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Let the Devil Wear Black (1999)

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In this updated version of Shakespeare's Hamlet, a young man comes face-to-face with personal treachery after suspecting that his father may have been murdered.

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Cast

Cast overview, first billed only:
... Jack Lyne
... Bradbury
... Brautigan
... Carl Lyne
Brooke Taylor ... Tiffany
... Helen Lyne
... Julia Hirsch
Jeffrey Schoeny ... Young Jack
... Jack's Father
... Bartender (as Thomas Duffy)
... Satch
... Sol Hirsch
... Pharmacist
... Tall
... Ugly
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Storyline

A college student launches an investigation into his wealthy father's death when he suspects his mother and his uncle may have been involved. His suspicions seem cemented when the two announce their impending marriage only shortly after the death. The student's girl friend is also revealed to be increasingly unstable as the investigation progresses. Satch also is revealed to be deeply involved, but the connection has to be found. Written by John Sacksteder <jsackste@bellsouth.net>

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Taglines:

Something is Rotten in the City of Angels

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Crime | Thriller | Drama

Motion Picture Rating (MPAA)

Rated R for violence, sexuality and language | See all certifications »
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Release Date:

9 June 2000 (Spain)  »

Also Known As:

A Morte se Veste de Negro  »

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Did You Know?

Quotes

Brautigan: Man, of course men gives better blow jobs! Listen, I know what it feels like to get my dick sucked, right? And I know what I like when I get my dick sucked. So when I'm sucking a dick, I know that what I'm doing is what I like and that is the best of it that can be done.
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Connections

References The Last House on the Left (1972) See more »

Soundtracks

Lo Que Fue Machito (Mi Amigo Machito)
Written by Oscar Meza
Performed by Rudy Regalado y Chevere
Courtesy of Discos Dos Coronas
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User Reviews

 
Penner
16 July 2006 | by See all my reviews

A bold and worthy attempt to update Shakespeare's Hamlet by stripping the play of its dialogue, and turning it into a contemporary murder story.

Of course it isn't always successful, I suspect that no such strategy would be, since Shakespeare's language is actually more important than his plotting.

Still, the sincerity of cast and crew carry the effort a great ways. The Rozencrantz and Guildenstern sup-plot was, I thought, particularly well-handled.

I have shown this to people who say they hate Shakespeare, without telling them the connection to the bard, and they have generally found it fascinating. Perhaps this is the only way some people can "get" Shakespeare.

definitely worth a viewing.


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