7.3/10
868
10 user 5 critic

Návrat idiota (1999)

Frantisek, the main character is returning to his family. Until now he's been, "successfully" avoiding all relationships. He is an ingenuous and a pure person and thus, is regarded as an ... See full summary »

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26 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Frantisek
... Anna
... Olga
... Emil
... Robert
... Mother of Emil and Robert
... Mother of Anna and Olga
Pavel Marek ... Mole
... Girl #1
Yvetta Janousková ... Girl #2
Petra Kolárová ... Girl #3
Josef Oplt ... Dance master
... Dance courses assistant
Michal Rausar ... Schoolboy
Alena Olahová ... Waitress
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Storyline

Frantisek, the main character is returning to his family. Until now he's been, "successfully" avoiding all relationships. He is an ingenuous and a pure person and thus, is regarded as an idiot. He becomes involved in various love and family conflicts. It is because he hasn't experienced much of the "real" life that he is able to perceive human relationships in their genuineness. Written by Pavel Smutny

Plot Summary | Add Synopsis

Taglines:

First impressions of second loves.

Genres:

Romance | Comedy | Drama

Certificate:

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Details

Country:

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Language:

Release Date:

25 February 1999 (Czech Republic)  »

Also Known As:

Return of the Idiot  »

Filming Locations:

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Company Credits

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Technical Specs

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Czech Republic's official submission to 72nd Academy Award's Foreign Language in 2000. See more »

Connections

Version of Daun Haus (2001) See more »

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User Reviews

 
gedeon presented a weak plot well (visually)
21 November 2005 | by See all my reviews

This was a nice film to watch, in the way that looking out of the window of a bus can be lulling. The plot was saccharine, far-fetched and flimsy. It was too bad that Gedeon relied on the title of Dostoevsky's book "The Idiot" to generate interest for the story, since it was completely unrelated to the Russian novel. Calling it "Return Of The Idiot" implies that Gedeon's story had some precedence. Here he presents a sad crew of (fairly attractive, at least) inbred characters that revolve around a typical sad-sack anti-hero who, I think, the world could have done without. Thinking of the film, I almost want to rate it at less than seven out of ten, but I enjoyed myself on a cold November night, thinking of the Czech Republic, mildly delighted by the cool, hard blue-grey tones of the images and the film's low-key progression.


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