Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Thirty-something Rob Gordon, a former club DJ, owns a not so lucrative used record store in Chicago. He not so much employs Barry and Dick, but rather keeps them around as they showed up at the store one day and never left. All three are vinyl and music snobs, but in different ways. Rob has a penchant for compiling top five lists. The latest of these lists is his top five break-ups, it spurred by the fact that his latest girlfriend, Laura, a lawyer, has just broken up with him. He believed that Laura would be the one who would last, partly as an expectation of where he would be at this stage in his life. Rob admits that there have been a few incidents in their relationship which in and of themselves could be grounds for her to want to break up. To his satisfaction, Laura is not on this top five list. Rob feels a need not only to review the five relationships, which go back as far as middle school when he was twelve, and try to come to terms with why the woman, or girl as the case may ...
Right after Laura walks out on him Rob lists his top 5 most memorable break-ups in CHRONOLOGICAL ORDER and lists #3 as Jackie Alden but later on when he is recounting each incident he refers to #3 as Charlie Nicholson. See more »
What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
See more »
The main end credits are printed on music-type flyers posted on poles and walls. See more »
In the version premiered on Comedy Central in 2003, there are numerous dialogue changes due to adult language, but several of these can be clearly identified as alternate takes rather than overdubs:
1. When Rob talks about Deep Purple and his autobiographical record collection, Dick simply says "no way."
2. Rob says "is that Peter Frampton? Why?" instead of "is that Peter f'ing Frampton?" just before he enters the lounge.
3. Rob says "it made me feel like less of a... whoever the hell Laura thinks I am" during the phone call to Liz.
4. Rob shouts to himself "who... is Ian!?" and rips posters off the wall after he talks to Liz.
5. When Liz comes into the store, she says "hey Rob... you selfish jerk!"
6. In the bar, Rob says (due to a mis-edit) "but really good" twice (once in a medium shot and again in the close-up) and asks "how come suddenly I'm the world's biggest jerk?"
7. At dinner with Rob, Penny calls the guy she slept with a "dirtbag" and tells Rob to "go to Hell."
8. The whole scene where Rob gets Charlie's answering machine is a different take, again without language.
9. The shoplifting scene has a differently paced take when Rob says "how much is this deck worth to you and how much did you steal? Can you do the math?"
10. Charlie says "no, I can't believe you, Rob. I knew it. You are," in an alternate take when she sits down after the dinner party scene, instead of repeatedly cursing.
11. Barry's "top five songs about death" is a different take and even has Rob adding "Not Dark Yet, by Dylan" before he runs off to get the phone.
12. Rob asks "Hey! What the hell is this, huh? What is this?" when he finds Laura's flyer.
13. The scene where Rob offers Barry money not to play at the release party is different.
One of my favorite movies, based on one of my favorite books. "High Fidelity" is perfect if you already had a broken heart, and if you tried to heal it with some pop songs.
John Cusack is not acting - he REALLY IS Rob Fleming (Rob Gordon in the movie). If there are doubts about it, I just say that he made the soundtrack compilation and collaborated with the screenplay.
The supporting cast is also perfect. Jack Black and Todd Louiso couldn't be better. Tim Robbins, as the world-music-fan, is a nice surprise, and Joan Cusack is always funny.
It looks like everyone had a lot of fun making this movie, and the result is a nice and funny and full of emotions motion picture, to see again and again and again to remember how music and love can help each other.
42 of 57 people found this review helpful.
Was this review helpful to you?
| Report this