A young Pennsylvania man moves to Los Angeles to begin work for an ambulance service. There he is teamed with a supremely confident vet who seemingly has gone through a large number of ...
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Starring Brad Johnson, Megan Gallagher, and Roxana Zal. In recovery after losing his sight on the job, a police officer becomes ensnared in the manipulations of an obsessive woman and her mentally unstable sister.
When Chris Murdoch falls obsessively in love with a Japanese girl attending University in Seattle (Kaori Ozaki) he murders Japanese men who have shown her kindness under the pretext of ... See full summary »
Film cutter Katie Griffin is hopelessly in love with writer Richard Mannhart, and starts an affair with him. When Mannhart's wife is killed in a road accident, Katie tells the police she ... See full summary »
Judy, Alex and Nick are three friends in their early twenties who haven't quite figured things out. Judy is stuck at a dead-end job and is about to make a big move in her life when her ... See full summary »
A young Pennsylvania man moves to Los Angeles to begin work for an ambulance service. There he is teamed with a supremely confident vet who seemingly has gone through a large number of partners. Initially the novice is awed by the more experienced man's capabilities to deal with the high pressure situations they encounter. However, gradually he discovers that all is not as it seems. While the vet is ice on the surface, he actually gets through the ordeals by heavy drug use and avoids commitments. Soon the younger man finds himself pulled into the same world and has to decide what direction he wants to take.Written by
John Sacksteder <email@example.com>
In the scene where they're taking a boy who was in critical condition to the hospital. Tom is in the back with the boy and Jimmy is driving. In real life situations, Jimmy who is a Paramedic should have been in the back, being it was a Advance Life Support situation. Tom who is a E.M.T-Basic should have been driving. See more »
We're the devil, we're the devil, we're evil, we're evil, we're evil, god, we're evil!
Yeah, we're the devil. Shut up!
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This is a neat little movie with a lot of energy and control - it's not overly flashy or gimmicky and doesn't indulge in excessive Tarantino-aping; the Field character is truly sleazy, but the movie keeps everything within plausible limits of degradation and loss of control, so that his pull on London is easy to understand without losing moral perspective. It's a two-hander at heart, but through various secondary characters - especially Field's Gramps, a hopeless drug addict - it manages to carve out a plausible broader social base (even if you wonder how the guys ever manage to get through any of their shifts intact). Some of the specific exposition is tedious, or overly familiar and dutiful, or just marginally amusing, but the meat of it lies simply in colourful incident, and in that regard it has real panache and sense of character.
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