Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Dr. Evil uses a device he calls a "Time Machine" to travel back to 1969 and remove Austin Powers' mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil's personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs "Mini-Me". The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either "The Death Star" or "Alan Parson's Project," depending on which name is available.Written by
Michael "Rabbit" Hutchison <email@example.com>
In the opening credits, while doing the synchronized swimming routine, Mike Myers does a "hand chopping" move made famous by fellow Saturday Night Live (1975) actors Martin Short and Harry Shearer back in 1984, during a skit about two men training to be the first men allowed to enter the Olympics for synchronized swimming. See more »
When Mini Me draws the picture of Scott being hanged he is using one black marker. However the picture is colored with two colors: Black and Red. See more »
Austin Powers, International Man of Mystery, was frozen in 1967 and defrosted in the Nineties to battle his nemesis, Dr. Evil. After foiling his archenemy's plan to send a nuclear warhead to the center of the earth, Austin banished Dr. Evil to the cold recesses of space and settled down with his new wife, Vanessa, to live happily ever after. Or so he thought.
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The "Elizabeth Hurley as Vanessa" credit (in the opening credits scene) appears AFTER her only scene in the film. See more »
The Spy who Shagged Me - not a title you'd expect to garner much respect, but this movie does okay. With Austin Powers 2 we see the arrival of such characters as Mini-Me and Fat Bastard, who inevitably help steer the sequel way from completely recycling every joke used in the first film. However, there is still that overlap, so a lot of the humor comes off a bit stale and tacky. There is virtually no end to the plot holes, inconsistencies, and various irregularities, but that is often a big part of the humor of the Austin Powers movies - making direct fun of the spy genre, as well as themselves.
And, on a personal note, Heather Graham is by far more attractive than Liz Hurley, and she flaunts it with great respect for us, the juvenile minded male audience. Overall, I'd consider this sequel about on par with the original, not in any specific details, but in all-around entertainment value.
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