Speedway Junky

Midnight Cowboy wannabe about a teen (Jesse Bradford) who runs away to Vegas in order to raise some quick cash in order to live his dream as a race car driver. However, his dreams are shattered upon arrival in Vegas and he quickly becomes friends with a gay hustler (Jordan Brower) and his extended group of friends including a former hooker (Daryl Hannah) and a bisexual hustler (Johnathon Taylor Thomas).

Jesse Bradford's accent comes and goes. He makes a poor choice for a leading man in this film. Jordan Brower on the other hand is perfectly cast. Johnathon Taylor Thomas is sensational and Daryl Hannah makes the most of a small, but important role. The start and end of this film are very weak, but the midsection is compelling and gripping.

Rated R; Violence, Profanity, Sexual Content.

I'd been wanting to see this film for a while, and I'm very disappointed now that I have. The first thing I found problematic was the complete lack of a plot in the first half hour. A story really needs to capture people's attention right from the start. This story did not. After that, what plot there was (which we've seen many times before -- and done much better!) was extremely contrived and totally predictable. The writing was stale and overflowing with cliches. And -- granted, though, I don't know any teenage hustlers in Vegas -- I found the characters to be completely unbelieveable. This was due partly to the hokey script but also partly to the miscasting of some of the central characters, especially Erik Alexander Gavica as "J.T." I find it hard to believe that anyone could ever REALLY think he was dangerous until after his voice had changed!

The one thing in this film I WAS pleased with -- and surprisingly so -- was Darryl Hannah's performance. I've never been much of a fan of hers, but I was impressed with her understated performance, especially given the weak material she had to work with and the fact that everyone else was overacting. I usually AM a fan of Jonathan Taylor Thomas, but even he was unfortunately miscast in this film.

"Speedway Junky" was a noble attempt, but didn't quite hit the mark.

Well, I disagree. I think Speedway Junky was very well acted.

Jordan Brower's heart-felt unrequited love really getting to me. I ended up wishing there was a boy out there like that for me. Daryl Hannah had a good supporting role, as did Jesse.

I thought it was very well done. It won't be everyone's cup of tea, but it's definitely worth watching. I loved it.

Jesse Bradford is a good looking guy (those lips!)& his acting in this film is very good. I'm not a Daryl Hannah fan, but was impressed by her performance here. Jonathan Taylor Thomas is & always will be an annoying little twerp. This story of teen hustling is familiar. It's got everything you'd expect from a movie like this: An old fat pervert, lust, violence, car chase, street life, gay & bi-sexuality, teen angst, unrequited love, booze, death, etc. There's a dance sequence thrown in, but I was embarrassed for all involved, it was awkward, pointless, & goofy.

I was expecting something good out of this movie -- it being produced by Gus Van Sant and all, the genius behind two incredible gay films, My Own Private Idaho and Even Cowgirls Get the Blues. I wouldn't have seen it otherwise because of the inane plot (kid runs off to become a race car driver in West Virginia, and then decides to become a hussler). Luckily, Gus Van Sant's influence is evident in a few scenes, which makes me think there's a good movie in there somewhere.

At times, Speedway Junky feels like a Gen-Y remake of My Own Private Idaho, and it obviously doesn't do its predeccesor justice. However, the two male leads are far less complex and their relationship is as well. Interestingly, the chemistry between them saves this movie from complete obscurity. Too bad they're surrounded by mind-numbingly cliched supporting characters and crumby, juvenile dialogue ("Steven is bisexual. If you buy him something, he'll have sex with you.")

But, like I said, there's a bit of Van Sant in this film, most notably in the scenes between the two protagonists. If the director (incidently, I don't know who directed it) had focused on this relationship more than the hoky prostitution subplot, we would've had some fine gay cinema on our hands. Too bad.

Also, the influence Midnight Cowboy had on this film is mammoth. In both films, a naive guy with a Southern accent comes to the big city with high hopes, but ends up as a john alongside an unlikely friend, who may or may not be an object of desire. The ending is similar too, but I don't want to ruin it in case anyone actually wants to watch either movie.

All in all, bad movie, but if you look closely, you'll see it could've been great. It sadly doesn't come close to its influences: My Own Private Idaho and Midnight Cowboy.