts | ... | set dresser |
Bert Rodriguez | ... | propmaker foreman |
Victoria Ruskin | ... | set designer (as G. Victoria Ruskin) |
Lawrence Shepherd | ... | propmaker foreman |
Brett C. Smith | ... | lead man |
Jay Smith | ... | set dresser |
Roland Tantin | ... | propmaker foreman |
Michael Van Dyke | ... | propmaker foreman |
Amie McCarthy Winn | ... | property master (as Amie McCarthy-Winn) |
Walter Zieska | ... | propmaker |
Sound Department
Peter Appleton | ... | adr supervisor |
Kelley Baker | ... | sound designer / supervising sound editor |
Patrick Carew | ... | apprentice sound editor |
Chris Carpenter | ... | re-recording mixer |
David A. Cohen | ... | dialogue editor |
Ben Conrad | ... | foley recordist |
Steve Fontano | ... | foley mixer |
Michael 'Gonzo' Gandsey | ... | sound editor (as Michael Gandsey) |
Alan Holly | ... | adr mixer |
Wayne Horvitz | ... | additional sound designer |
Robert Jackson | ... | boom operator |
Ron Judkins | ... | sound mixer |
Doc Kane | ... | adr mixer |
Rick Kline | ... | re-recording mixer |
Greg LaPlante | ... | digital mastering |
Chet Leonard | ... | utility sound |
Marnie Moore | ... | foley artist |
Richard Moore | ... | sound editor |
Margie O'Malley | ... | foley artist |
Aaron Olsen | ... | assistant sound editor (as Aaron Olson) |
Daniel Palin | ... | location sound effects recordist |
Jim Pasque | ... | foley recordist |
Frank Rinella | ... | foley recordist |
Leslie Shatz | ... | re-recording mixer |
Concha Solano | ... | assistant sound editor |
Patti Tauscher | ... | foley editor |
Patrick Winters | ... | sound editor |
Wayne Woods | ... | sound editor (as W. Wayne Woods) |
Bill Meadows | ... | dubbing recordist (uncredited) |
Special Effects by
Garnet Baril | ... | special effects assistant |
Erick Brennan | ... | special effects coordinator |
Charles Cooley | ... | special effects technician |
G. Peter King | ... | special effects assistant |
Mark Lilienthal | ... | special effects assistant (as Mark R. Lilienthal) |
F. Lee Stone | ... | special effects assistant (as Lee Stone) |
J.D. Streett | ... | special effects foreman |
Visual Effects by
Melanie Boettcher | ... | visual effects production coordinator |
Syd Dutton | ... | special visual effects |
Michael Flynn | ... | rear projection engineer |
Carolyn Garcia | ... | visual effects production coordinator |
Lynn Ledgerwood | ... | special rigger |
Fumi Mashimo | ... | animator |
Kelvin McIlwain | ... | matte artist: Illusion Arts |
Roberto Moreno | ... | digital assistant |
Kenneth Nakada | ... | matte artist: Illusion Arts |
Richard Patterson | ... | digital supervisor |
Catherine Sudolcan | ... | visual effects producer |
Bill Taylor | ... | special visual effects |
Mike Wassel | ... | senior matte artist |
David S. Williams Jr. | ... | lead compositor |
Stunts
Robin Lynn Bonaccorsi | ... | stunt double: Anne Heche |
Jack Carpenter | ... | stunts |
Eliza Coleman | ... | stunts |
Mickey Giacomazzi | ... | stunt coordinator |
Tabby Hanson | ... | stunts |
Patricia M. Peters | ... | stunts (as Tricia Peters) |
Stephanie Reaves | ... | stunts |
Camera and Electrical Department
Bob Anderson | ... | best boy grip |
Robert Anderson | ... | best boy grip |
Paul Avery | ... | best boy/rigging electric |
Marek Bojsza | ... | lighting technician |
Brad Boyer | ... | grip |
Clyde E. Bryan | ... | first assistant camera |
Erik Butters | ... | lamp operator |
Tony Chiu | ... | camera loader |
Daniel Coscia | ... | rigging grip |
Chris Culliton | ... | set lighting technician |
David Devlin | ... | gaffer |
Jamie Franta | ... | grip |
Gerry Ganger | ... | assistant camera: SpaceCam |
Charley Gilleran | ... | rigging key grip |
Brad Gissell | ... | grip |
David Golia | ... | camera operator: remote head camera |
Ron Goodman | ... | camera operator: SpaceCam |
Alexander Griffiths | ... | grip (as Pie Griffiths) |
David Katz | ... | video assist operator |
Jim Kwiatkowski | ... | key grip |
Josh Levy | ... | video assist operator |
Brian Lukas | ... | rigging gaffer |
Mathew Marden | ... | rigging grip |
Steve Owen | ... | best boy rigging grip (as Steve C. Owen) |
