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L'étoile de mer

  • 1928
  • 21m
IMDb RATING
7.0/10
1.5K
YOUR RATING
L'étoile de mer (1928)
ShortRomance

Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a... Read allTwo people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful s... Read allTwo people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three p... Read all

  • Director
    • Man Ray
  • Writer
    • Robert Desnos
  • Stars
    • Kiki of Montparnasse
    • André de la Rivière
    • Robert Desnos
  • See production, box office & company info
  • IMDb RATING
    7.0/10
    1.5K
    YOUR RATING
    • Director
      • Man Ray
    • Writer
      • Robert Desnos
    • Stars
      • Kiki of Montparnasse
      • André de la Rivière
      • Robert Desnos
    • 8User reviews
    • 5Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
  • Photos

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    Top cast

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    Kiki of Montparnasse
    • Une femme
    • (as Alice 'Kiki' Prin)
    André de la Rivière
    • Un homme
    Robert Desnos
    • Un autre homme
    • Director
      • Man Ray
    • Writer
      • Robert Desnos
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

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    • Connections
      Featured in Starfilm (2017)

    User reviews8

    Review
    Review
    Featured review
    9/10
    eerily pleasant and beguiling, with a soft eroticism and reverie for the sea
    For most of The Starfish, one of the experimental/surrealist films from the painter Man Ray, we see everything through a kind of gauze or fuzzy filter over the camera. It has the sort of appearance that one might have looking through one of those glasses in a Church. Perhaps it's meant to evoke the religious, 'through a glass darkly' sort of thing, only this isn't dark so much as warped to make things obscured and out of focus and reach.

    What we see in the first moments is a man and woman walking together, going up to a room, and we can make out a woman disrobing (maybe not all the way, but close to it), and the man leaves her in bed. Then a flow of images come forward - not quick at all, but in the wave that comes with a hallucination under a psychedelic or in that weird wave right before you go to sleep, if not outright dreams: a starfish, close-up, in slow-motion; twelve different shots of starfish and starfishes in glasses (four across, three up); and the woman in bed or the man walking alone.

    What does all this mean? Should it matter to decipher it? At the time this film was one of many in the wave of surrealists coming forward - it was either this or another of Ray's films that screened with Bunuel's debut Un chien Andalou in 1929 - and in here, there's nothing THAT scandalous about it for today. It might have been for the period though: just the thought of a woman disrobing, or just showing her legs, as she does, albeit out of focus (and we can see when the camera goes in focus part of her leg and foot) was unthinkable for a prudish, mass collective audience. And if Man Ray was Catholic, as several of the surrealists and dadaists like Dali and Bunuel were, that was part of the point, to provoke himself as much as the audience around him with these startling images. There may also be violence invoked here as well, with a woman stalking up stairs with a knife.

    Some inter-titles come up from time to time here, and the most intriguing and poetic come at the start: "Women's teeth are objects so charming... that one ought to see them only in a dream or in the instant of love." Could this be a clue as to what the film is "about" if anything? Or is it all part of the piece itself, leading a viewer through a stream of images and contrasts - think the soft flesh of a woman's skin with the scaly outside of a starfish itself - and about what a woman's presence means in general? Teeth being invoked is also curious and unsettling - why only in love or a dream? Perhaps for Man Ray, teeth are what the eyeball was to Bunuel.

    Or, again, as in a dream, everything means something else to that person. Starfish isn't as direct or confrontational as Bunuel & Dali's dreamscapes, but it does what it should by bringing the audience along through images that, at that time and rarely since, no one has seen quite like before. Visualizing such an inner-sanctum as the subconscious is one of those things cinema does well, and Man Ray shows it.
    helpful•2
    1
    • Quinoa1984
    • May 10, 2015

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    Details

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    • Release date
      • April 20, 1928 (France)
    • Country of origin
      • France
    • Language
      • None
    • Also known as
      • Morska zvezda
    • See more company credits at IMDbPro

    Technical specs

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    • Runtime
      21 minutes
    • Color
      • Black and White
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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