The Winslow Boy (1999)
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- G
- 1h 44min
- Drama, Romance
- 26 May 1999 (France)
- Movie
- 6 wins & 5 nominations.
- See more »
Photos and Videos
Cast verified as complete
Matthew Pidgeon | ... |
Dickie Winslow
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Rebecca Pidgeon | ... |
Catherine Winslow
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Gemma Jones | ... |
Grace Winslow
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Nigel Hawthorne | ... |
Arthur Winslow
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Lana Bilzerian | ... |
Undermaid
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Sarah Flind | ... |
Violet
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Aden Gillett | ... |
John Watherstone
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Guy Edwards | ... |
Ronnie Winslow
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Colin Stinton | ... |
Desmond Curry
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Eve Bland | ... |
Suffragette
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Sara Stewart | ... |
Miss Barnes, Beacon Reporter
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Perry Fenwick | ... |
Fred a photographer
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Alan Polonsky | ... |
Mr. Michaels
(as Alan Polansky)
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Jeremy Northam | ... |
Sir Robert Morton
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Neil North | ... |
First Lord of the Admiralty
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Chris Porter | ... |
MP
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Jim Dunk | ... |
Colleague
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Duncan Gould | ... |
Commons Reporter
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Ian Soundy | ... |
Local Reporter
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Rest of cast listed alphabetically: | |||
John Grayson | ... |
Various (uncredited) (voice)
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Directed by
David Mamet |
Written by
Terence Rattigan | ... | (play) |
David Mamet | ... | (screenplay) |
Produced by
Sally French | ... | line producer |
Sarah Green | ... | producer |
Music by
Alaric Jans |
Cinematography by
Benoît Delhomme | ... | director of photography (as Benoit Delhomme) |
Editing by
Barbara Tulliver |
Editorial Department
Jason Brodkey | ... | second assistant editor: USA |
Valentina Giambanco | ... | first assistant editor: UK |
Mark Ginsberg | ... | color timer |
David Kaldor | ... | editing intern: USA |
Andrea Lelievre | ... | second assistant editor: USA |
Kate Mackenzie | ... | second assistant editor: UK |
Hilary Peabody | ... | first assistant editor: USA (as Hillary Peabody) |
John Rasmussen | ... | editing trainee: UK |
Jeff Robinson | ... | post-production coordinator |
Sara Thorson | ... | second assistant editor: USA |
Joe Violante | ... | color coordinator: Technicolor |
Daniel Weinreich | ... | post-production intern |
Casting By
John Hubbard | ||
Ros Hubbard |
Production Design by
Gemma Jackson |
Art Direction by
Andrew Munro |
Set Decoration by
Trisha Edwards |
Costume Design by
Consolata Boyle |
Makeup Department
Maureen McGill | ... | makeup artist (as Maureen Mcgill) |
Peter Robb-King | ... | hair designer / makeup designer |
Annie Townsend | ... | key hair stylist |
Production Management
Michael Casey | ... | unit manager |
Martha Griffin | ... | post-production supervisor |
Second Unit Director or Assistant Director
Phil Booth | ... | third assistant director (as Philip Booth) |
Richard Hewitt | ... | first assistant director |
Toby Sherborne | ... | second assistant director |
Art Department
Bob Betis | ... | stand-by painter (as Robert Betis) |
John Booth | ... | dressing props |
Michelle Borg | ... | art department assistant (as Michell Borge) |
Mark Brady | ... | stand-by carpenter |
Barry Cahill | ... | painter |
Tristan Carlisle-Kitz | ... | stand-by props (as Tristan Carlisle Kitz) |
John Casey | ... | stand-by props |
Alan Chesters | ... | construction manager |
Ciaran Donnelly | ... | carpenter |
Bill Gower | ... | property master |
Elli Griff | ... | assistant art director |
Michael Gunner | ... | supervising painter (as Micky Gunner) |
David Ned Kelly | ... | chargehand carpenter (as Ned Kelly) |
Ben Munro | ... | art department trainee |