Larry J. Richardson | ... | best boy electric |
Mike Schwake | ... | dolly grip |
Suzanne Tenner | ... | still photographer |
Suzanne Trucks | ... | second assistant camera (as Suzanne M. Trucks) |
Joseph D. Urbanczyk | ... | camera operator: re-shoots |
Rick Uva | ... | rigging grip (as Richard Uva) |
Daniel Windels | ... | electrician |
Michael-Ryan Fletchall | ... | crane technician (uncredited) |
Kenneth Nakada | ... | vistavision camera crew (uncredited) |
Casting Department
Meredith Tucker | ... | casting associate |
Dixie Webster | ... | extras casting |
Costume and Wardrobe Department
Frank Helmer | ... | set costumer (as Frank C. Helmer) |
Cookie Lopez | ... | key costumer |
Vanessa Vogel | ... | costume supervisor |
Location Management
Jeff Crandell | ... | location manager |
Timothy Falconer | ... | assistant location manager (as Tim Falconer) |
Music Department
Steve Bartek | ... | conductor / music producer / orchestrator |
Julian Bratolyubov | ... | music preparation |
Brent Brooks | ... | music editor |
Debbi Datz-Pyle | ... | music contractor |
Danny Elfman | ... | music adaptor / music producer / music supervisor |
Sean M. Hickey | ... | music preparation |
Kenneth Karman | ... | supervising music editor |
Stephanie Lowry | ... | music |
Norman Ludwin | ... | musician: bass |
Marc Mann | ... | score preparation: MIDI |
Shawn Murphy | ... | music recordist / score mixer |
John Rodd | ... | orchestral scoring recordist |
Dennis Sager | ... | scoring engineer |
Patti Zimmitti | ... | music contractor |
Pete Anthony | ... | conductor (uncredited) |
Script and Continuity Department
Jane Goldsmith | ... | script supervisor |
Marshall Schlom | ... | script supervisor (uncredited) |
Transportation Department
Victor Anderson | ... | transportation coordinator |
Paul Jones | ... | driver |
Additional Crew
Guy Adan | ... | unit publicist |
Sherif Ahmed | ... | stand-in |
Ben Alexander | ... | assistant to director |
Cathy Andrade | ... | construction accountant |
Elaine Bass | ... | title design consultant |
Saul Bass | ... | title designer |
Catherine Battistone | ... | adr voice |
Aloura Melissa Charles | ... | production office assistant (as Aloura Charles) |
Kristin Claiborne | ... | assistant production coordinator |
Paul Conkling | ... | stand-in |
Tara Ann Culp | ... | assistant: Mr. Grazer |
Alex Daniels | ... | adr voice |
Gregory Dunigan | ... | assistant production office coordinator: re-shoots |
Pablo Ferro | ... | title designer (final cut) |
Michael Flynn | ... | rear projectionist |
Russ Gething | ... | stand-in |
Hilton A. Green | ... | technical advisor |
Noelle Green | ... | production coordinator (as Noelle Chapin) |
Rick Halpern | ... | production office assistant |
Jay Hernandez | ... | assistant: Dany Wolf |
Jon Joseph | ... | assistant: Mr. Wolf |
Robert Kramer | ... | adr voice |
Vince Lamarche | ... | fly wrangler (as Vince LaMarche) |
Donna Lynn Leavy | ... | adr voice |
Rose Marie | ... | adr voice |
Peter McKernan Sr. | ... | safety pilot |
Peter McKernan | ... | helicopter pilot (as Peter McKernan Jr.) |
Karen P. Morris | ... | first assistant production accountant |
Dina Morrone | ... | adr voice |
Jenni Muro | ... | production office assistant |
Jennifer Muro | ... | production office assistant |
Julius 'Butch' Naveira | ... | payroll accountant |
Stephanie V. Neroes | ... | production assistant |
Jonathan Nichols-Navarro | ... | adr voice (as Jonathan Nichols) |
Glenn Nicol | ... | production accountant |
Andrea Nunn | ... | stand-in |
Paul Pape | ... | adr voice |
John Ployhar | ... | production office assistant (as John Polyhar) |
Francesco Prando | ... | Italian dubbing: Norman Bates |
Marshall Schlom | ... | technical advisor |
Burton Sharp | ... | adr group coordinator / adr voice |
Talley Singer | ... | production secretary (as Taylor Singer) |
Hallie Singleton | ... | stand-in |
Lindsay Sloane | ... | assistant: Mr. Grazer |
Cherie Smid | ... | owl trainer |
Phil Smith | ... | bird wrangler |
Dan Sullivan | ... | assistant: Mr. Grazer |
Sheryl Swann | ... | adr voice |
Jules Sylvester | ... | spider wrangler |
