When a devastating hit knocks a professional football legend and quarterback Cap Rooney out of the game, a young, unknown third-stringer is called in to replace him. Having ridden the bench for years because of a string of bad luck stories and perhaps insufficient character, Willie Beaman seizes what may be his last chance, and lights up the field with a raw display of athletic prowess. His stunning performance over several games is so outstanding and fresh it seems to augur a new era in the history of this Miami franchise, and forces aging coach Tony D'Amato to reevaluate his time-tested values and strategies and begin to confront the fact that the game, as well as post-modern life may be passing him by. Adding to the pressure on D'Amato to win at any cost is the aggressive young President/Co-owner of the team, Christina Pagniacci, now coming into her own after her father's death. Christina's driving desire to prove herself in a male dominated world is intensified by her focus on the...Written by
3-Time Super Bowl winning NFL guard, Mark Schlereth reported that Al Pacino was seen walking around the Denver Broncos training camp in 1998. He observed Head Coach, Mike Shanahan during the training camp that would lead to the Shanahan (and the Denver Broncos) first Super Bowl championship. See more »
The team name on the warm up jackets is misspelled as 'Shraks,' See more »
During the end credits, we see D'Amato accepting an award and telling of his future plans with the league. See more »
Because European audiences normally don't know the rules of American Football, approximately 12 minutes of footage (scenes of foul play) were cut from some European prints to shorten running time. See more »
I don't intend to add to the many positive comments about this movie. I agree with them. But from another perspective:
First, I have never been a football fan. However, any movie that combines Oliver Stone and Al Pacino has to get my interests. I loved it.
One thing that did impress me more than anything else was the quality of the sound design. The 3 dimensional noises in the huddle, on the line, from the grandstands; the growls and other sounds from the players; these things made the movie live and my blood boil. I was breathless.
Then these things interspersed with dead silences and slow motion dreamlike sequences gave the action a spiritual quality.
I stayed for the credits to see who had done this sound work and I think Wylie Stateman will get, at the very least, an Oscar nomination for sound design. If you ever wondered what this credit meant, see this movie and you will know. This movie would have lost a great deal of its punch without that sound designer's talent.
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