Bob Orr | ... | dressing props |
Jim Stanes | ... | graphic artist |
Michael Weaver | ... | painter |
Graham Caulfield | ... | drapes (uncredited) |
Sound Department
Michael Barry | ... | re-recording mixer |
Eric A. Christoffersen | ... | stereo sound consultant: Dolby (as Eric A. Christofferson) |
Richard P. Cirincione | ... | sound editor (as Richard Cirincione) |
Laura Civiello | ... | sound editor |
Matthew Desorgher | ... | boom operator |
Jay Kessel | ... | assistant sound editor |
George A. Lara | ... | foley recordist (as George Lara) |
John Lewis Aschenbrenner | ... | second boom operator (as John Lewis) |
Barry Malawski | ... | assistant adr editor |
Jane McCulley | ... | adr editor (as Jane Mcculley) |
Eytan Mirsky | ... | sound editor |
Maurice Schell | ... | re-recording mixer / supervising sound editor |
Stuart Stanley | ... | foley editor |
Brian Vancho | ... | foley artist |
Clive Winter | ... | production sound mixer |
Jens Christensen | ... | adr recordist (uncredited) |
Special Effects by
Richard Van Den Bergh | ... | special effects supervisor |
Camera and Electrical Department
Lucy Bristow | ... | focus puller |
Richard Broom | ... | camera grip |
Ray Brown | ... | electrician |
Sonny Burdis | ... | best boy |
Neil Carr | ... | stand-by rigger |
Michael Chambers | ... | electrician (as Mike Chambers) |
Liam Daniel | ... | still photographer |
Brandon Evans | ... | generator operator |
Nik O'Dell | ... | camera trainee (as Nick O'Dell) |
David Smith | ... | gaffer (as Dave Smith) |
Iain Struthers | ... | clapper loader (as Ian Struthers) |
Costume and Wardrobe Department
Tristan Antoine Evanstovey | ... | wardrobe trainee |
Rosemary Lis | ... | wardrobe assistant (as Rosemary Worth) |
Michael Mooney | ... | wardrobe assistant |
Magdalen Rubalcava | ... | assistant costume designer |
Maggie Scobbie | ... | fitter/maker |
Sue Wayne | ... | wardrobe supervisor |
Location Management
Amanda Stevens | ... | location manager |
Music Department
David Carbonara | ... | music editor |
Juliet Haffner | ... | musical contractor |
Sunnie Hikawa | ... | conductor |
Alaric Jans | ... | orchestrator |
Ronald Kolber | ... | music preparation |
Alan Silverman | ... | score mixer / score recordist |
Script and Continuity Department
Annie Penn | ... | script supervisor (as Annie Wotton) |
Transportation Department
Mark Bird | ... | driver |
Eddie Coleman | ... | driver |
Graeme Gordon | ... | driver |
Andrea Guard | ... | driver |
Wayne Mccoy | ... | driver |
Barry Newell | ... | driver |
Jeff Oldman | ... | driver |
Paul Thompson | ... | driver |
Ricci Ric Titcombe | ... | driver (as Ricki Titcombe) |
Paul Venezia | ... | driver |
Additional Crew
Fiona Baker | ... | stand-in |
Michelle Boston | ... | assistant: David Mamet, UK |
Carole Brooks | ... | assistant accountant |
Suzanne Ceresko | ... | assistant: Sarah Green |
Gavin Charlton | ... | Head Chef |
Lisa Cofini | ... | post-production accountant |
Tom Cole | ... | assistant: David Mamet |
Karen Fayerty | ... | unit nurse |
Gary Finch | ... | security officer |
Alan Harris | ... | stand-in |
Paul Hughes | ... | caterer |
Ben Jeffery | ... | double: Guy Edwards (as Ben Jeffrey) / stand-in: Guy Edwards (as Ben Jeffrey) |
Debbie Kaye | ... | animal supplier |
Sara Keene | ... | unit publicist: UK |
Jackie Lingard | ... | assistant: Sarah Green, UK |
Peter Lonergan | ... | security officer |
Richard Lonergan | ... | security officer |
Duncan Manning | ... | caterer |
Derek Murphy | ... | security officer |
Polly Nash | ... | assistant production coordinator |
Rupert Phelps | ... | military advisor (as Captain Rupert Phelps) / military liaison (as Captain Rupert Phelps) |
Joy Pollard | ... | tutor: Guy Edwards |
Ashton Radcliffe | ... | production trainee |
Reid Rosefelt | ... | unit publicist: USA (as Reed Rosefelt) |
Melissa Rubin | ... | executive assistant: Sarah Green |
Donald Sabourin | ... | production runner |
Jonathan Scott | ... | floor runner |
Trevor Stanley | ... | production accountant |
Eva Townson | ... | stand-in |
Harriet Voyt | ... | executive assistant: David Mamet |
Winnie Wishart | ... | production coordinator |
Maurice Schell | ... | adr loop group (uncredited) |
Thanks
Richard S. Friedman | ... | very special thanks |
Tim Grafft | ... | special thanks: Massachusetts Film Office |
Bill Nisselson | ... | special thanks |
David Saiz | ... | special thanks: Alfred Dunhill London |
