Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Thirty-something Rob Gordon, a former club DJ, owns a not so lucrative used record store in Chicago. He not so much employs Barry and Dick, but rather keeps them around as they showed up at the store one day and never left. All three are vinyl and music snobs, but in different ways. Rob has a penchant for compiling top five lists. The latest of these lists is his top five break-ups, it spurred by the fact that his latest girlfriend, Laura, a lawyer, has just broken up with him. He believed that Laura would be the one who would last, partly as an expectation of where he would be at this stage in his life. Rob admits that there have been a few incidents in their relationship which in and of themselves could be grounds for her to want to break up. To his satisfaction, Laura is not on this top five list. Rob feels a need not only to review the five relationships, which go back as far as middle school when he was twelve, and try to come to terms with why the woman, or girl as the case may ...
In the "Little Latin Lupe Lu" discussion scene, when the camera cuts to Barry replying, "Bullshit!" he's suddenly standing much farther from Dick than in the previous shot. See more »
What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
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At the beginning of the movie Dick mentions an album by a fictional band titled 'Pop, Girls, etc'. That became the Hungarian title of the movie. See more »
DVD and "Video Bonus" editions of the movie contain scenes cut from the theatrical release. See more »
Who says familiarity breeds contempt? In this film of heart break, betrayal, true friendship, and love, Cusak adapts Hornby's book perfectly, melding self doubt, fear of death, and a search for truth with modern cinema and pop music. Rob, Dick, and Barry are all struggling men in their late twenties (thirties in the book) trying to find a way to identify themselves, and live at peace. Rob has the most conflict as he flounders through one relationship to another, never getting comfortable, and always finding a way to mess it up. It's a brilliant tale of coming to terms with reality, and having a bit of fun along the way. The casting was pheonimal, scenes perfectly picked, and music parallelling that of the mood set in the book. It's just a shame so much had to be cut. I would recommend this movie to anyone with a calloused ear and a desire to finally relate with a character.
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