6.9/10
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461 user 104 critic

Any Given Sunday (1999)

A behind-the-scenes look at the life-and-death struggles of modern-day gladiators and those who lead them.

Director:

Oliver Stone

Writers:

Daniel Pyne (screen story), John Logan (screen story) | 2 more credits »
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Popularity
3,462 ( 364)

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3 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Al Pacino ... Tony D'Amato
Cameron Diaz ... Christina Pagniacci
Dennis Quaid ... Jack 'Cap' Rooney
James Woods ... Dr. Harvey Mandrake
Jamie Foxx ... Willie Beamen
LL Cool J ... Julian Washington
Matthew Modine ... Dr. Ollie Powers
Jim Brown ... Montezuma Monroe
Lawrence Taylor ... Luther 'Shark' Lavay
Bill Bellamy ... Jimmy Sanderson
Andrew Bryniarski ... Patrick 'Madman' Kelly
Lela Rochon ... Vanessa Struthers
Lauren Holly ... Cindy Rooney
Ann-Margret ... Margaret Pagniacci
Aaron Eckhart ... Nick Crozier
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Storyline

When a devastating hit knocks a professional football legend and quarterback Cap Rooney out of the game, a young, unknown third-stringer is called in to replace him. Having ridden the bench for years because of a string of bad luck stories and perhaps insufficient character, Willie Beaman seizes what may be his last chance, and lights up the field with a raw display of athletic prowess. His stunning performance over several games is so outstanding and fresh it seems to augur a new era in the history of this Miami franchise, and forces aging coach Tony D'Amato to reevaluate his time-tested values and strategies and begin to confront the fact that the game, as well as post-modern life may be passing him by. Adding to the pressure on D'Amato to win at any cost is the aggressive young President/Co-owner of the team, Christina Pagniacci, now coming into her own after her father's death. Christina's driving desire to prove herself in a male dominated world is intensified by her focus on the... Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Life is a contact sport. See more »

Genres:

Drama | Sport

Motion Picture Rating (MPAA)

Rated R for strong language and some nudity/sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 December 1999 (USA) See more »

Also Known As:

Gridiron See more »

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Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend USA:

$13,584,625, 26 December 1999

Gross USA:

$75,530,832

Cumulative Worldwide Gross:

$100,230,832
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Black and White (archive footage)| Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Jenkins was hurt half way thru season and lost for rest of season . But in locker room speech at the end he is in full pads See more »

Goofs

When Jack Rooney is working out, a crew member is clearly visible in the back of the room as his wife is speaking. See more »

Quotes

Tony D'Amato: You find out life's this game of inches, so is football. Because in either game - life or football - the margin for error is so small. I mean, one half a step too late or too early and you don't quite make it. One half second too slow, too fast and you don't quite catch it. The inches we need are everywhere around us. They're in every break of the game, every minute, every second. On this team we fight for that inch. On this team we tear ourselves and everyone else around us to pieces for that ...
See more »

Crazy Credits

During the end credits, we see D'Amato accepting an award and telling of his future plans with the league. See more »

Alternate Versions

Alternate television versions of several scenes were filmed. See more »


Soundtracks

Sole Sunday
Written by Khujo (as W. Knighton), Big Gipp (as C. Gipp), André Benjamin (as A. Benjamin) and David Sheats (as D. Sheats)
Produced by David Sheats (as Mr. DJ)
Performed by Goodie Mob featuring Outkast
GOODIE MOB and OUTKAST Appear Courtesy of LaFACE RECORDS
See more »

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User Reviews

 
Professional Football Meets Its Match in Oliver Stone
21 December 2005 | by noraleeSee all my reviews

I thought what a great combo for "Any Given Sunday" - Oliver Stone and professional football -- excess meets its match.

So I grabbed a chance to go to the movies with my sons. They got a lot more out of the first and third thirds of the movie that are football games, which I couldn't follow at all, knowing zilch about football so I missed any references to significances of plays and strategies and didn't recognize the zillion football players past and present in bit parts, but I got other visual and music references they didn't.

The football field is explicitly a jungle, with the sounds like an elephant herd crashing. Of course Stone never says or shows once what he can get across 5 times, so the jungle fever point of the primalness of sports as a venue for male violence is accompanied by Native American chants, aboriginal and Asian Indian mystic strains as well. I don't know enough about rap to judge those selections -- I could tell there were lots of lyrics about "niggaz" working for The Man type of thing.

The second third should have appealed to me as that's when the huge ensemble has personal interactions and we learn all their selfish, dastardly, unpleasant motivations, but I was on sensory overload. Example: Al Pacino as the Old Guard Coach calls in Jamie Foxx as the suddenly first string quarterback (in a terrific performance), for a tête a tête on the pro's of Jazz over Rap, as a metaphor of the old football of finesse (what? all those flashbacks to black & white football games were of a subtle sport?). But when Foxx walks in Pacino has "Ben Hur" playing on a wide-screen TV. As if we didn't get the point Foxx actually says "The old gladiators, huh?" If we still didn't get the point the conversation keeps intercutting with the chariot race. And if we still didn't get the point of any reference in the conversation to racial issues then intercuts to the galley slave scenes from "Ben Hur" THEN on top of that, the NFL commissioner who puts the Bitch Owner in her place for trying to play with the Big Old Guys is none other than Charlton Heston.

No one just has a conversation -- everyone shouts, usually at the same time, so I had to close my eyes and I'm not sure if I missed something.

This is Sunbelt Football of expansion teams where the sport is not a Fall/Winter season - so the women were everywhere in tank tops, cleavage, midriffs bare and hips swinging, even Cameron Diaz as the Bitch Owner. Though all the women are really high priced prostitutes (even usually sweet Lauren Holly is a hardened cold Football Wife).

What I don't think I missed was Stone's outsize determination to ignore the homo-erotic aspects of male sports violence that "Fight Club" reveled in. Aw come on Stone, not a single gay player in the closet? He crowds the behemoths into locker rooms and showers that can barely contain their bodies--but he's so afraid of showing them in contact that he even at one point has one throw a baby alligator into the shower so they scatter.

Everyone is criticized-- including the sportscasters, which Stone revels in playing one (I think in general this movie is a show down between Stone and Spike Lee as it takes on more racial issues than he's done in the past). What a coincidence that ESPN is continually bad-mouthed when there's a big legible credit at the end to Turner Sports Network when this is a Time Warner movie and ESPN's a competitor.

Stone of course goes out of his way to link football with war, to fit into his oeuvre, with battle quotes from Vince Lombardi and some sort of link with Pacino's father dying in WWII that was irrelevant it seemed to me.

I think this is Dennis Quaid's at least third football movie and in the genre of such movies as "North Dallas 40," "Longest Yard," "Great American Hero," etc. and this joins that pantheon as a terrific football movie.

The music selections were by Robbie Robertson (with Paul Kelly but I'm not sure which Kelly that is) and he did as seamless a job as he's done for Martin Scorcese. The music credits at the end were impossible to read -- in 3 columns of a vertical font that was like watching the credits on TV - plus the movie continues under the credits so all those who bolted missed the ending.

Professional football deserves to be Oliver Stoned. But if I never saw any more football that'll be fine with me.

(originally written 12/27/1999)


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