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Psycho (1998)

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A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own.

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(novel), (screenplay)
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2,515 ( 60)
4 wins & 5 nominations. See more awards »

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Psycho II (1983)
Crime | Horror | Mystery
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After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude, but the specters of his crimes - and his mother - continue to haunt him.

Director: Richard Franklin
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Norman Bates falls in love with a fallen nun who stays at the Bates Motel alongside a drifter and a curious reporter. Meanwhile, "mother" is still watching.

Director: Anthony Perkins
Stars: Anthony Perkins, Diana Scarwid, Jeff Fahey
Psycho IV: The Beginning (TV Movie 1990)
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Norman Bates recalls his childhood with his abusive mother while fearing his unborn child will inherit his split personality disorder.

Director: Mick Garris
Stars: Anthony Perkins, CCH Pounder, Henry Thomas
Psycho (1960)
Horror | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

A Phoenix secretary embezzles $40,000 from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.

Director: Alfred Hitchcock
Stars: Anthony Perkins, Janet Leigh, Vera Miles
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Cast

Cast overview, first billed only:
... Norman Bates
... Marion Crane
... Lila Crane
... Sam Loomis
... Milton Arbogast
... Dr. Simon
... Sheriff Chambers
... Mrs. Chambers
... Tom Cassidy
... Mr. Lowery
... Caroline
... Patrolman
... Car Dealer (as James LeGros)
Steven Clark Pachosa ... Police Guard
O.B. Babbs ... Mechanic
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Storyline

Marion Crane steals a lot of cash from a man whom her boss is in business with. On the way to see her boyfriend, she stops off by an old motel, run by the odd Norman Bates. She is murdered in the shower. Her sister, boyfriend, and a private investigator try to find out where she is, while we learn more about Norman Bates. Written by Jordan Sharp <rainman88@earthlink.net>

Plot Summary | Plot Synopsis

Taglines:

A recreation of the nightmare that started it all... See more »


Motion Picture Rating (MPAA)

Rated R for violence and sexuality/nudity | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

4 December 1998 (USA)  »

Also Known As:

Psicosis  »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$10,031,850, 6 December 1998, Wide Release

Gross USA:

$21,456,130

Cumulative Worldwide Gross:

$15,685,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During filming, Gus Van Sant brought along a DVD player and played the original Psycho (1960), and they used it for reference. When he spotted a mistake (a door opening without a key), van Sant decided to put the same mistake into his film. See more »

Goofs

The opening scene is supposed to be 2:48 in the afternoon, but it's quite obvious that it was filmed at sunrise, probably on a Saturday or Sunday morning. There is no street activity, and the light from the right (east) is very weak and nearly horizontal. If it had been shot in mid-afternoon the sun would have been higher, the light stronger, and shadows pronounced and angled. See more »

Quotes

[first lines]
Samuel 'Sam' Loomis: You never did eat your lunch, did you?
Marion Crane: I better get back to the office. These extended lunch hours give my boss excess acid.
Samuel 'Sam' Loomis: Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane: What do I do with my free afternoon? Walk you to the airport?
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Crazy Credits

Some of the opening credits split apart, just as the original's did. They segue into the opening shot of Phoenix, Arizona. See more »

Connections

Referenced in Andy Barker, P.I.: The Big No Sleep (2007) See more »

Soundtracks

Indian Love Call
Written by Oscar Hammerstein II, Rudolf Friml and Otto A. Harbach
Performed by Slim Whitman
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User Reviews

 
How the heck did this get green-lit?
29 September 2008 | by See all my reviews

OK, first of all, who in their right mind would remake Hitchcock and second, who would do it shot for shot? I admit I had no intention of ever watching this movie for that very reason. The original Psycho is one of my favorite films ever and this just seemed like a degrading photocopy of it. I did watch it because my girlfriend wanted to compare it to the original and we both agreed less than five minutes into this crap that it was awful. First, as mentioned, they did it shot for shot. Where's originality? Why remake a movie that is almost perfect EXACTLY the way it was done the first time? Why remake such a movie to begin with? If you ARE going to remake something, remake something that doesn't work and make it BETTER!

Second, they used the exact same script from the 1960 version. The dialog no longer works. It works fine and sounds perfect for the 1960 version, but seems odd and stilted coming out of modern actors. Why not update the dialog? Hitch didn't write the script, you could have rewritten.

This film had some very good talent and they were wasted by imitation of the original actors. The actor who played the car salesman seemed like he was just playing John Anderson's performance as the car salesman in the original. All the actors seemed like the only direction they were given was be the characters from the original movie. Vince Vaughn may have seemed a little creepier than Anthony Perkins, but in doing so, you loose the sympathy you are supposed to have for Norman. Having Norman masturbate while watching Marion undress was going too far and lost the innocence of the character that I think Tony Perkins captured so well in his performance. Viggo Mortensen's accent was annoying and Rita Wilson was far too old to play Caroline. Her lines came off as someone desperate rather than just young and fun like Patricia Hitchcock's performance.

The only good thing I saw about the film was that Gus Van Sant was able to open the movie with the shot Hitch had envisioned. Hitch wanted to open with 1 long shot going over Phoenix but couldn't at the time so he had to settle for a series of shots cross-dissolved together. This film fulfilled that vision with a helicopter shot going into the window of the hotel. After that, though the film became a worthless waste of celluloid.

If you are curious about how to destroy a wonderful film, watch this, but do NOT under any circumstances watch this BEFORE you watch the original. This is a faded photocopy of the original and should never have been green-lit. Stick to the master's film, not the imitation.


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