Womanizer suddenly finds a woman who makes him change the way he looks at women. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important...
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This movie is about one of the worst periods for the Brazilian people. Shows the days of military dictatorship when the Brazilian people against the government were put in jails, tortured, ... See full summary »
Two friends take two prostitutes for a night of pleasure. But the night turns out to be frustrating for all involved, as much bitterness is revealed in their conversation and attitudes, ... See full summary »
The ironic, heartbreaking and acid "saga" of a spoiled tomato: from the plantation of a "Nisei" (Brazilian with Japanese origins); to a supermarket; to a consumer's kitchen to become sauce ... See full summary »
In the great restaurant of life, there are those who eat and those who get eaten. Raimundo Nonato finds an alternative way, a life of his own: he cooks in order to survive and find a place ... See full summary »
There are many concurrent plots in this film. The main one being the one in which a desperate guy kills his parents with an open razor and then goes to the movies. At the same time, other ... See full summary »
Antero de Oliveira
Womanizer suddenly finds a woman who makes him change the way he looks at women. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life or embrace this special relationship and become a monogamous man.Written by
Talented play writer, director and actor, Domingos de Oliveira has made a few films since this one and still doing, always dealing with his main theme, love and its implications. Considered by some viewers the Brazilian Woody Allen, no other Brazilian film director has this funny, inventive and sensitive look at day-by-day romantic comedy situations as Domingos does.
"Todas as Mulheres do Mundo" is an ode to women. The story of a man with many flirts, suddenly caught by love. Since then, he is going to face the delights of monogamy and suffer all the pain and doubts that love itself demands, in order to survive and grow stronger, with humor, sensibility and great actors (highlighting the performances of Paulo José, Leila Diniz and Flávio Migliaccio). Domingos and his crew can extract each light of beauty that Leila Diniz reflects. This is a true masterpiece of the "Cinema Novo" era, an icon of Brazilian cinema.
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