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The Messenger: The Story of Joan of Arc (1999)

Joan of Arc (original title)
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A young girl receives a vision that drives her to rid France of its oppressors.

Director:

Luc Besson
5 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Rab Affleck ... Comrade
Stéphane Algoud Stéphane Algoud ... Look Out (as Stephane Algoud)
Edwin Apps ... Bishop
David Bailie ... English Judge
David Barber David Barber ... English Judge
Christian Barbier Christian Barbier ... Captain
Timothy Bateson ... English Judge
David Begg ... Nobleman - Rouen's Castle
Christian Bergner Christian Bergner ... Captain
Andrew Birkin ... Talbot
Dominic Borrelli Dominic Borrelli ... English Judge
John Boswall ... Old Priest
Matthew Bowyer ... The Bludgeoned French Soldier
Paul Brooke ... Domremy's Priest
Bruce Byron Bruce Byron ... Joan's Father
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Storyline

1429. While the war between France and England (the Hundred Years War) appeared settled in 1420, in England's favour, the death of King Henry V of England reignites it. England occupies large areas of France and appears set to take the whole of it. Into this moment of crisis rides legendary Joan of Arc, a teenage girl who claims to be lead by divine visions. Written by grantss

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for strong graphic battles, a rape and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Czech Republic

Language:

English | Latin

Release Date:

12 November 1999 (USA) See more »

Also Known As:

The Messenger: The Story of Joan of Arc See more »

Filming Locations:

Bruntal, Czech Republic See more »

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Box Office

Budget:

$85,000,000 (estimated)

Opening Weekend USA:

$6,360,968, 14 November 1999, Wide Release

Gross USA:

$14,276,317, 14 January 2000

Cumulative Worldwide Gross:

$66,976,317, 31 May 2000
See more on IMDbPro »

Company Credits

Production Co:

Gaumont, Okko Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

When Kathryn Bigelow was attached to direct she had cast Sinéad O'Connor as Joan of Arc and Sir Sean Connery as The Conscience. See more »

Goofs

When the English first see the army arrive on the far side of the river at Orleans just after Joan's first victory, you can see car tracks in the dirt of the shore. See more »

Quotes

[first lines]
Title Card: 1420. Henry V, King of England, and Charles VI, King of France, sign the Treaty of Troyes. The treaty states that the kingdom of France will belong to England upon the king's death. But the two kings die a few months apart. Henry VI is the new king of England and of France, but he is only a few months old. Charles VII, the Dauphin of France, has no intention to abandon his kingdom to a child nor even to his tutor, the Duke of Bedford. A bloody war begins and the English, along with...
[...]
See more »

Alternate Versions

The European release was 10 minutes longer than the US theatrical version, which omits, among others, the scene where Joan's virginity is tested before the court of King Charles VII. The longer version has been released in the USA on DVD. See more »

Connections

Referenced in Suicide Club (2001) See more »

Soundtracks

My Heart Calling
Lyrics and Music by Éric Serra and Achinoam Nini
Produced by Éric Serra
Performed by Achinoam Nini
With the Special Authorization of Interscope/Geffen
See more »

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User Reviews

Inspired by...?
24 October 2004 | by MercianSee all my reviews

There are many deviations from the accepted facts of Jeanne d'Arc's life as set out in her trial documentation and the writings of the time. This said, the central question of whether she was a saint, an inspired lunatic, wholly mentally ill, or simply a headstrong girl determined to grab her chances while she could is well asked. Many of the comments here assert that Besson makes it clear that the Maid was simply mentally ill, yet I read the film as deeply ambivalent about what was going on. Were her visions the hallucinations of a schizophrenic? Were they given by God? What's the difference? More questions are asked: Why does an omnipotent, omniscient, all-compassionate deity allow terrible things to happen? What is the meaning of kingship - to own or to serve? What is the difference between taking the lives of individuals and killing en masse? What's the difference between Christianity and the earthly institutions of that religion? Where does conviction end and fanaticism begin?

Jovavich's Jeanne is plagued by the difference between her idea of utter submission to God and the consequences of doing so; by doubt over the veracity of her visions; and by the gap between her ideals of the divine rights of kings and realpolitik. She is constantly on the verge of a nervous breakdown - is this a manifestation of her mental illness, or of her "burning for God"? And where's the difference between the two?

The film raises more questions than it answers, and that's as it should be. It is something of a shame that Besson's film takes liberties with the facts as we understand them (though history is more often about our interpretation of events than the events themselves), but in terms of raising important questions on the nature of faith, it succeeds beyond measure.


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