The Messenger: The Story of Joan of Arc (1999)

A young girl receives a vision that drives her to rid France of its oppressors.

Director:

Luc Besson

Writers:

Andrew Birkin, Luc Besson

Stars:

Milla Jovovich, John Malkovich, Rab Affleck

5 wins & 13 nominations.

Cast

Cast overview, first billed only:
Rab Affleck	...	Comrade
Stéphane Algoud	...	Look Out (as Stephane Algoud)
Edwin Apps	...	Bishop
David Bailie	...	English Judge
David Barber	...	English Judge
Christian Barbier	...	Captain
Timothy Bateson	...	English Judge
David Begg	...	Nobleman - Rouen's Castle
Christian Bergner	...	Captain
Andrew Birkin	...	Talbot
Dominic Borrelli	...	English Judge
John Boswall	...	Old Priest
Matthew Bowyer	...	The Bludgeoned French Soldier
Paul Brooke	...	Domremy's Priest
Bruce Byron	...	Joan's Father

Storyline

1429. While the war between France and England (the Hundred Years War) appeared settled in 1420, in England's favour, the death of King Henry V of England reignites it. England occupies large areas of France and appears set to take the whole of it. Into this moment of crisis rides legendary Joan of Arc, a teenage girl who claims to be lead by divine visions.

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Plot Keywords:

religious conviction | dauphin | trial | joan of arc | wartime rape | 

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Genres:

Adventure | Biography | Drama | History | War

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Motion Picture Rating (MPAA)

Rated R for strong graphic battles, a rape and some language

Did You Know?

Trivia

Final film of Joseph O'Conor (Poitier's Chief Inquisitor).

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Goofs

At the beginning of the film, explanatory text indicating the year 1420 accompanies a map of Europe displaying the two combatants, England and France, but neither is shown correctly. The whole island of Great Britain is labeled England, even though Scotland remained a separate country until 1707, while France is shown with borders it would not attain until 1766. In fact, Scotland fought with France against England and Burgundy in the Hundred Years' War.

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Quotes

[first lines]
Title Card: 1420. Henry V, King of England, and Charles VI, King of France, sign the Treaty of Troyes. The treaty states that the kingdom of France will belong to England upon the king's death. But the two kings die a few months apart. Henry VI is the new king of England and of France, but he is only a few months old. Charles VII, the Dauphin of France, has no intention to abandon his kingdom to a child nor even to his tutor, the Duke of Bedford. A bloody war begins and the English, along with...
[...]

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Alternate Versions

The European release was 10 minutes longer than the US theatrical version, which omits, among others, the scene where Joan's virginity is tested before the court of King Charles VII. The longer version has been released in the USA on DVD.

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Connections

Referenced in Forget About It: Resident Evil (in general) (2011)

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Soundtracks

My Heart Calling
Lyrics and Music by Éric Serra and Achinoam Nini
Produced by Éric Serra
Performed by Achinoam Nini
With the Special Authorization of Interscope/Geffen

User Reviews

So good it made me want to give Ultraviolet another try

My first Milla Jovovich movie was Ultraviolet, which has spawned more "worst movie ever" threads on IMDb than any other. Well, I wouldn't call it that bad, but still... it hardly gave me any faith in Milla's career as a dramatic performer.

So I popped this flick in the DVD player not expecting much. Sacrée merde! What a surprise. It seems, stripped of her futuristic-mutant-motorcycle-riding-vampire persona, she's really quite good. This film--probably the least glamorous of her entire repertoire--really gives her a chance to show her full dynamics. I can't say much more without giving away the plot, so I'll drop it for now.

Now on to the director Luc Besson. For the first half hour or so, he seems to suffer from "I wanna be Kenneth Branagh" syndrome (which is almost as painful as the avian flu). We get a dozen scenes of someone running down a corridor with the camera chasing behind. We get a dozen overhead-camera-twirly shots of someone lying on the ground. We get so many crane shots, you start thinking you're on a construction site. What's wrong with all this? I'll tell you. When the camera swings & sways too much it detracts from the actors' performances. Sure it adds visual drama, but so can a good fireworks scene (with just as much subtlety).

But suddenly, right around the halfway mark, the camera man simmers down. The whole tone of the film changes, becomes darker and more intense, relying on the power of the actors instead of the gimmicky camera-work. This works brilliantly, especially when Dustin Hoffman finally steps in.

This is the break that takes the movie in an entirely different (and possibly offensive) direction. It looks like some IMDb reviewers weren't too happy. I'm sure plenty of others got bored (because the swordfights stop). But me, I thought this change of mood was what made the movie. Suddenly it becomes a spooky, psychological thriller with a lot of great dialogue and a ton of good acting. THIS is the payoff.

My biggest gripe with the movie is that after seeing the 2nd half, I kept saying to myself "why the hell did Besson waste so much time getting here?" There were a few too many insignificant fluff scenes in the beginning (like the virginity test lol) that should have been replaced with more of the powerful Milla-Dustin dialogue toward the end.

I won't comment on historical accuracy, religious sacrilege, lack-of-realism or the fact that there were a few too many American accents for 15th century France. These flaws fall by the wayside if you're instead paying attention to the complex conflict brewing in Milla's character. This is really her movie, and a damn good one at that. Like my title implies, it's good enough to make me want to give Ultraviolet another try.

Details

Country:

France Czech Republic USA

Language:

English Latin

Release Date:

12 November 1999 (USA)

Also Known As:

The Messenger: The Story of Joan of Arc

Filming Locations:

Bruntal, Czech Republic

Box Office

Budget:

$85,000,000 (estimated)

Opening Weekend USA:

$6,360,968, 14 November 1999

Gross USA:

$14,276,317

Cumulative Worldwide Gross:

$66,976,317

Company Credits

Production Co:

Columbia Pictures, Gaumont, Okko Productions

Technical Specs

Runtime:

158 min

Sound Mix:

DTS Dolby Digital EX SDDS Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1