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The Celebration (1998)

Festen (original title)
R | | Drama | 19 June 1998 (Denmark)
Trailer
1:00 | Trailer
At Helge's 60th birthday party, some unpleasant family truths are revealed.

Director:

Thomas Vinterberg (uncredited)

Writers:

Thomas Vinterberg (screenplay), Mogens Rukov (screenplay) | 1 more credit »
Nominated for 1 Golden Globe. Another 28 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ulrich Thomsen ... Christian
Henning Moritzen ... Faderen - Helge Klingenfeld
Thomas Bo Larsen ... Michael
Paprika Steen ... Helene
Birthe Neumann Birthe Neumann ... Moderen - Else Klingenfeld
Trine Dyrholm ... Pia
Helle Dolleris Helle Dolleris ... Mette
Therese Glahn Therese Glahn ... Michelle
Klaus Bondam Klaus Bondam ... Toastmasteren - Master of Ceremonies
Bjarne Henriksen ... Kokken - Kim
Gbatokai Dakinah Gbatokai Dakinah ... Gbatokai
Lasse Lunderskov Lasse Lunderskov ... Onklen - Uncle
Lars Brygmann ... Receptionisten - Receptionist
Lene Laub Oksen Lene Laub Oksen ... Søsteren - Sister
Linda Laursen Linda Laursen ... Birthe
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Storyline

The Father turns 60. His family, which is a big one of the kind, gathers to celebrate him on a castle. Everybody likes and respects the father deeply...or do they? The youngest son is trying to live up to the father's expectations. He is running a grill-bar in a dirty part of Copenhagen. The oldest son runs a restaurant in France, while the sister is a anthropologist. The older sister has recently committed suicide and the father asks the oldest son to say a few words about her, because he is afraid he will break into tears if he does it himself. The oldest son agrees without argument. Actually he has already written two speeches. A yellow and a green one. By the table, he asks the father to pick a speech. The father chooses green. The oldest son announces that this is the Speech of Truth. Everybody laughs, except for the father who gets a nervous look on his face. For he knows that the oldest son is about to reveal the secret of why the oldest sister killed herself. Written by Jonas L.

Plot Summary | Plot Synopsis

Taglines:

Every family has a secret. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content and language, including references to sexual abuse | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Denmark | Sweden

Language:

Danish | German | English

Release Date:

19 June 1998 (Denmark) See more »

Also Known As:

The Celebration See more »

Filming Locations:

Sjælland, Denmark See more »

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Box Office

Budget:

$1,300,000 (estimated)

Gross USA:

$1,656,223

Cumulative Worldwide Gross:

$1,656,223
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Thomas Vinterberg: The taxi driver dropping off Helene's boyfriend, Gbatokai See more »

Goofs

The sister takes the sheet from one of the chairs twice as she uncovers the furniture. See more »

Quotes

[first lines]
[subtitled version]
Christian Klingenfeldt: [on his cellphone] Christian speaking... Hi, I'm here now. I landed this morning. What? Er... Washed? I shaved at the airport if you must know. I shaved at the airport if you must know! I'm fine... right now I'm looking across the fields. At the land of my father. It's beautiful. It makes me want to move back for good, but that'd be problematical. I'll make it. Yes, I suppose it will be... shocking. What?... You're dropping out. O.K. Bye.
See more »

Alternate Versions

The DVD also contains an alternative ending. See more »

Connections

Featured in Bogart - As Time Goes By (2002) See more »

Soundtracks

Jeg har set en rigtig negermand
By Niels C. Andersen
Dacapo
c/o Warner/Chappell Music Denmark A/S
See more »

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User Reviews

 
#MeToo during the patriarch's birthday
1 June 2019 | by FrenchEddieFelsonSee all my reviews

This surprise success based on an uncomfortable subject has become an essential reference adapted for theater in many countries. The film immediately gives the impression of having been filmed with a dysfunctional iPhone of the 70s suffering from a perfectible autofocus. This is certainly the expression of Dogme 95, a manifesto of a strong desire of the directors Thomas Vinterberg and Lars von Trier to move away from a cinematographic world they consider too licked, too clean, too artificial, returning to a sobriety more expressive, more original, more formal, with an excessive despoilment of any aesthetic ambition. This impression will last until the last minute. After this rather negative observation, the film is excellent: between the dialogues, the acting and the unfolding of the story, it keeps you out of breath and you will wait for the epilogue with an unbearable impatience. A must see!


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