End of Days

I liked this film.it's sort of in a similar vein as the original The Omen(1976)and it has a fair amount of thrilling scenes.there's lots of action.the acting is good all around. Arnold Schwarzenegger stars ,with Robin Tunney and Kevin Pollock.Gabriel Byrne who also starred in Stigmata the same year,is in this film as well.the rest of the supporting cast is also very good.for me,this supernatural thriller is exactly that.it's very thrilling and dark,although there are some amusing bits to to release the tension.if you like this movie,i would recommend the original Omen(1976)and the remake (2006 for me,End of Days is a 7/10

Hyped to the heavens when it first came out as Schwarzenegger's comeback movie, this 1999 film steers the Governor away from his attempts at comedy and collaborations with Danny Devito and back into the sort of action packed carnage that made his name in the first place. However, where the likes of Commando had him portraying invincible supermen with a neat array of guns and one liners to hand, End of Days is considerably darker.

Set in New York on the eve of Millennium, the film shows a version of the Austrian Oak previously never witnessed. He plays Jericho Cane, an alcoholic ex-Cop in charge of a security squad who finds himself embroiled in a battle to save a young girl (Robin Tunney) from being raped by the devil (a sadly, rather ineffective Gabriel Byrne) and bringing about Armageddon. As you do.

Cane himself is not the best sort of man for saving all creation either. He is mired in deep depression, has abandoned any faith in God he may have once had and when we first see him, is contemplating suicide. However, saving the girl gives him a drive and determination even when faced with some conflicting views from the Catholic Church about how best to go about this. All of this takes place in a very grim and gritty vision of New York where the rain never stops falling, urban decay is rife and pillars of steam rise from manhole covers. It is a fitting location for the end of all creation to begin and cast a dark veil over the flick.

Of course, that isn't to say the film is all doom and gloom as there are a few glimpses of just how seriously the makers weren't taking their project (the argument between Arnold and Kevin Pollack in the former's apartment is hilarious). Plus, while the story and characters are all developed to match the atmosphere of impending dread during the first hour and a half, the last twenty minutes are made up of the kind of explosive action that strangely doesn't jar against the grimmer nature of the rest of the film, though the CGI devil at the climax is pushing it a little.

All in all, an enjoyable romp for fans of the Governator before his attention was diverted by a political career. It compares well to his classic eighties work by trying to do something different and while it may not gel properly in places, for a good 80% of the running time it does a very entertaining job.

Arnold peaked at the end of the '90s, I guess. He's battled Terminators, Greek gods, bears, alligators, planes, and macho men in fish net clothing. The only choice left is, of course, Satan. So they put together a movie about Satan and gave Arnie the lead.

I think everyone working on this thought it would be much better than it actually is. The script was in development for years and Arnie fought to get it made. It's kind of unfortunate because Arnold gives a fairly decent performance in a film muddled with clichés. Of course, it's hard enough to buy a guy with a body like Arnold being a slob who drinks beer and pizza smoothees for breakfast. Getting someone like Jim Belushi might have seemed more realistic.

Apart from the physicality, Arnold's performance is fine. He cries. He does the emotion scenes well enough - at least well enough to find bearable.

It's the direction that ruins this movie. Peter Hyams is a terrible director and has ruined some very unique films in the past (his most notorious butchering in my opinion was of a 1983 Michael Douglas film called "The Star Chamber" - great premise, awful directing).

"End of Days" is like "Exorcist" meets every supernatural thriller ever made. On top of that, Gabriel Byrne should be more menacing. Robin Tunney should be less butch-looking. The direction shouldn't feel like some low-grade TV commercial - all style, no substance.

Is the movie terrible? No. It's not as bad as everyone made it out to be. But it's pretty much the definition of "mediocre." Do I own it on DVD? Hell yeah. It's an Arnold movie - it's an automatic must-buy. But if you're not a fan of Arnie, I wouldn't recommend it - at all. It pretty much feels like any average made-for-TV scary-flick - with even worse direction.

The only other good aspect of this film was that it brought Axl Rose out of seclusion to record his first original song in seven years with a new incarnation of Guns N' Roses. The song, "Oh My God," didn't do too well with the critics. A bit of a shame, really. I dug it. It also fits the industrial, edgy tone of the film.

Peter Hyams' End of Days stars Arnold Schwarzenegger as a fired and alcoholic police officer, who is on the edge of sanity and tries to commit suicide very often. He is now private security guard and traps a mysterious sniper who tried to kill one of his clients. Soon he learns that there are some very bad things going on in the city, and the new millennium is very close..It is the last days of December, 1999.

I really liked the scare department in this demonic little horror thriller from this talented director and director of photography, Peter Hyams. This film is full of effective and very ominous images and scenery and the film is very dark. I appreciate perhaps most the shots above the city and the twisted use of camera up there. That really creates a feeling of evil and that something very powerful and wicked is "above the city" and is about to get power. Hyams once again shows his talent as he has been the director of photography many times earlier in his own films. End of Days reminded me occasionally of Alex de la Iglesia's great horror film El Dia de la Bestia (Day of the Beast), a brilliant mix of black comedy and VERY dark imagery and atmosphere. As incredible as it sounds, this mainstream produced film is that effective, thanks to the talented men behind the camera.

