Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.
Director:
Asif Kapadia
Stars:
Sarah Michelle Gellar,
Sam Shepard,
Peter O'Brien
A young woman on the run from the mob poses as her wealthy twin sister to try and evade them, but soon discovers that her sister has a price on her head as well.
Stars:
Sarah Michelle Gellar,
Kristoffer Polaha,
Ioan Gruffudd
A woman's life is thrown into chaos after a freak car accident sends her husband and brother-in-law into comas. Thrills arrive after the brother-in-law wakes up, thinking he's his brother.
Directors:
Joel Bergvall,
Simon Sandquist
Stars:
Sarah Michelle Gellar,
Lee Pace,
Michael Landes
After a frantic suicide attempt, Veronika awakens inside a mysterious mental asylum. Under the supervision of an unorthodox psychiatrist who specializes in controversial treatment, Veronika learns that she has only weeks to live.
Director:
Emily Young
Stars:
Sarah Michelle Gellar,
Jonathan Tucker,
Erika Christensen
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Director:
Jieho Lee
Stars:
Brendan Fraser,
Sarah Michelle Gellar,
Andy Garcia
A department store executive (Flanery) tries to resist falling in love with a young woman (Gellar), who he believes has possessed magical powers after inheriting a restaurant.Written by
Lawless <lawless@smgfan.com>
The female lead was supposed to be middle-aged, according to the script, but was rewritten to be a 20-year-old so that Sarah Michelle Gellar could be cast. The studio wanted to cash in on Gellar's popularity as the result of Buffy the Vampire Slayer (1996). See more »
Goofs
When Amanda Shelton opens the shop door after seeing the cop adjusting his belt, the camera is visible and a crew guy is crouched down. See more »
Quotes
Tom Bartlett:
I think I've loved you since that first day in the market.
Amanda Shelton:
You mean the day I had my hand up your pants. Men are so easy.
Tom Bartlett:
Oh yeah.
See more »
While a thousand monkeys on a thousand typewriters might never write a play like Shakespeare, any ten of them could have cranked out the lines for this one. It is at best a romantic comedy for the Barbie and Ken doll set, with a script so trite and corny as to be unintentionally amusing. Gellar is suitably appealing in her role as Amanda, a likeable and intelligent young woman, but it is "she" who becomes bewitched by a character with no more depth than a paper cutout, having to his credit only lots of money and conventional good looks. Then the plot revolves around her obsession with catching him, when it is painfully obvious that he isn't worth running after.
The title implies that it is "she" who is irresistible, except that she is always chasing after him. In other words, if she is so irresistible, why would she need "magic" to catch such a dolt? Her character is a hundred times more interesting than his, bothering to be concerned about others and such, while he is too in love with "himself" to care about anyone else. The deepest thought he can contemplate is the perfect paper plane! If there is a prince to this farce of a fairy tale, it might come closer to her buddy the cook, who is at least a fairly good friend. But this is a shallow and embarrassing story, tediously boring, with no better message but that money and glamour are more worth having than imagination and character.
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While a thousand monkeys on a thousand typewriters might never write a play like Shakespeare, any ten of them could have cranked out the lines for this one. It is at best a romantic comedy for the Barbie and Ken doll set, with a script so trite and corny as to be unintentionally amusing. Gellar is suitably appealing in her role as Amanda, a likeable and intelligent young woman, but it is "she" who becomes bewitched by a character with no more depth than a paper cutout, having to his credit only lots of money and conventional good looks. Then the plot revolves around her obsession with catching him, when it is painfully obvious that he isn't worth running after.
The title implies that it is "she" who is irresistible, except that she is always chasing after him. In other words, if she is so irresistible, why would she need "magic" to catch such a dolt? Her character is a hundred times more interesting than his, bothering to be concerned about others and such, while he is too in love with "himself" to care about anyone else. The deepest thought he can contemplate is the perfect paper plane! If there is a prince to this farce of a fairy tale, it might come closer to her buddy the cook, who is at least a fairly good friend. But this is a shallow and embarrassing story, tediously boring, with no better message but that money and glamour are more worth having than imagination and character.