George L. Tarrant Jr. | ... | production assistant |
Jill Stapley Tolle | ... | assistant accountant (as Jill Stapley) |
Mark H. Weingartner | ... | rear projection supervisor |
Mark Chambers | ... | production safety (uncredited) |
Alex Daniels | ... | voice actor (uncredited) |
Tommaso Rossellini | ... | presenter (uncredited) |
Thanks
Patricia Hitchcock | ... | special thanks (as Pat Hitchcock) |
John Woo | ... | special thanks |
Production Companies
- Universal Pictures (presents)
- Imagine Entertainment
Distributors
- Universal Pictures (1998) (United States) (theatrical)
- Filmes Lusomundo (1999) (Portugal) (theatrical)
- Paramount Films of India (1999) (India) (theatrical)
- United International Pictures (UIP) (1999) (Germany) (theatrical)
- United International Pictures (UIP) (1999) (Spain) (theatrical)
- United International Pictures (UIP) (1999) (Finland) (theatrical)
- United International Pictures (UIP) (1999) (France) (theatrical)
- United International Pictures (UIP) (1999) (United Kingdom) (theatrical)
- United International Pictures (UIP) (1999) (Japan) (theatrical) (Far East)
- United International Pictures (UIP) (1999) (Netherlands) (theatrical)
- United International Pictures (UIP) (1999) (Norway) (theatrical)
- United International Pictures (1999) (Argentina) (theatrical)
- Argentina Video Home (1999) (Argentina) (VHS)
- Columbia TriStar Home Video (1999) (France) (DVD)
- Finnkino (1999) (Finland) (VHS)
- Starz (1999) (United States) (tv)
- Universal Pictures Home Entertainment (UPHE) (1999) (United States) (DVD)
- Egmont Entertainment (2000) (Finland) (DVD)
- Nelonen (2002) (Finland) (tv)
- Universal Pictures Finland (2002) (Finland) (DVD)
- Universal Pictures (2002) (Germany) (DVD)
- Universal Pictures (2002) (Netherlands) (DVD)
- Argentina Video Home (2009) (Argentina) (DVD)
- Columbia TriStar Home Video (2009) (Germany) (DVD)
- Scream Factory (2017) (United States) (Blu-ray) (DVD)
- CIC-Taft Home Video (Australia) (VHS)
- Versátil Home Vídeo (2025) (Brazil) (Blu-ray)
Special Effects
- Hammerhead Productions (visual effects)
- Illusion Arts (special visual effects)
Other Companies
- 20th Century Fox Studios (score recorded at)
- Cinema Research (titles and opticals)
- DeLuxe Laboratories (color)
- Digital DTS Sound (in selected theaters)
- Dolby Digital (in selected theatres)
- Geffen Records (soundtrack)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under jurisdiction of: affiliated with A.F.L.-C.I.O.-C.L.C.)
- Panavision (cameras and lenses)
- Phoenix Film Office (special thanks)
- SDDS Sony Dynamic Digital Sound (in selected theatres)
- The Estate of Alfred Hitchcock (special thanks)
- Universal Studios Sound Facilities (sound re-recorded at)
Storyline
Plot Summary |
Marion Crane steals a lot of cash from a man whom her boss is in business with. On the way to see her boyfriend, she stops off by an old motel, run by the odd Norman Bates. She is murdered in the shower. Her sister, boyfriend, and a private investigator try to find out where she is, while we learn more about Norman Bates.
Written by Jordan Sharp |
Plot Keywords | |
Taglines | A recreation of the nightmare that started it all... See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $60,000,000 (estimated) |
Opening Weekend United States | $10,031,850, 06 Dec 1998 |
Cumulative Worldwide Gross | $15,685,000 |
Did You Know?
Trivia | In Psycho (1960), Sir Alfred Hitchcock wanted his opening shot to be a long, complete pan and zoom over the city into Marion's hotel room. Sadly, the technology was not yet perfected, and he achieved his effect through a series of pans and dissolves. The remake does a complete travelling shot, as Hitchcock had intended. See more » |
Goofs | Some continuity errors were deliberately included, being copied from the original Psycho (1960). See more » |
Movie Connections | Edited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999). See more » |
Soundtracks | Living Dead Girl See more » |
Crazy Credits | Thanks to John Woo for use of his kitchen knife. See more » |
Quotes |
Norman Bates:
A boy's best friend is his mother. See more » |