6.9/10
8,426
159 user 70 critic

Cradle Will Rock (1999)

Trailer
1:01 | Trailer

Watch Now

From $1.99 (SD) on Prime Video

ON DISC
A true story of politics and art in the 1930s U.S., focusing on a leftist musical drama and attempts to stop its production.

Director:

Tim Robbins

Writer:

Tim Robbins
5 wins & 7 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

Bob Roberts (1992)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A conservative folk singer turns his hand to politics, running for the US Senate. He is not above dirty tricks and smear campaigns to gain an advantage over his opponent.

Director: Tim Robbins
Stars: Tim Robbins, Giancarlo Esposito, Alan Rickman
Embedded (Video 2005)
Comedy
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

A play that chronicles the war in Iraq through satire and commedia dell'arte masks., which pokes fun at neo-conservatives such as Karl Rove, Condoleezza Rice, Dick Cheney, and Donald Rumsfeld.

Director: Tim Robbins
Stars: V.J. Foster, Brent Hinkley, Jay R. Martinez
Certificate: Passed Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

A man, Hilary Fairfield returns home after fifteen years in a mental asylum. However, he finds things are not the way they were when he left.

Director: George Cukor
Stars: John Barrymore, Katharine Hepburn, Billie Burke
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A nun, while comforting a convicted killer on death row, empathizes with both the killer and his victim's families.

Director: Tim Robbins
Stars: Susan Sarandon, Sean Penn, Robert Prosky
Edit

Cast

Cast overview, first billed only:
Hank Azaria ... Marc Blitzstein
Rubén Blades ... Diego Rivera
Joan Cusack ... Hazel Huffman
John Cusack ... Nelson Rockefeller
Cary Elwes ... John Houseman
Philip Baker Hall ... Gray Mathers
Cherry Jones ... Hallie Flanagan
Angus Macfadyen ... Orson Welles
Bill Murray ... Tommy Crickshaw
Vanessa Redgrave ... Countess Constance La Grange
Susan Sarandon ... Margherita Sarfatti
Jamey Sheridan ... John Adair
John Turturro ... Aldo Silvano
Emily Watson ... Olive Stanton
Bob Balaban ... Harry Hopkins
Edit

Storyline

In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini. Written by Jeremy Perkins

Plot Summary | Add Synopsis

Plot Keywords:

1930s | theatre | depression | union | play | See All (52) »

Taglines:

On 12.10.99, make history. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some language and sexuality | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

USA

Language:

English | Italian

Release Date:

21 January 2000 (USA) See more »

Also Known As:

Abajo el telón See more »

Filming Locations:

USA See more »

Edit

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend USA:

$93,998, 12 December 1999, Limited Release

Gross USA:

$2,899,970, 23 April 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
Edit

Did You Know?

Trivia

Cary Elwes and Angus Macfadyen would later act in the "Saw" series, as Doctor Gordon in "Saw" and Jeff Reinhart in Saws "3" and "4" respectively. See more »

Goofs

Diego Rivera's mural in Rockefeller Center was destroyed in February of 1934. The unauthorized performance of "The Cradle Will Rock" took place on 16 June 1937. Hallie Flanagan testified before Congressman Dies' committee on 6 December 1938. For artistic effect, the film makes it seem that the three events occur simultaneously. See more »

Quotes

Marc: Well, you can't climb down and you can't sit still. That's a storm that's gonna last until the final wind blows, and when the wind blows the cradle will rock
See more »

Crazy Credits

This film was edited on old fashioned machines. See more »


Soundtracks

Croon Spoon
Written by Marc Blitzstein
Performed by Eddie Vedder and Susan Sarandon
Courtesy of RCA Records
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

This Rocks
5 November 2000 | by tedgSee all my reviews

Tim Robbins is a good actor. Not great, but it is clear in his acting that he has a passion for the theater. Now he has written and directed something that elevates him to world class.

The simple first: Tim has learned from Altman how to make a camera move in such a way that the viewer becomes part of the action. Some of his long, multithreaded action shots are breathtaking. More, this is used to tie together dual threads and multiple stories. Altman again, but even Altman is inconsistent in this.

But Tim can do something Altman cannot. He tunes this ensemble so tightly it seems that they are siblings. Many individual performances deeply charm, reach high.

That alone makes this a must see. But there's more. This is yet another play about a play, a common enough genre that has a very specific set of pitfalls. Robbins the writer cleverly avoids this with a facile trick. Uncareful viewers will see this as a simple, left-leaning story about artistic McCarthyism (Jesse Helms anyone?). But that is a ruse. The story is just the excuse.

Watch it again and look for why the play couldn't be put on. It was the unions, as much coopted by the system as Rockefeller that was the real threat and who the players defy at the end. This ahistorical fact was inserted for a reason.

Also watch for how the whole thing is nested in Faust, with a deeper recursive level with the players as the puppets in Faust. The puppet thing is worked a few other ways with Murray of course, but also so many others until we feel that the only non-puppets are the actors.

I think this is one of those cases where Robbins exceeded his own intellect, but it still works as a deeply recursive self examination, even of itself, because he trusted his instincts as dramatist (and presumably the actors' instincts as well).

I rate this high for intelligence. It achieves what Altman has not. Some seem to object that some of the characters are silly: Wells and Houseman and the Countess. But this is deliberate. They are playing players IN A PLAY. That's the point. Perhaps it would have been better to not use historical names since it confuses people who might look for accuracy.

Some misgivings though. Sarandon's performance was the weakest. Cinematically, the crushing of the mural during the performance was blunt editing. The pacing was off -- it should have been better integrated with the pacing of the play's action. The transposition of the dummy to modern Broadway was radically less subtle than the dummy theme's life in the rest of the play. If you didn't tease it out early, you'd be confused.


37 of 48 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 159 user reviews »

Contribute to This Page

Stream Comedy Titles With Prime Video

Explore popular comedy titles available to stream with Prime Video.

Start your free trial



Recently Viewed