The Spider Lady, an unsurpassed master of disguise, has set her mind on stealing the Golden Spider God from the embassy of Baklava. Her special plan involves capturing Electra Woman in a tangled web,...
Ali Baba and his evil Genie have kidnapped the Russian scientist Professor Nabakov. They want to get their hands on his new Metamorphosis formula, which can turn good people into evil and visa versa....
Dyna Girl has been transformed into an evil version of herself by Ali Baba using the Metamorphosis formula. She leads Ali and the Genie to the Electrabase and kidnaps Frank. Electra Woman, although ...
Children's series about Wildboy, an orphan who was raised in the wilderness of the Pacific Northwest by the legendary Sasquatch. Wildboy and Bigfoot roamed the countryside stomping out ... See full summary »
Prequel to the first Missing In Action, set in the early 1980s it shows the capture of Colonel Braddock during the Vietnam war in the 1970s, and his captivity with other American POWs in a brutal prison camp, and his plans to escape.
Rick Hunter is a renegade cop who breaks the rules and takes justice into his own hands. Partnered with the equally stunning and rebellious Sgt. McCall, the tough-minded duo set out to crack down on L.A.'s slimiest criminals.
Electra Woman and Dynagirl are gorgeous superheroes who battle a bevy of costumed villains. They wear skintight outfits with capes, and operate out of the secret Electrabase, which is headed by Frank Heflin, who designed and built the heroines' sophisticated equipment.Written by
Marty McKee <firstname.lastname@example.org>
One of three segments presented on the 70's Saturday morning kidvid THE KROFT SUPERSHOW; The others were 'Wonderbug,' a Herbie The Love Bug knockoff, and 'Doctor Shrinker,' about a mad scientist who shrinks three teens. All three, if I remember right, were dumped in favor of new short features when the SUPERSHOW came back for a second season, though 'Wonderbug' might have stayed around. Only eight episodes of 'Electra-Woman And Dyna-Girl' were produced, but they're vividly, and sometimes even fondly, remembered by Generation Xers. A weird, low-budget pastiche of the campy 1960's BATMAN with a bit of Lynda Carter WONDER WOMAN thrown in, the show starred Deidre Hall and Judy Strangis as 'Lori' and 'Judy,' two magazine writers who, when trouble strikes, usually in the form of a flamboyantly costumed, wildly overplayed super-villain, become super-heroines Electra-Woman and Dyna-Girl. They battled evil using their 'Electra-comps,' clunky-looking devices worn on their wrists that allowed them to fire various types of low-budget rays and kept them in communication with Frank, the crusty scientific genius who invented the Comps and manned the 'Electra-base' in Lori and Judy's basement.
What makes the show interesting and fun, if not exactly good, is the bizarre sense of conviction most of the actors bring to their roles. They all overact wildly, especially Judy Strangis, but seem perfectly attuned to the claustrophobic confines of the bizarre little world they inhabit. Despite looking like it was made in someone's basement, the show did its best to ape the fantastic comic books it copied, sending its heroines through time, into alternate dimensions, etc. Admittedly, it did it all with apparently two sets, a maximum of six actors, and a budget of twenty dollars, but it could be seen as trying to bring back the spirit of the old CAPTAIN VIDEO-type shows. Or not.
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