After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude, but the specters of his crimes - and his mother - continue to haunt him.
Norman Bates falls in love with a fallen nun who stays at the Bates Motel alongside a drifter and a curious reporter. Meanwhile, "mother" is still watching.
A Phoenix secretary embezzles forty thousand dollars from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.
A mentally disturbed man, who roomed with the late Norman Bates at the state lunatic asylum, inherits the legendary Bates Motel after the death of Norman and tries to fix it up to make it a respectable business.
The cast and crew of all four Psycho films recall their time working on the influential horror series as today's masters of horror reminisce on what the movies stirred in them.
Director:
Robert V. Galluzzo
Stars:
Jason Allentoff,
Sharen Camille,
Mike Cucinotta
A contemporary prequel to Psycho, giving a portrayal of how Norman Bates' psyche unravels through his teenage years, and how deeply intricate his relationship with his mother, Norma, truly is.
Stars:
Vera Farmiga,
Freddie Highmore,
Max Thieriot
Marion Crane steals a lot of cash from a man whom her boss is in business with. On the way to see her boyfriend, she stops off by an old motel, run by the odd Norman Bates. She is murdered in the shower. Her sister, boyfriend, and a private investigator try to find out where she is, while we learn more about Norman Bates.Written by
Jordan Sharp <rainman88@earthlink.net>
The kitchen knife is credited as belonging to John Woo. See more »
Goofs
Some continuity errors were deliberately included, being copied from the original Psycho. See more »
Quotes
[first lines]
Samuel 'Sam' Loomis:
You never did eat your lunch, did you?
Marion Crane:
I better get back to the office. These extended lunch hours give my boss excess acid.
Samuel 'Sam' Loomis:
Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane:
What do I do with my free afternoon? Walk you to the airport?
See more »
Crazy Credits
If you look closely at the swamp after the ending credits, the water turns to blood. See more »
My biggest question is "Why did they re-make a classic Hitchcock movie?" It's a "no-win" situation. The original, with Tony Perkins and Jamie Lee's mom (Janet Leigh), is so indelible on our minds that even subconsciously we compare the two. Vince Vaughn is not very believable as Norman Bates. I have yet to find a movie role played by Ann Heche that I like. Her nasal delivery and disingenuous reactions as Marion simply grate on me. Anyone else would have been better. The only character I thought was an improvement was investigator Arbogast played well by William Macy. Even Julliane Moore, as Marion's sister, seemed to have a smirk that announced "I feel silly doing this film." Had this been a completely original film I would probably rate it 5 or 6 for some entertainment. As an inferior re-make, I rate it "4".
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My biggest question is "Why did they re-make a classic Hitchcock movie?" It's a "no-win" situation. The original, with Tony Perkins and Jamie Lee's mom (Janet Leigh), is so indelible on our minds that even subconsciously we compare the two. Vince Vaughn is not very believable as Norman Bates. I have yet to find a movie role played by Ann Heche that I like. Her nasal delivery and disingenuous reactions as Marion simply grate on me. Anyone else would have been better. The only character I thought was an improvement was investigator Arbogast played well by William Macy. Even Julliane Moore, as Marion's sister, seemed to have a smirk that announced "I feel silly doing this film." Had this been a completely original film I would probably rate it 5 or 6 for some entertainment. As an inferior re-make, I rate it "4".