A debonair, adventuresome bank executive believes he has pulled off the perfect multi-million dollar heist, only to match wits with a sexy insurance investigator who will do anything to get her man.
A D.E.A. Agent investigates the disappearance of a legendary Army Ranger Drill Sergeant and several of his cadets during a training exercise gone severely awry.
Director:
John McTiernan
Stars:
John Travolta,
Samuel L. Jackson,
Connie Nielsen
The story of what happens after a master thief achieves his last big score, when the F.B.I. Agent who promised he'd capture him, is about to do just that.
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled in a quest to banish a mysterious threat in a distant Viking land.
Directors:
John McTiernan,
Michael Crichton
Stars:
Antonio Banderas,
Diane Venora,
Dennis Storhøi
James Bond teams up with the lone survivor of a destroyed Russian research center to stop the hijacking of a nuclear space weapon by a fellow Agent formerly believed to be dead.
Director:
Martin Campbell
Stars:
Pierce Brosnan,
Sean Bean,
Izabella Scorupco
Self-made billionaire Thomas Crown is bored of being able to buy everything he desires. Being irresistible to women, he also does not feel any challenge in that area. But there are a few things even he can't get, therefore Thomas Crown has a seldom hobby: He steals priceless masterpieces of Art. After the theft of a famous painting from Claude Monet, the only person suspecting Thomas Crown is Catherine Banning. Her job is to get the picture back, no matter how she accomplishes her mission. Unfortunately, Catherine gets involved too deeply with Thomas to keep a professional distance to the case. Fortunately, Thomas seems to fall for her, too.Written by
Julian Reischl <julianreischl@mac.com>
In the scene where Thomas Crown is dancing at the party, his tie is untied on his tux, and the top buttons unbuttoned. This is because at the time, Pierce Brosnan was under contract to play James Bond, and a rumored stipulation of that contract, was that he could not wear a tuxedo in any non-James Bond movies. See more »
Goofs
Just before Crown steals the painting, he tells the guard (looking at his watch) that it's quarter to five. But when Catherine and Michael are reviewing the security tape, the tape notes "the time of the robbery" as 5:54. See more »
Quotes
The Psychiatrist:
[laughing]
Peter Pan grows up, and discovers there's no place to land!
See more »
Crazy Credits
During the opening credits, the letters in the names of principal cast and crew switch same-letters (i.e., the "R's" in "Pierce Brosnan", the "E's" in "Dennis Leary"). See more »
Hooray for Hollywood! The world may be falling apart so like we needed money spent on a remake of "The Thomas Crown Affair." But then heck if Tinseltown in all its unoriginality doesn't do a bang-up fun job of unreality with characters who have no place in the Unreel World, from the classy looking opening credits to Sting covering "Windmills of my Mind" over the closing credits.
In the opening scene I'm thinking, wait I know that woman's voice and voila it's Faye Dunaway from the original film as Crown's shrink - I cheered out loud (OK so I was the only one in the audience that got the joke).
Pierce Brosnan and Renee Russo are an age-appropriate couple with genuine fireworks and chemistry (with help from director John McTiernan and editor John Wright in the tango and copulation scenes).
There's unconventionally good music choices - that tango is from Three Penny Opera of all things and a terrific use of Nina Simone's "Sinner Man" in a marvelous Magritte-inspired ironically tense heist scene. Brosnan's trainer gets a credit, as there's plenty of skin. Russo laughs, a gorgeous belly laugh, unlike so many frozen femmes fatale.
The credits also say that no museum was used as a locale, so gosh they really recreated the Met amazingly accurately (and how much did that cost?), though it didn't seem crowded enough Crown goes in at 9 when the museum doesn't open until 11.
I would think this is a great date movie.
(originally written 8/22/1999)
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Hooray for Hollywood! The world may be falling apart so like we needed money spent on a remake of "The Thomas Crown Affair." But then heck if Tinseltown in all its unoriginality doesn't do a bang-up fun job of unreality with characters who have no place in the Unreel World, from the classy looking opening credits to Sting covering "Windmills of my Mind" over the closing credits.
In the opening scene I'm thinking, wait I know that woman's voice and voila it's Faye Dunaway from the original film as Crown's shrink - I cheered out loud (OK so I was the only one in the audience that got the joke).
Pierce Brosnan and Renee Russo are an age-appropriate couple with genuine fireworks and chemistry (with help from director John McTiernan and editor John Wright in the tango and copulation scenes).
There's unconventionally good music choices - that tango is from Three Penny Opera of all things and a terrific use of Nina Simone's "Sinner Man" in a marvelous Magritte-inspired ironically tense heist scene. Brosnan's trainer gets a credit, as there's plenty of skin. Russo laughs, a gorgeous belly laugh, unlike so many frozen femmes fatale.
The credits also say that no museum was used as a locale, so gosh they really recreated the Met amazingly accurately (and how much did that cost?), though it didn't seem crowded enough Crown goes in at 9 when the museum doesn't open until 11.
I would think this is a great date movie.
(originally written 8/22/1999)