On improvising a burglary at a shady tycoon's home, Fred takes refuge in the hip and surreal universe of the Paris Metro and encounters its assorted denizens, the tycoon's henchmen and his disenchanted young wife.
1429. While the war between France and England (the Hundred Years War) appeared settled in 1420, in England's favour, the death of King Henry V of England reignites it. England occupies large areas of France and appears set to take the whole of it. Into this moment of crisis rides legendary Joan of Arc, a teenage girl who claims to be lead by divine visions.Written by
Kathryn Bigelow filed suit in California against Luc Besson for plagiarizing historical research that she had done when she was involved in the project. Besson settled with her amicably out of court. See more »
When the siege tower falls on the gate to the castle, everybody behind the gate door runs away. But on the next clip, there are a lot of people stuffed in under the falling gate. See more »
1420. Henry V, King of England, and Charles VI, King of France, sign the Treaty of Troyes. The treaty states that the kingdom of France will belong to England upon the king's death. But the two kings die a few months apart. Henry VI is the new king of England and of France, but he is only a few months old. Charles VII, the Dauphin of France, has no intention to abandon his kingdom to a child nor even to his tutor, the Duke of Bedford. A bloody war begins and the English, along with...
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The European release was 10 minutes longer than the US theatrical version, which omits, among others, the scene where Joan's virginity is tested before the court of King Charles VII. The longer version has been released in the USA on DVD. See more »
Milla Jovovich may have been the only woman who could have portrayed a 'Joan' believable enough for such a film and approach as that taken by Luc Besson, one which stops just short of suggesting some sort of 'shamanic visionary' as opposed to a character labelled everything from 'deranged schizophrenic' to 'lesbian', simply due to attire, while 'hearing voices' (all historical facts). The key ingredient: the eyes. Not since Faye Dunnaway's unforgetable portrayal in "The Eyes of Laura Mars" (1976), who coincidentally co-stars as an excellent Yolande d'Aragon herewith, has someone captivated an audience simply by a look or a glance. Spell-binding, riveting, and as true to the historical record as one can expect for this most noble of French heroines, while adding a plausible childhood, Besson, Jovovich, an excellent supporting cast and the film were all but ignored for the honours they so richly deserved. Rating five stars (of five) and a film I'll never forget!
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