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Office Space (1999)

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Three company workers who hate their jobs decide to rebel against their greedy boss.

Director:

Mike Judge

Writers:

Mike Judge (Milton animated shorts), Mike Judge (screenplay)
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901 ( 234)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ron Livingston ... Peter
Jennifer Aniston ... Joanna
David Herman ... Michael Bolton
Ajay Naidu ... Samir
Diedrich Bader ... Lawrence
Stephen Root ... Milton
Gary Cole ... Bill Lumbergh
Richard Riehle ... Tom Smykowski
Alexandra Wentworth ... Anne
Joe Bays ... Dom Portwood
John C. McGinley ... Bob Slydell
Paul Willson ... Bob Porter
Kinna McInroe ... Nina
Todd Duffey ... Chotchkie's Waiter
Greg Pitts ... Drew
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Storyline

In the Initech office, the insecure Peter Gibbons hates his job and the obnoxious Division VP Bill Lumbergh who has just hired two efficiency consultants to downsize the company. His best friends are two software engineers Michael Bolton and Samir Nagheenanajar, that also hate Initech, and his intrusive next door neighbor Lawrence. He believes his girlfriend Anne is cheating on him but she convinces Peter to visit the hypnotherapist Dr. Swanson. Peter tells how miserable his life is and Dr. Swanson hypnotizes him and he goes into a state of ecstasy. However, Dr. Swanson dies immediately after giving the hypnotic suggestion to Peter. Peter, in his new state, starts to date the waitress Joanna and changes his attitude which results in his being promoted by the consultants. When he discovers that Michael and Samir will be downsized, they decide to plant a virus in the banking system to embezzle fraction of cents on each financial operation into Peter's account. However Michael commits a ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Work Sucks. See more »

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

19 February 1999 (USA) See more »

Also Known As:

Cubiculos de la oficina See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$4,231,727, 21 February 1999, Wide Release

Gross USA:

$10,824,921, 9 May 1999

Cumulative Worldwide Gross:

$12,800,000, 31 December 1999
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The abbreviation TPS (as referenced in the infamous "TPS Report") is undefined in the final cut of the film. TPS is used in the software industry to stand for "Test Procedure Specification", which is a set of steps used by quality assurance testers to follow in testing a given software feature. Given this meaning, however, a "TPS Report" would make little sense. Mike Judge has said (after innumerable queries from fans) that he meant the abbreviation to stand for "Test Program Set". See more »

Goofs

When Lumbergh is talking to Milton in the basement, after eating his cake, he picks up his coffee cup with his right hand. When he turns to talk to Dom, his coffee cup is in his left hand. See more »

Quotes

Bill Lumbergh: Hello Peter, what's happening? Ummm, I'm gonna need you to go ahead come in tomorrow. So if you could be here around 9 that would be great, mmmk... oh oh! and I almost forgot ahh, I'm also gonna need you to go ahead and come in on Sunday too, kay. We ahh lost some people this week and ah, we sorta need to play catch up.
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Crazy Credits

Credits begin with outtakes featuring various actors from the movie. See more »

Alternate Versions

The theatrical release of the film features the soundtrack in different sequence than the DVD release of the film. See more »

Connections

Referenced in Golic and Wingo: Episode #1.20 (2017) See more »

Soundtracks

Down for Whatever
(1993)
Written by Jesper Dahl, Rasmus Berg, Blæs Bukki (as Lasse Bavngaard),
Nicholas Kvaran, and Ice Cube (as O'Shea Jackson)
Performed by Ice Cube
Contains portions of "Never Had a Dream"
Written by Marvin Pierce, Gregory A. Webster, Norman B. Napier, Ralph Middlebrooks,
Leroy 'Sugarfoot' Bonner (as Leroy Bonner), Marshall E. Jones, Andrew Noland,
, and Junie Morrison (as Walter Morrison)
Courtesy of Priority Records
See more »

Frequently Asked Questions

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User Reviews

 
"Uh, Yeaaah, Peter...What's Happening?..."
4 March 2001 | by jhcluesSee all my reviews

There's something about a study of life in a `cubicle' to which just about everyone can relate; at least everyone who has ever had to get up every day, go to work and punch a time clock, then go home and wait to do it all over again the next day. In `Office Space,' writer/director Mike Judge (the guy who gave us `Beavis and Butthead') captures the essence of the work-a-day world, in this case in an office setting, though it could be on any job anywhere, from the largest conglomerate to the smallest business concern; anywhere a `corporate structure' is in place and employed. The subtle humor of Judge's vision is funny, and often downright hilarious, and all with very little exaggeration of the way things really are, from the weekly `motivational' talks from the boss, to staff meetings, corporate `mission statements' and the protocol of cover sheets and memos, all of which-- as portrayed here-- have a sterling ring of truth to them. The central character of Judge's story is a guy named Peter Gibbons (Ron Livingston), a software analyst for `Initech,' who after working with a therapist finds himself in something of a transcendental state of mind, whereupon he divulges to a pair of consultants-- `efficiency experts' sent in to streamline the company's operation-- that he does only about `fifteen minutes of real work' a week, due to the very structure (or lack thereof) of the company itself. And his refreshingly honest candor in outlining his job description soon has quite an unexpected effect on his life, as well as that of a couple of co-workers. Judge perceptively expands the satire to encompass facets of Peter's life outside the office, as well, which gives the audience even more with which to identify, like driving to work in bumper to bumper freeway traffic that has slowed to a stop-- in Peter's lane-- while the cars in the next lane going flying by; and when he changes into THAT lane, IT comes to a standstill while the cars in the lane he just left start to whiz on by. It's an application of Murphy's Law that -- while certainly nothing new-- works well within the context of this particular story, in which the humor is derived from emphasizing the annoying, mundane things that happen to us all on a daily basis. Like getting in the shortest line at the supermarket and taking longer than anyone else to get checked out. Livingston gives a notable performance, giving Peter that sense of the `everyman' who'd like nothing better than to break free of the rigors of the 8 to 5 existence. He brings an affable presence to the screen that perfectly communicates what Judge is attempting to say, and does it in such a way that it validates Peter's being selected as `Champion of the Cause' as it were. Also turning in memorable performances are Stephen Root (a terrific character actor), as Milton, a guy whose very existence seems to be a study in suffering abuse and degradation; and Gary Cole, as Peter's boss, Bill Lumbergh, whose impudent, laconic methods of intimidation, delivered in such a droll manner, make him the boss everybody loves to hate. The supporting cast includes Jennifer Aniston as Joanna, the waitress with a minimum of `flare' who has trouble `expressing' herself, according to her boss; Ajay Naidu (Samir); David Herman (Michael Bolton); Richard Riehle (Tom); Joe Bays (Dom); John C. McGinley (Bob Slydell); Paul Wilson (Bob Porter) and Diedrich Bader (Lawrence). Reminiscent of the world portrayed in the `Dilbert' comic strip, `Office Space' works because it effectively puts real people in real situations, and brings you into contact with some characters you're going to recognize; I guarantee that no matter what you do to live, thrive and survive, you've run into these people, worked for them, and alongside them. It's a case of art reflecting reality, and to Judge's credit he's succeeded in making a funny movie that really hits close to home, without resorting to any gross or infantile humor to do it. It's a film that simply puts the `corporate experience' in the spotlight and gives you a chance to laugh at `the boss,' and maybe even a little bit at yourself along the way. I rate this one 8/10.


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