6.0/10
34
2 user 1 critic

Dolce e selvaggio (1983)

A Mondo documentary that juxtaposes footage of death, carnage, and unpleasantness with scenes of inspiring and beautiful imagery.

Writers:

Antonio Climati, Robert Katz (English dialogue) | 1 more credit »
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A collection of death scenes, ranging from TV-material to home-made super-8 movies The common factor is death by some means.

Director: John Alan Schwartz
Stars: Michael Carr, Samuel Berkowitz, Mary Ellen Brighton
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Cast

Cast overview:
Franco Prosperi Franco Prosperi ... Narrator (voice)
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Storyline

A Mondo documentary that juxtaposes footage of death, carnage, and unpleasantness with scenes of inspiring and beautiful imagery.

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

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Details

Country:

Italy

Language:

Italian

Release Date:

2 September 1983 (Italy) See more »

Also Known As:

Sweet and Savage See more »

Company Credits

Production Co:

Racing Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Color:

Color
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Did You Know?

Trivia

This film had a confusing history with the Australian censors (OFLC). It was originally passed uncut (93 minutes) with an R18+ rating, but a video release (PAL running time of 81 minutes) was refused classification due to excessive violence. Other, various prints would receive R18+ and M ratings, but the only time it would ever be released in Australia was with an R18+ rating for an 87 minutes cut (PAL format running time). See more »

Goofs

During the footage of naked African dancers, the narrator identifies the tribe as the Mashoni. In Antonio Climati and Mario Morra's previous film, Savage Man Savage Beast, the same footage was used, but the tribe was identified as the Lobi. See more »

Connections

Edited from Savage Man Savage Beast (1975) See more »

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User Reviews

Outrageously unpleasant.
25 March 2002 | by Moshing HoodsSee all my reviews

SWEET AND SAVAGE represents Climati and Morra's final attempt at Mondo cinema. Having been seriously stung by previous criticisms of their film-making and of the genre itself in the past, it's surprising to see that once again they happily exhibit scene after scene of almost unwatchable nastiness.

SWEET AND SAVAGE contains a large bulk of out-takes and reused footage from Climati and Morra's previous mid-70s Mondo efforts, and predictably follows the same format. Accompanied by a pretentiously epic sound-track, the beauty and the savageness of nature are juxtaposed in a vain attempt to justify the violence on display. However, the more pleasant scenes just come across as twee and make the disturbing footage even more distasteful. As usual, scenes of animal slaughter make up the majority of the movie, but there are also a few faked and unfaked sequences involving humans. Tightrope walkers and stunt-men fall to their deaths; a corpse of a Tibetan monk is hacked up and eaten by vultures atop a mountain (surprisingly, this footage looks genuine); and in the "stand out" scene, a man is tied to two trucks and has his arm torn away. The final scene is clearly fake but that didn't stop it (as well as much of the other footage in this movie) turning up in Damon Fox's appalling TRACES OF DEATH series...

For me, the aspect of the Mondo genre that is so fascinating yet also indefensible is the misrepresentation and misinformation that these supposed "documentaries" push on the viewer. SWEET AND SAVAGE is no exception. For instance, many of the scenes have been clearly over-dubbed using actors voices in hilariously un-PC ways. In one scene, Africans are shown snapping the necks of ostriches, but these men have been over-dubbed with ebonics-laden, deep South accents. I can't help but laugh at such moments, but it is one of the aspects of these movies that is the most distasteful.

So all in all, this is the close of a fascinating and controversial chapter in Italian exploitation cinema. Saying that, I doubt it is for everyone.


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