There are some flaws, too, and the most irritating things is perhaps the cliche ending, which I definitely won't spoil here, but is without a doubt there only to satisfy the audience and create the safe and familiar Happy Ending. If this was made 20 years ago, the ending would definitely have been different; it would've been how the director wanted to, not hot the audience wanted to. That tones the otherwise great and exciting finale a little bit down, but fortunately it is not as syrupy as possible. Another negative thing that I can tell is the editing which is very fast, unstylishly and ineffectively fast and restless. Fast edits can be great elements if used right and with skill, but in this film, they are in my opinion gratuitously fast and too plenty. Just watch the action scenes and count how many edits there are in one minute. The editors should have realized that sometimes - and in this case - less is more. These "flaws" are still tolerable especially when I keep in mind how many positive points there are in this film.

End of Days is also very exciting and fast paced. The train segment is great and especially the clock ticking finale when the millennium is about to change, is very skillfully created and hold my full attention. The finale is pretty similar to the finale in Kathryn Bigelow's own millennium related film, a paranoid and effective thriller Strange Days (1995). In End of Days, there are also couple of genuinely frightening, scary, sudden and loud "shocks" that require a movie theatre to fully work. The nightmare sequences are also chillingly original and brought to my mind the great horror classics that even Hollywood sometimes produced. The demon which Christine sees in her dreams is very scary and almost as frightening as the similar character in David Lynch's masterwork Lost Highway.

As a horror film, End of Days works fine and creates an atmosphere that is so rare in mainstream films nowadays. I didn't have any expectations when I placed the VHS in my VCR, and so I was pleasantly surprised of what I saw and experienced. If we stay in the 90's, I could say that End of Days is kind of tamer version of Day of the Beast and without its comic elements. There are comic elements in End of Days, too, but those are not, fortunately, the usual Hollywood one-liners and stupid bits of dialogue. Gabriel Byrne over-acts occasionally little, but many guys who play devils seem to have this problem! He is almost as "cool and modern" devil as Al Pacino in Taylor Hackford's Devil's Advocate, a film which also has great atmosphere but is more restrained and drama oriented.

End of Days gets 7/10 from me. Great work again Peter!

END OF DAYS / (1999) **1/2 (out of four)

By Blake French:

"End of Days" is the first movie to seriously argue that "666" the numerical sign of the devil, is actually a 999 upside-down. Since the film was first released in 1999, the movie could not resist to throw in that little contrivance. What can you expect from a movie when its premise is based on the concept that once every thousand years if Satan impregnates a woman during the hour from 11 p.m. to 12 a.m. on the last day of the millennium, she will give birth to the anti-Christ who will bring the world to an end? I am already thinking that the movie is vulnerable to logic (is the time given in Eastern Standard?) and it will make its own limitations at the convenience of plot. "End of Days" is particularly graphic in its use of violence, but never really scares us, even with such a horrifying premise like the end of humanity.

Arnold Schwarzenegger has not made a good movie in a long time. First "Jingle all the Way," then "Batman & Robin," now we have a movie that bounces back and forth between action and concept. There are the standard "action movie scenes," where a person sways from a helicopter in mid air, where a chase scene takes place at incredible heights, where someone grasps to a high window ledge, where a subway train crashes, where a massive fire erupts in Manhattan, and so on. There are also the false shocko moments followed with a sudden burst of loud, startling music: the its just a cat scene, its just another cop scene, its just a dream scene, its just your imagination scene, he's not really dead scene, and its just maggots suddenly growing out of an apple scene. The movie is also bound by philosophy. The action is focused towards Schwarzenegger saving the world, but he cannot do that all by himself, can he? Sure he can, if he can stop Satan (Gabriel Bryne), from impregnating Christine (Robin Tunney), who was born under the religious sign of a passing comet -- and based on her birth twenty years earlier during the sighting of that comet – is the chosen mother of Satan's child.

"End of Days" begins with an intriguing, although plausible, premise. The bizarre events that transpire a few days before the end of the millennium immediately inspire our curiosity. The action sequences are also fine, intensified by thrilling music and a fast paced style. The movie opens on a good note, and the remainder of the action sequences are also quite exciting. The scenes also inspire a few questions. Satan kills many people in this movie, people just like the hero, so why doesn't he just finish Arnold Schwarzenegger off like he does with so many other characters. On the other side, Schwarzenegger shoots the devil, who pulls his shirt up so we can see the bullet holes immediately healing. When using a machine-gun, the ammunition flings the Prince of Darkness backward and puts him down before he attacks again. There are simply no rules to abide by here.

"End of Days" does not have a whole lot of explanation; it plays sort of like your run of the mill action picture with the gimmick of the week. There just is not a lot of true involvement or engagement after the premise. We do care about Arnold Swarzzenegger's character, and Gabrial Bryne is an especially convincing Satan. He is devilish, with fiendish appeal, proving that tranquillity is the most terrifying evil. Al Pachino did an equally diabolical job in "The Devils Advocate," but Bryne is even more terrifying. Robin Tunney has nothing to do but exchange shameless subtext with Schwarzenegger's character. ("You're better than everyone else, just remember that." "I don't want to be better or worse, I just want to be normal.") She is more of a plot device than an actual character.

Excellent convincing set designs appear frequently, especially near the end where the characters wander through dark chambers and dim hallways. Cinematography also adds a nice touch to the suspenseful, mysterious atmosphere, all done by the movie's director, Peter Hyams ("The Relic"). It is too bad such good filmmaking does not have a story fit enough to back it up. One more thing I just have to mention: Why do the cops always show up at the end of the movie, after the action is over. I am getting very tired of that.