Eve Williams | ... | special thanks |
Production Companies
Distributors
- Sony Pictures Classics (1999) (United States) (theatrical)
- Columbia TriStar Film (2000) (Germany) (theatrical)
- Columbia TriStar Films AB (1999) (Sweden) (theatrical)
- Columbia TriStar Films (1999) (France) (theatrical)
- Columbia TriStar Films (2000) (Netherlands) (theatrical)
- Svenska Filminstitutet (SFI) (1999) (Sweden) (theatrical)
- Apple TV+ (2021) (United States) (tv)
- BBC Two (2017) (United Kingdom) (tv) (rerun)
- Columbia TriStar Films de Argentina (2000) (Argentina)
- Columbia TriStar Home Entertainment (2001) (Germany) (DVD)
- Columbia TriStar Home Entertainment (2000) (United Kingdom) (DVD) (collector's edition)
- Columbia TriStar Home Entertainment (2003) (United Kingdom) (DVD)
- Columbia TriStar Home Entertainment (2000) (Netherlands) (DVD)
- Columbia TriStar Home Entertainment (2000) (United States) (DVD)
- Columbia TriStar Home Video (2000) (Netherlands) (VHS)
- Columbia TriStar Home Video (2000) (United States) (VHS)
- Columbia TriStar Home Video (Brazil) (DVD)
- Columbia TriStar Home Video (Brazil) (VHS)
- Columbia TriStar Television (United States) (tv)
- Egmont Entertainment (2000) (Finland) (VHS)
- Imprint Films (2020) (Australia) (Blu-ray)
- LK-TEL (2000) (Argentina) (DVD)
- LK-TEL (2000) (Argentina) (VHS)
- SBS6 (2005) (Netherlands) (tv)
- Sony Pictures Releasing (2001) (Japan) (VHS)
- Sony Pictures Video (2001) (Japan) (VHS)
Special Effects
Other Companies
- AFM Lighting (lighting equipment)
- Alfred Dunhill Limited (special thanks)
- Angels & Bermans (costume rental)
- Aon Entertainment Risk Services Ltd. (insurance)
- Charles Hotel, Cambridge, MA (very special thanks)
- Cosprop (costume rental)
- Coutts & CO (production bank)
- Dolby (in selected theatres)
- Edison Recording (score recorded and mixed by)
- Effects House (opticals)
- Entertainment Partners (payroll services)
- Film Finances (completion guarantor)
- Film Flow (constructions by)
- Household Cavalry Mounted Regiment (military personnel)
- J.G. Films (negative cutting)
- Kodak (produced on: motion picture films)
- Life Guards Squadron (military personnel)
- Marine Midland (production bank)
- Massachusetts Film Office (special thanks)
- Mobile Mouthful (catering)
- Motorhouse (action vehicles)
- On Set Location Services (facility vehicles)
- Parlour (title design)
- Post Factory NY (post-production office facilities)
- Ray Knight Casting (extras casting)
- Sound One Corporation (post-production sound services)
- Spera Corporation (post-production equipment)
- Weintraub Tobin Chediak Coleman Grodin (production counsel)
Storyline
Plot Summary |
In early-20th-century England, while toasting daughter Catherine's engagement, Arthur Winslow learns that the Royal Naval Academy has expelled his 14-year-old son Ronnie for stealing 5 shillings. Father asks son if it is true; when the lad denies it, Arthur risks fortune, health, domestic peace, and Catherine's prospects to pursue justice. After defeat in the military court of appeals, Arthur and Catherine go to Sir Robert Morton, a brilliant barrister and M.P., who examines Ronnie and suggests that they take the matter before Parliament to seek permission to sue the Crown. They do, which keeps Ronnie's story on the front page and keeps Catherine in Sir Robert's ken.
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Parents Guide | View content advisory » |
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Box Office
Opening Weekend United States | $80,553, 02 May 1999 |
Did You Know?
Trivia | Neil North, who played the First Lord of the Admiralty in this adaptation, played Ronnie Winslow in the first adaptation, The Winslow Boy (1948). See more » |
Goofs | The corset that Catherine Winslow wears under her dress clearly appears and disappears between shots in her last scenes with Sir Robert. See more » |
Movie Connections | Featured in Entrapment/Three Seasons/The Winslow Boy/Idle Hands/Get Real (1999). See more » |
Quotes |
[last lines]
Sir Robert Morton: Oh, you still pursue your feminist activities? Catherine Winslow: Oh yes. Sir Robert Morton: Pity. It's a lost cause. Catherine Winslow: Oh, do you really think so, Sir Robert? How little you know about women. Good-bye. I doubt that we shall meet again. Sir Robert Morton: Oh, do you really think so, Miss Winslow? How little you know about men. See more » |