5.8/10
3,689
43 user 38 critic

8 ½ Women (1999)

Following the death of a mother, a father and son open up a brothel in their Genevan estate after watching (1963).

Director:

Peter Greenaway

Writer:

Peter Greenaway
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Standing ... Philip Emmenthal
Matthew Delamere ... Storey Emmenthal
Vivian Wu ... Kito
Annie Shizuka Inoh ... Simato (as Shizuka Inoh)
Barbara Sarafian ... Clothilde
Kirina Mano Kirina Mano ... Mio
Toni Collette ... Griselda / Sister Concordia
Amanda Plummer ... Beryl
Natacha Amal ... Giaconda the Baby Factory
Manna Fujiwara Manna Fujiwara ... Giulietta / Half Woman
Polly Walker ... Palmira
Elizabeth Berrington ... Celeste, Emmenthal Maid
Myriam Muller Myriam Muller ... Marianne, Emmenthal Maid
Don Warrington ... Simon
Claire Johnston ... Amelia, Philip's Wife
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Storyline

After his wife dies, fifty-five-year-old businessman Philip Emmenthal (Sir John Standing), at the prompting of his playboy son Storey (Matthew Delamere), populates his Geneva villa with eight and a half concubines. Three are from Kyoto, Japan, where Storey manages Pachinco palaces. Each has a distinctive personality: a nun, a child bearer, a gambler, a student of Kabuki, a horsewoman with a pet pig, and a maid. Philip throws off his strait-laced and repressed attitudes, immersing himself in pleasure. After about a year, the women begin to assert their own power. Side adventures pre-figure the household's break-up, and the women depart in one way or another, one at at time. Philip's fate is in the hands of Palmira (Polly Walker), his favorite. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

When sexual desire becomes an obsession, it's every man for himself. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content including dialogue and pervasive nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Netherlands | Luxembourg | Germany

Language:

English | Italian | Japanese | Latin

Release Date:

10 December 1999 (UK) See more »

Also Known As:

8 ½ Women See more »

Filming Locations:

Japan See more »

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Box Office

Opening Weekend USA:

$92,000, 29 May 2000

Gross USA:

$424,123

Cumulative Worldwide Gross:

$437,568
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

[All trivia items for this title are spoilers.] See more »

Quotes

Storey Emmenthal: I'm thinking of making a film... about all this: our experiences.
Philip Emmenthal: Why make a film when you can live it? Most films are about people longing for something that they haven't got, and what they haven't got is sex and happiness... and we've got both. Or at least... I have.
See more »

Connections

References M. Butterfly (1993) See more »

Soundtracks

Excerpt from 'Otello'
Composed by Giuseppe Verdi
Performed by Vladimir Bogachov & The Koninklijk Concertgebouworkest (as Royal Concertgebouw Orchestra)
Conducted by Riccardo Chailly
See more »

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User Reviews

 
I enjoyed it even if it's very juvenile
1 October 2003 | by Maciste_BrotherSee all my reviews

It seems that when Peter Greenaway lets his hair down, he automatically reverts back to adolescence. 8 1/2 WOMEN is visually striking and the dialogue has a rhythm and cadence to it that's a joy to listen. But the whole thing is simply infantile. I'm aware that the movie is not meant to be taken seriously and that the characters in the story are immature spoiled brats but that doesn't mean the movie itself has to feel like it was done by an immature, spoiled artist. The end product feels more like someone who's got too much time on his hands and creates movies from whatever pops in his head than something that comes from the heart or mind. Few of the characters are interesting, as people or as subjects for a movie. The dialogue was funny and caustic but the constant need to blurt out certain "shocking" words was really silly, and got only sillier by the end of the film. Only the brilliant visual and aural feast that usually typifies a Greenaway film made this worth watching.


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