A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used-car salesman while terrorists smuggle nuclear war heads into the United States.
Jamie Lee Curtis,
On December 28th, 1999, the citizens of New York City are getting ready for the turn of the millennium. However, the Devil decides to crash the party by coming to the city, inhabiting a man's body, and searching for his chosen bride, a 20-year-old woman named Christine York. If he bears her child between 11:00 PM and midnight on New Year's Eve, the world will end, and the only hope lies within an atheist ex-cop named Jericho Cane, who no longer believes in God because of the murder of his wife and daughter.Written by
Peter Hyams: [Spota] The name of the bar on the matchbook is Spota's. The name Spota appears as a character name in several other of Hyams' movies. Further, the address is 74 Clinton Street. Bill Clinton was president of the United States Of America (USA) at the time of this film's release. Coincidentally, Clark Kent (who is secretly Superman) also lives on Clinton Street, at #344, in most of his comic book appearances throughout the 1970's. This fact has as much bearing on the understanding of this movie as does the fact that Bill Clinton was in office in 1998. See more »
When Jericho makes his breakfast pizza milk shake, the container is half full when he's finished running the blender. When he picks the blender up to take a drink, it's three quarters full. See more »
The Philippine theatrical version completely removes Christine's nightmare sequence in which Satan is seen having sex with mother and daughter. It also edits out some violent scenes such as Satan driving his fist completely through a person's body and the close-up shot of The Man's torso missing after the train wreck. See more »
Written by Roman Marisak, Jeff Schartoff
Published by WB Music Corp. (ASCAP)
Produced by Toby Wright and Professional Murder Music
Mixed by Terry Date at Studio X, Seattle, WA
Recorded at Royaltone Studios, Los Angeles, CA
Performed by Professional Murder Music
Courtesy of Geffen Records See more »
Arnie vs. Satan
Arnold peaked at the end of the '90s, I guess. He's battled Terminators, Greek gods, bears, alligators, planes, and macho men in fish net clothing. The only choice left is, of course, Satan. So they put together a movie about Satan and gave Arnie the lead.
I think everyone working on this thought it would be much better than it actually is. The script was in development for years and Arnie fought to get it made. It's kind of unfortunate because Arnold gives a fairly decent performance in a film muddled with clichés. Of course, it's hard enough to buy a guy with a body like Arnold being a slob who drinks beer and pizza smoothees for breakfast. Getting someone like Jim Belushi might have seemed more realistic.
Apart from the physicality, Arnold's performance is fine. He cries. He does the emotion scenes well enough - at least well enough to find bearable.
It's the direction that ruins this movie. Peter Hyams is a terrible director and has ruined some very unique films in the past (his most notorious butchering in my opinion was of a 1983 Michael Douglas film called "The Star Chamber" - great premise, awful directing).
"End of Days" is like "Exorcist" meets every supernatural thriller ever made. On top of that, Gabriel Byrne should be more menacing. Robin Tunney should be less butch-looking. The direction shouldn't feel like some low-grade TV commercial - all style, no substance.
Is the movie terrible? No. It's not as bad as everyone made it out to be. But it's pretty much the definition of "mediocre." Do I own it on DVD? Hell yeah. It's an Arnold movie - it's an automatic must-buy. But if you're not a fan of Arnie, I wouldn't recommend it - at all. It pretty much feels like any average made-for-TV scary-flick - with even worse direction.
The only other good aspect of this film was that it brought Axl Rose out of seclusion to record his first original song in seven years with a new incarnation of Guns N' Roses. The song, "Oh My God," didn't do too well with the critics. A bit of a shame, really. I dug it. It also fits the industrial, edgy tone of the film.
70 of 104 people found this review helpful.
Was this review helpful to you?
| Report this